Wednesday, September 19, 2001, Chandigarh, India



S O C I E T Y

BEAUTY BELIFS
All’s not fair for the dark-skinned
Zoya Das
I
N India, black is not beautiful. Despite rapid advances in education and exposure to western norms, the fetish for fairness continues to wreck marriages, cost people jobs, lower self-esteem and funnily enough, support and entire industry — from Barbie dolls to berry blue blush-on, fake eyelashes and beauty creams.

Know your perfumes
H
OW well do you know your perfumes? Most of us are content to dab them on our pulse points. At most, we recognise our favourite whiffs, at supermarkets, theatres or even on each other. What most of us don’t know is that the romance of perfumes doesn’t end with its unique fragrance. Hidden behind most perfumes is a romantic history, a history, which lies in the creation of the fragrance.










THE TRIBUNE SPECIALS
50 YEARS OF INDEPENDENCE

TERCENTENARY CELEBRATIONS

BEAUTY BELIFS
All’s not fair for the dark-skinned
Zoya Das

IN India, black is not beautiful. Despite rapid advances in education and exposure to western norms, the fetish for fairness continues to wreck marriages, cost people jobs, lower self-esteem and funnily enough, support and entire industry — from Barbie dolls to berry blue blush-on, fake eyelashes and beauty creams.

Everybody is anxious to remind you of the melanin in your skin. Every magazine, movie, shop window and television commercial is directed at making you continually dissatisfied with your present state. It isn’t enough that you are in great shape and blessed with a wonderful skin texture. You need to be fair as well.

Proof of this obsession with complexion is evident from the six-billion-rupee fairness cream market growing at a phenomenal pace of 80 per cent every year. At least 30 new brands have hit the market since January this year for the benefit of those who passionately hung up on being light-skinned.

Says the dusky Diandra Soares, a well-known model, “I love my skin colour. While everybody in the West lazes in the sun for hours to get a tan, we are dying to be fair. If an international company like Maybelline can take a dark-skinned Indian model like Sheetal Malhar, why can’t Indian companies?”

But Malhar isn’t happy: “I have been discriminated against on the basis of my skin colour all the time. Several Indian cosmetic companies have approached me and the only issue there was, was my complexion. They would much prefer light-skinned models because Indians are dark and it’s human to pine for what you don’t have.”

These models find the attitude “stupid”, but are not offended. Rather, they are amused when the facial make-up for a shoot is so light that they’ve had to paint to paint their arms to match it. Air brushing and digital manipulation of pictures have become the order of the day for most advertisements.

“If I say that a bias doesn’t exist towards dark-skinned models, I would be lying,” says eminent make-up artist Mickey Contractor. “But then, why just models? Even when I dress up brides, they always want to look fairer. The perpetual demand of friends and family members is that the bride should look gori!”

A recent survey conducted by Hindustan Lever Limited revealed that almost 90 per cent of its consumers of cosmetics desired a skin-lightening product. Fairness creams are most popular (commanding 70 per cent of market share), followed by toilet soaps, sun blocks, talcum powder, bleaches and other such beauty aids.

Many manufacturers are also coming out with chemical concoctions like Oxy-G, which promise to reduce melanin pigment without altering the natural balance of the skin within a fixed time frame. From basic turmeric and pearl shimmer to electro-magnetic gold particles, the options for expelling the so-called skin-darkening toxins are endless.

Mumbai-based dermatologist Rekha Seth, however, believes that creams could have a “slight chance” of being effective (as they contain ingredients that protect the skin from ultra-violet radiation), other applications like soaps and powders are absolutely of no use.

“Indian skins are unique,” declares Seth. “If we are exposed to sunlight for around 10 minutes, our skin will tan three to five times more than white or yellow skins. Creams contain sun block that cuts down the tanning giving the impression that the skin has grown fairer.”

“The problem with Indians is that they cannot accept themselves as they are,” says Freny Mahindra, who runs 30 call centres across India to help youth in distress. “Our youngsters feel that they cannot be attractive enough and in their struggle to attain physical perfection, they are left psychologically scarred.”

