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Fifty Fifty
On the Record
PROFILE
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Fifty Fifty
It is perhaps one of the cleverest and funniest films I have seen in a long time ! While the London Film Festival is going on -I went off and saw Midnight in Paris which is not part of the festival fare---but encapsulates the director Woody Allen's oeuvre perfectly. I am an unabashed Woody Allen fan -and so I simply could not resist it! It is both poignant and comic -tapping effortlessly into our collective nostalgia for a more glorious era. It reminds us of a very human failing: of how no one is really happy with the here and now. And how we often look back and think that there must have been better days before the comparatively shabby times we live in. The past always seems (somehow) happier than the present. And of course, don't we love thinking back of a time when life was simpler, less hurried ---and when real intellectuals existed ? Doesn't the present always seem, somehow far too superficial and everyone too full of their own self interest ? Thus, as in the film, wouldn't it be wonderful if we could step out of our homes and be magically swept into a gentler, kinder past. At least that is the premise that Allen puts before us ---and it is a sweet little fantasy that succeeds completely in beguiling the viewer. Thus the hero, played by Owen Wilson, is a Californian 'Hollywood hack' who comes to Paris only to yearn for the 1930s -when Picasso, Matisse and Gertrude Stein had lived there. His wish comes true and he is transported back in time -only to fall in love with Adriana, Picasso's muse. And then he discovers that for Adriana the La Belle Epoch was still further back in time, in the 1890s---when Degas, Gauguin and Toulouse Lautrec had lived in Paris. And so on…Thus proving the axiom that we are all nostalgic for something, somewhere ---which is always better than the times we live in.
Every baby counts
Midnight in Paris also stars the delectable Carla Bruni (though before her pregnancy) as a tourist guide. One wonders how many First Wives would have the aplomb to undertake a role like that ? She plays her part casually, in a pair of jeans and a shirt and exchanges a few remarks about Rodin. Tres magnifique! -as one may say. Now that Bruni has already established that she is a left leaning singer as well as actor - are there going to be more roles in store ? The Nicholas -Carla show often beats the Barak-Michele pair at the hustings-and with this performance the ratings for Carla Bruni should go up even further! And now that Carla is also pregnant-the world awaits with bated breath for the French baby which will change the Sarkozy fortunes and (according to the pundits) even defeat the socialist contenders. Who says political dynasties are unimportant elsewhere in the world? Every baby counts ! However, despite the temporary Bruni distraction, Midnight in Paris has been Allen's most successful film in recent years ---earning millions at the box office. Like all his other movies-it does have a very simple straightforward narrative, and the bumbling protagonist, Owen Wilson with a slightly large, bumpy nose, looks like a spruced up and better looking version of the maestro himself. The film is very simply produced -without any gimmicks ---and our hero is transported back into time through the device of an ancient car which pulls up at a kerb, every midnight-and whisks him back into the era that he, as an author, most covets. Allen's master-stroke is in creating a Paris which is indeed enviable. Thus Wilson bumps into F Scott Fritzgerald and his wife Zelda -as well as Earnest Hemingway and T.S Eliot. Of course, Allen has to use visual and verbal shortcuts to introduce each character -and at times this is not entirely subtle. For instance, when Hemingway appears, there are far too obvious references to his war years and boxing mania. Similarly, when he elopes with Picasso's muse -he is said to have gone to Kilimanjaro! However-nonetheless, the film is almost a homage to these great writers, poets and painters who created the Paris of the 1920s -and it must have indeed been wonderful. Allen has also set many scenes in Gertrude Stein's home -where these intellectual giants met for her sage advice, and these too are extremely evocative and believable-as Picasso and Matisse walk in and out and discuss their angst with their mentor. Owen's interaction with the surrealists Luis Bunuel and Salvador Dali is amusing - and obviously Allen has fun with our fascination with these characters who have dominated our art, literature and cinema ever since. Bunuel and Dali, of course, were contemporaries in Paris and even worked on a film together.
