Monday,
September 3,
2001, Chandigarh, India
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‘Legal service means quick trials’ Chandigarh, September 1 Mr Anand said, “The Legal Service Authorities Act of 1987 has provided ‘lok adalats’ with a statutory base and permanent ‘lok adalats’ have also been set up throughout the country. These courts have settled a number of cases amicably.” He said every Chief Judicial Magistrate had started visiting jails to decide in cases of petty
offences, which had helped the system wind up thousands of cases. “No effort is being made to speed up the proceedings in cases of pensioners and senior citizens,” he said Mr Anand also cited facts and figure related to the institution, disposal and pending of cases of the past 10 years in subordinate courts and the High Court to show that judicial officials were working hard in spite of constraints. “In some states, even independent stenos are not there in courts. A number of vacancies of subordinate judiciary are vacant, but the Executive is not taking steps to fill these vacancies,” he said. The Chief Justice of the Punjab and Haryana High Court, Mr Arun B. Saharya, said the objective of establishing the counselling centre was to achieve an amicable settlement of disputes without unnecessary litigation. “Some cases or marital discord have been identified for beginning the proceedings of the centre on the High Court premises. This course would help parties review and restore their mutual relationship,” he said. Regarding the achievements of the legal service authorities, Mr Saharya said the service had helped in the settlement of cases even at pre-litigative stage. He said, “In the past one year, awards to the tune of Rs 14.12 crore have been given in Haryana and in Punjab this figure has gone upto Rs 40.28 crore.” Mr N.K Sodhi, Chairman of the High Court Legal Service Committee, said two permanent ‘lok adalats’ that had been up in 1998 on the High Court premises had settled a number of cases that had been pending for a long time. |
Experts discuss Atmajit’s play Chandigarh, September 2 Those who took part in the discussion included, Dr Sukhdev Singh Sirsa, Sardar Gursharan Singh, Gulzar Singh Sandhu, Shabdish, N.S. Rattan, Dr Kuldip Puri, Harvinder Singh and Dr Sahib Singh. The deliberation, which went on for over about three hours, was presided over by Dr Prem Singh. The main paper came from Dr Sukhdev Singh Sirsa, who spoke about the various levels of portrayal in Atmajit’s play. He said that the script had the power of poignant portrayal of women’s plight in a predominantly man’s world. “Keeping heterogenous relationships is just one of the manifestations of frustration which male dominance begets,” he suggested. The urge to break free is impending all the time, but social taboos keep the woman from doing so. Dr Sirsa talked about how the feeling of being stifled all the time leads to mental hang-ups among women. He also saw the play in the backdrop
of economy which plays a very important role in determining relationships in the society. Sardar Gursharan Singh was, however, seemingly irked over the manner in which the playwright had gone about “glorifying certain “unnatural” ties. In his opinion, any attempt at lauding any such ties would only lead to causing moral chaos in the society. “As a theatre man, one should take care not to stamp such tendencies lest the society should get a lead. He has all the right to make a point, but, as conscience keeper of the society, he is obliged to strike a balance, he said. Gulzar Singh Sandhu was for imbibing the element of simplicity in the script. He said, “Atmajit’s play operates at various levels and hence weaves a complicated scenario. The play can also make a point by being simple in approach and by operating on singular level”. Shabdish was not satisfied with the characters which, he said, did no justice to the folklore employed by the writer to put his theme across. “The characters did not help the story,” he said. As for N.S. Rattan, the title of the play was not too well-suited. “It’s more of a nomenclature,” he said, adding that the title is misleading as it does not convey the real meaning of sarangi. “One cannot make out if the sarangi is to be used as a metaphor alone or is it to be used in some other sense,” he said. Dr Sahib Singh said the male should not have been shown to be villainous in entire play. “There should have been some kind of a poise,” he said. However, female speakers spoke in favour of the script and its treatment. Winding up the discussion which blended the positive parts of Atmajit’s play with the negative vibes it must have left, was Atmajit himself. He stated that his play might not have got a big audience, but viewership was not an essential yardstick of success of the a play. |
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