This loss of self-esteem stems not so much from media projections as from parental prejudices. “Family members who have been mocked during their childhood, unknowingly jeer at their children,” observes Mahindra. “It is a transference of their experience to the child.”

Significantly, grandmothers constitute a major consumer segment for fairness products. “They may hide their cream and lotions, but sooner or later the rest of the household gets to know,” remarks Seth. “The point is, we learn from our elders. What is the message we are sending to our youngsters?”

Clearly, the examples of ebony-hued beauties—from Cleopatra to Naomi Campbell or Razia Sultan to our Hema Malinis, Rekhas and Kajols—are of no consequence. As renowned model Madhu Sapre points out, the Indian ideal is the “typical fair round face with a wide-eyed look”! MF


 

Know your perfumes

HOW well do you know your perfumes? Most of us are content to dab them on our pulse points. At most, we recognise our favourite whiffs, at supermarkets, theatres or even on each other. What most of us don’t know is that the romance of perfumes doesn’t end with its unique fragrance. Hidden behind most perfumes is a romantic history, a history, which lies in the creation of the fragrance. The uniqueness lies in the bottle and the packaging of the fragrance, all of which accentuate the creator’s passion.

Fashion watcher’s worldwide are familiar with the brandname of Fendi. Fendi has recently launched its classical fragrance, Theorema, in India. The Fendi story began way back in 1925, in a small leather and fur workshop in Rome.

Via del Plebiscito, which Edoardo and Adele Fendi began. The Fendi foray into fashion was strengthened by the entry of the five sisters, Paola, Anna, Franca, Carla and Alda, into the family business. Craftsmanship, creativity and technology, coupled with the brains of the five sisters, made this business grow. In 1965, Fendi teamed up with designer Karl Lagerfield, adding to the success story. In 1985, the house of Fendi launched Theorema, the fragrance for the modern woman. Theorema’s allure begins with the box, a refined Oriental-style case with an innovative rob closure. The bottle itself is inspired by the classic Fendi handbag. The Fendi saga reinforces the strength of family ties and their importance in success.

Cristobal Balenciaga was, for years, the uncontested master who reigned over the fashion universe worldwide. A private man, creative and innovative, his successor could only be one equally talented, who could pick up the master’s needle and thread where he left off. That successor was Josephus Melchior Thimister. The presence of the creator lives on in Balenciaga’s new perfume, Talisman. Talisman’s charm lies in the bottle. Look closely — the base of the bottle enlaced like the neck by the fashion designer’s thread, embraces the asymmetrical glass drop bottle. The translucent mauve stopper falls with the grace of an evening gown. Aquarian Loris Azzaro was born in Tunisia. With Italian music-loving parents, a Sicilian grandfather and a talented grandmother who tailor-made dresses. Attracted by French culture and language,Azzaro graduated with a degree in literature and became a professor. At the University of Toulouse, he met Michelle, a model who would become his wife and change the course of his life.

Michelle asked Azzaro to create accessories and costume jewellery. This was the changing point — the dye was cast for Azzaro. The sixties saw Loris Azzaro bloom as a designer. His clients included Brigette Bardot, Sophia Loren, Raquel Welch, Tina Turner and Liza Mineli. In fact, the ubiquitous black dress was began by this designer. A fashion designer above all, Azzaro could not imagine an elegant woman without a perfume reflecting who she is. Thus for Loris Azzaro, perfumes began with the Azzaro Couture in 1975 and continues with Chrome in 1996. Who knows what the future will bring.

A name to reckon with in the French luxury goods industry, Nina Ricci was founded in Paris in 1932, by Madame Ricci and her son Robert Ricci. In a bid to diversify the couture house’s operations, Robert Ricci launched his first perfume Coeur-Joie in 1946. The bottle for this perfume was made in frosted crystal by Mark Lalique, and illustrated by the artist, Christian Berard. Two years later Robert Ricci created L’Air du Temps, which was to become one of France’s classic perfumes. If you want to be a perfume connoisseur, know what you want.

In most classic perfumes, the fragrance reflects the creator’s passion. Thus, hidden behind great fragrances, lie great histories, which add their everlasting and endearing touch to the perfume. Welcome to the real world of smell. — INFS


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