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How ‘civil’ is civil society
fifty fifty
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On the record by
PROFILE
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fifty fifty Kishwar desai
Watching
the drama unfolding over Anna Hazare's arrest—one can only wish that politicians watched a few more films these days. I have no doubt that if Mr Chidambaram, Mr Manmohan Singh or even Mr Rahul Gandhi dipped into Indian cinema —they would have been familiar with some of the messages and the iconography used in recent films and the Anna Hazare protest movement. They would have anticipated the ability of Team Anna to unite the youth and instead of sending out authoritarian messages, combined a deep empathy with firmness to control the situation. It is quite true that Indian cinema does reflect the reality of the time we live in and so unsurprisingly, the portrayal of the corrupt politician in cinema has grown in recent years. He is evil personified in cahoots with the underworld. In the old days, villains who destabilised the country were usually propped up by foreign powers: now it is the home grown political class which is the anti-hero. Thus in re-inventing their own image—the government needs to look less angry and aggressive -and also they must anticipate the nature of the protests taking place these days, especially if they are propped up by popular media. Further, thanks to twitter, Facebook and YouTube, video-clips and messages go viral instantly-and people are participating ( as they have done in Egypt and elsewhere) in an ongoing reality show, or non- stop feature film. Even for those who have not followed the Arab Spring, Indian cinema has given enough fodder for rules of behavior during mass protests. In almost every film made in recent years with an anti-establishment message, there has been a candle light vigil or a mass movement of some kind, or even just media frenzy leading to a usually bloody denouement. Mobocracy rules and when one of the more successful films of this genre Rang De Basanti (RDB) arrived on the scene, I remember being repelled by the message that only violence can pave the way for change. According to RDB , it is time for a revolution but the political class we have elected is too deeply entrenched in corruption and is too powerful. We can only get rid of evil politicians if we shoot the political criminals. The danger is that, according to this philosophy, the terrorists who attacked parliament could be hailed as heroes. Yet, it is a nihilistic and simplistic philosophy being used in certain parts of the country -for instance the Maoists, who would advocate sedition in order to win back their own rights. But RDB also had a more powerful yet subtle message : it was not just about the youth arming themselves for another independence movement -it was also about rousing the consciousness of civil society. This was an important film because it was about the politicisation of disaffected youth and unifying them against corruption. This was not an agenda of the secularists which plays upon our differences —the Amar Akbar Anthony formula, which harps on "unity in diversity" . Corruption, as RDB correctly judged, affects many more people in modern India than do the issues of religion. The image used in RBD was the death of a young air force officer piloting precarious aircraft. Corruption per se of course is not a new theme, it has been used throughout in Indian cinema: the adulteration of food, bribing of an official, or the exploitation of women. But in this film, for the first time, we had a full frontal attack on the political class by a group of college going students. The film was well made, with rousing songs and credible characters. Like the old war film, Haqeeqat , by using the image of the unnecessary sacrifice of our young soldiers —it brought tears and reflection. Yet the advocacy of violence in RDB, one hoped, was not going to be the way forward : we have enough day-to-day aggression in the country , and we did not need to propagate any more of it through cinema. But RDB obviously touched on a raw nerve —and even though his is a peaceful movement Anna Hazare and his team have used much of the same iconography. They, too, are using the youthful images of Bhagat Singh and his cohorts to encourage the youth to come out onto the streets. It was also interesting that when Arvind Kejriwal spoke about the burning of the government draft of the Lokpal Bill, he compared it to the burning of the identity cards in South Africa by Mahatma Gandhi. Though he likened it not to the historical event but to the scene in the film on Gandhi. Thus, there is a very conscious and deliberate decision to play on the likeness between what is happening today and what took place pre-1947. And those who object to the comparisons between Anna Hazare and Mahatma Gandhi must wake up and realise that the great soul was very much a creation of the media. Except in those days it was the foreign press who was fascinated by Gandhi-and he went out of his way to create incidents and strategies on how he could remain in the forefront. For those who want a quick reference on how Gandhi manipulated the media I would advise them to read Great Soul by Joseph Lelyveld. And why not? If you lead a violent movement , like Osama bin Laden, then it is easy to grab the headlines. But a non-violent movement depends on numbers and strategy. Perhaps after RDB, there have been other films on similar lines —but till another disturbing film, Rajneeti , came along the nature of current politics had not been discussed in Indian cinema. However, Rajneeti too was extremely violent : a combination of Godfather and Mahabharat. The mafia-type projection of politicians may not be universal—but it has only helped the cynicism to grow. The thinly disguised characters were given biographies which would not lead to any connection to living persons-but the insinuations were obvious. Coincidentally in his new film Aarakshan (about which I do have many reservations) Prakash Jha has given a more peaceful ending: when the mob gathers at the end against the unjust demolition of their coaching schools, it is a Gandhian protest. But, just before the protesting mob led by Amitabh Bachchan can be mowed down, a phone call is made by a once powerful woman who has taken sanyas ( played, ironically by BJP MP, Hema Malini) to the Chief Minister to call off the demolition. Her timely intervention turns the tide .So is the country awaiting a phone call? No prizes for guessing who I am referring to.
