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Hansraj Public School
students excel
Panchkula, March 27 Mehak Vohra stood first with 92.33 per cent marks. Others who scored over 90 per cent marks are Palak Bansal, Gaurav Garg, Bhavika Syal,Nishtha Gandhi, Jineya Goel, Aman Mohan, Aruj Garg and Shagun Goyal. |
DAV-7 student
tops in city Chandigarh, March 27 Sahil Manchanda and Pratkeet Mahajan have secured 91.6 per cent marks each. Two students of DAV Public School, Sector 8, Sushmita Bhattacharya and Ruhi Gupta, have secured 91.8 per cent and 91.5 per cent marks, respectively. Santan divas:
Dr Amarjyoti , eminent Punjabi writer from Holland, was the chief guest. School gifts:
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Film Review Hindi cinema seems to be renouncing its conditioning. It is experimenting! After “Tum” which explored an adulterous relationship, “Hawas” is another film riding on the wave of sexual permissiveness. It is another matter that these themes are not handled with sensitivity. In the absence of good scripts, most of these like “Hawas” end up mocking at the man-woman relationship. A beautiful housewife (Meghna Naidu) bored with her ever-busy husband (Shawar Ali) consciously walks into an adulterous relationship with a painter (Tarun Arora). The first half overflows with steamy scenes. And if you manage to sit through it, you are rewarded with a murder twist. The performance of two men are
forgettable. While Manisha Koirala in “Tum” is repentant, here the heroine
includes in sexscapades with aplomb. Those with the traditional mindset will struggle hard to justify the two-timing. * * * Romu Sipply’s suspense thriller “Woh” is an old wine in a new bottle. Since there is no climax, therefore, no anticipation. So much so for the suspense part. Shekhar Kapur (Priyanshu Chatterjee) comes to Mahableshwar in search of a job. However, he lands up in the bar of a dancer, Laila, who tries to play Helen. There he meets her accomplice, Partap Singh. Too gullible, he gets sucked into the world of criminals. Priyanshu lends some dignity to his character and brings some semblence of order . But his efforts are wiped out by a moth-eaten script. The heroine, Cleo Issacs, contributes little to the film. Ayub Khan is a villain with a distorted comic sense. There is no high point or touching scene. The score is equally indifferent. The moral of the storyline is trust and you shall be doomed. And this applies to the movie as well. —
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