India at midnight
So I began to wonder what such a film would be called if it were made in India, and which era would it be set in? And which city ? Could we call it Midnight in Delhi, for instance and set it in the 1920/30s, -and have the screen peopled with Jawaharlal Nehru, M.K.Gandhi, Rabindranath Tagore, M.F. Husain, Sarojini Naidu ? Perhaps they could be all at a dinner together ? Or should it be set in Bombay of the 40s and 50s and we could have Guru Dutt , Madhubala, Sahir Ludhianvi, Amrita Pritam…or should it be set even further back during Mirza Ghalib's time -or during Tansen's time ? In fact ---which era was India's most glorious age and which produced our most powerful thinkers, writers, singers, poets, dancers?…..I am still wondering…I know it would make an amazing film -and perhaps we should ask Woody Allen to direct it ! |
On the Record One of the finest exponents of the Hindustani music gharana of Jaipur-Atrauli, 60-year old Shruti Sadolikar-Katkar is a unique combination of music scholar and performer. A masters from SNDT University, she wrote her thesis on Haveli Sangeet , a type of temple music. Her voice was selected as one of the most remarkable voices among nine female singers from all over the world for the CD 'Gifted Women of the World' released and marketed by the Noa perfume of Paris. Now the Vice Chancellor of the renowned Bhatkhande Music Institute University in Lucknow, she is attempting to uphold the glorious legacy of the institution set up by Pundit Vishnu Narayan Bhatkhande way back in 1926. Taking up the challenge of adapting to keep pace with the changing times, Sadolikar is introducing new job-oriented courses related to music. With your credentials as a singer and scholar why did you accept an administrative job ? Well, I received a call from the Raj Bhawan at Lucknow. Just around that time I had started working at the Bombay University. The then Governor said that he required my services here at Bhatkhande University. Serving this institution is certainly not a job for me. It is a post of honor. I must say that it has been a very eventful two and a half years, slightly turbulent at times, but satisfying never the less. What were the hurdles you faced ? It was more a change of work culture. I was used to a work culture where every minute is precious. Here things are a little laid back, which initially hampered my style. But then I decided not to quit as a loser and slowly we have reached a golden median where things are working out. When did you feel you had matured as a singer? I have been performing from a very early age and was always under the impression that I know my art form. My guru Gulubhai Jasdanwala had a rare and large collection of raga compositions, some of them were tapes and records of exclusive baithaks organised by him. I spent considerable time with him listening to this rare treasure. Once he casually remarked that he was waiting to hear me mature as a singer. I felt slightly offended as I was around 20 years old and thought that I had matured. He explained that I had acquired all the knowledge but was yet to digest it. Now that I look back, I realise that at that time music came as a reflex - it acquires a certain depth or 'thehrav' only after a life long process of chintan-manan (introspection). The more you grow as a person, the more collected you become as a singer. It is a holistic growth as one's world view, values; lifestyle has a deep bearing on one's music, or for that matter, any form of expression that one chooses. It becomes a vehicle not just to connect to the immediate material world but to reach out to the Sublime. The Indian art forms are best passed on from one generation to the next through the time-tested
Guru-shishya parampara. Where do music schools like the Bhatkhande University fit in? Our educational system is partly responsible for that. Even so many years after independence we have not been able to evolve a system that nurtures the inherent creativity of a person. The system is still fit to produce only babus. Indian music, unlike western classical, is far more subjective where the artists not only reproduce musical treatises but render it with his or her subjective creativity, giving it a unique identity of its own. Sadly, this is difficult to acquire through 50 minute lectures. Music schools are, however, good to produce music scholars and knowledgeable connoisseurs which are also an integral part of the music fraternity. What is the background of students who come to your institute? Most of them are from middle or lower middle class families. Around 40 per cent of them come to acquire a degree as that might help them get a job. What is then your vision for Bhatkhande University? As the world is getting increasingly technologically savvy, our students should also have the benefit of the latest technology. Making them computer-friendly and helping them learn the latest sound and recording techniques so that they can find a toe-hold in the expanding sound recording industry is one of my priorities. In spite of mastering music, they often do not know how to handle a microphone or the sound equipment in a sophisticated studio. We are soon to start courses in sound recording, music direction and other aspects of the applied- side of music which can help them find jobs. |
PROFILE She is in her mid-thirties, a mother of two children and a widow, who was given a lowly job in the Railways on compassionate grounds after the sudden and unexpected death of her husband. The tribal woman from West Bengal's Jalpaiguri district could then have lived an uneventful life like millions of other faceless women , who find themselves in similar situations. But then, Shanti Tigga was clearly made of sterner stuff. And the lady this month became the first woman combatant in the Territorial Army. Her recruitment as a jawan is hailed as the very first such recruitment by the 1.3 million strong Indian defence forces. While the Indian Army does recruit women, such recruitment was till now confined to the officer's ranks and generally in medical, education, administrative and legal sections. Now that Tigga has broken through the glass ceiling, many more women will hopefully get through. She actually stood out at the Recruitment Training Camp (RTC), where she outperformed the men. She took far less time than the men in completing tasks, ran faster, displayed better marksmanship and exhibited far better understanding of how firearms are to be handled. She impressed her peers and trainers so much that she was declared the best trainee. Tigga took 12 seconds to run 50 metres. While the timing was far from Olympic or the Asian record, it was actually excellent and will be vouched as such by those who have attempted running 50 metres or more. Indeed, when the trainees were asked to run a course stretching one and a half kilometers, she again was the first to touch the tape at the finishing line, taking five seconds less than the nearest male competitor. Railways had employed her as a 'points man' (or woman) on compassionate grounds in the year 2005. She learnt about the Territorial Army last year and volunteered for it. At the time she was not aware that no woman had ever joined the army below the officer rank. It is difficult now to guess if the prior knowledge would have deterred her from taking her chances but with her fine performance, such hypothetical questions have lost their relevance. She claims it was always her dream to don the olive green uniform. Judging by her performance in rifle shooting, it would appear she had a fascination for firearms as well. Some of her relatives are in the armed forces, she disclosed , when she was presented before the media after her recruitment, and they were the ones, who motivated her to take her chances. She is clearly industrious and has a mind of her own. The gritty lady appears certain to make the army proud. |
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