Plot has The Edge
By
Ervell E. Menezes
THE black and white cop team of
Murtaugh (Danny Glover) and Riggs (Mel Gibson) are at it
again, but thanks no thanks, not my kind of entertainment
Lethal Weapon 4 is where the weapons are more
lethal, the action more explosive and the camaraderie,
which was the biggest draw in the second and third
versions of the film, much diluted. The special effects
are more spectacular. Imagine a car chase in which one
car goes through a glass-fronted skyscraper only to
continue the chase as it lands back on the highway?
Houses catch fire like matchwood and its crash-bang
entertainment.
Yes, in a recent interview
with Khalid Mohamed in Taipei, Mel Gibson said "I
keep telling myself that its no point playing
heroic guys because we dont see heroes around us
anymore. If youre dysfunctional, you cant
deal with life. So, Im constantly fighting my own
demons. And I think Im succeeding. The older I get,
the better I get."
May be thats what
Gibson likes to believe, but in Lethal Weapon he
and Danny Glover are dishing it out a lot though off and
on they tend to give the impression they arent.
Like when Martaguah tells his partner "cant
stop the clock, Riggs?" But Im not for all the
high action and director Richard Donner seems to be
hooked on it. I rather preferred those camaraderie-heavy
versions of Lethal Weapon. The new Chinese angle
and its excuse for the martial arts dont really
gel.
In that respect The
Edge is a real surprise. Of course I know David Mamet
is a good scriptwriter and Lee Tamahori and up-an-coming
director after his Once Were Warriors but then big
names dont always make good films and by big names
I mean the actors too. After all Anthony Hopkins and Alec
Baldwin are not small fry by a long, long way. What I
liked specially about The Edgeis that though most
of it takes place in the wilderness and in the face of
the dangers one in likely to encounter there, there is
also an underlying story of love and deception and the
love triangle is cleverly projected.
Producer Art Linson gives
an idea of how the film evolved Davids screenplay
started with him saying "Well its going to be
one guy killing another guy but within a few days Mamet
had them in the wilderness with a kodiak bear
trying to kill them. And suddenly they had to find a way
to connect in order to survive."
Actually the story is
about at fashion model being photographed against the
backdrop of the wilderness. Mickey (Elle MacPherson) is
the sexy model and the two men in her life are her
elderly husband and millionaire Charles Morse (Anthony
Hopkins) and the handsome shoot-from-the-hip photographer
Bob Green (Alec Baldwin). And when the men go out to look
for a bear hunter to pose with the model they run into
trouble.
"Never feel sorry for
a man who owns a plane," Charles tells Bob and
almost immediately after that the plane runs into
low-flying geese and crashes. The pilot dies and
its three men (the third is the photographers
assistant) in the woods and survival is the name of the
game. And though Bob is the younger and fitter of the two
he has to depend on the wise and inventive Charles.
Charles is rich,
intellectual and a bookworm who seems to know everything
about anything. And yet he has never really lived a life
at all. Hes got everything but yet hes got
nothing. And then in the wilds he finds himself as a man.
On the edge and within whispering distance of death, he
discovers his true nature.
May be the bear attacks
are a bit exaggerated but the manner in which these two
rivals get along is graphically portrayed by Lee
Tamahori. That he is aided by some splendid
cinematography by Donald McAlpine, is another bonus. But
the film is not just physical. It is cerebral and one can
expect Anthony Hopkins to do justice to the part.
Alec Baldwin, apart from
sporting his good looks, comes off well as the more
vulnerable one in a crisis. As for Elle MacPherson she is
merely ornamental though she is the cause of the tension
between the two main characters.
The Edge is an
excellent entertainer and a must for lovers of adventure
and good cinema..
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