Kishwar Desai writes a fortnightly column for The Sunday Tribune
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On the record by A 1979 batch Indian Forest Service officer of the Tripura cadre, V.K. Bahuguna took over this year as the Director General of Indian Council of Forestry Research and Education (ICFRE) at Dehradun. He was earlier posted as Technical Expert (Forestry, Administration and Finance) in the National Rainfed Authority (NRAA).
ICFRE has been engaged in forestry Research for a long time. But why are there still doubts whether the fruits of such research actually reach and benefit the people ? From the day one I am focusing on the extension part of the ICFRE. We are highlighting that our researches are based on increasing livelihood opportunities for the people and have launched "Direct to Consumer' schemes to immediately benefit the people with our research activities. We have to work on keda Jadi (Yarsa Gumba) and other indigenous edible items like Jhangora and Kodo. The ICFRE is already into preparation of board and other furniture items from weed like Lantana and Parthenium. What is being done to gain and hone expertise in forestry ? We have adopted a more practical approach towards overseas training programme for the scientists. Scientists are now being trained in South East Asian training institutes as the climatic conditions and vegetation in these countries are quite similar to that of India. This is being done under arrangements which involve exchange of scientists. Further, two groups have been formed. While a Ginger Group of Scientists have been launched for coming up with innovative ideas, a Knowledge Forum has also been constituted for IFS officers so that maximum advantage could be derived from their field visits. Why was the first Indian Forestry Conference shifted from Dehradun to Delhi ? ICFRE is conducting the First Indian Forestry Conference in Delhi shortly. Yes, the venue was shifted from Dehradun to Delhi but purely due to logistical reasons. We need big infrastructure to hold a conference of such nature and this was not possible in Doon. We will be releasing a journal - ICFRE in Service of Nation. This journal will have comprehensive information on all the technologies so far innovated by the ICFRE. ICFRE has taken the lead in climate change studies. What more is being done ? ICFRE has submitted a Rs 686 crore-proposal to the Union Environment and Forestry Ministry for conducting research on climate related issues under the Green India Mission. ICFRE is also coming up with an All India Coordinated Research Project on climate change. We are also cooperating with United States Forest Service on climate change mitigation and capacity building. The council has also written to the Ministry for voluntarily taking up REDD ( Reducing Emissions from Deforestation and Degradation) plus work with the Uttarakhand Forest Department. There were apprehensions that publication of the Indian Forestry Journal could become irregular ? We understand the importance of the Indian Forestry Journal, the only peer reviewed journal in the world. International Experts have been brought into the editorial board and its timely publication has been ensured. It has also been made into an e-journal. This journal, that started way back in 1875, continues to be a storehouse of information for those who are interested. Scientists in ICFRE feel they are ignored and treated worse than the officers belonging to the Indian Forest Service ? Apart from improving the training aspect of scientists, we have introduced a new Performa for the assessment of scientists. The new Department of Personnel and Training initiated Performa that has been brought into implementation at ICFRE will ensure better promotional opportunities for the bright scientists. This has been a long pending demand of scientists here at ICFRE. |
PROFILE There was a time when Nileema Mishra had to sell her mother's ancestral jewels to start a social group. A resolute Nileema had announced at the age of 13 that she wanted to devote her life for the people of her village Bahadurpur in Jalgaon dist. Twenty five years later, Nileema has been awarded the prestigious Magsaysay Award for empowering women of over 200 villages in Maharashtra with her organisation Bhagini Niveditha Gramin Vigyan Nikethan( BNGVN). With the jewels sold, Nileema opened a few joint bank accounts, bought four computers and so began her work of offering micro credit to rural women in the process of empowering them. Now, she has decided to donate the entire prize money of $50,000 ( Rs 22 lakh) to her rural micro credit project to surf the perpetual crisis of funds. In the past, she got around half a dozen small awards, and every paise she received was donated to the cause. The 39-year-old, Nileema, who has a Master's in clinical psychology, says the biggest problem in rural areas is lack of opportunities and limited or no access to credit facilities. Shortly after graduation in 1995, she decided to address the economic problems of the poor rural folk, plunging headlong into social service. She started BNGVN on a humble scale with a committed handful of 14 women to realise Mahatma Gandhi's ideals of self-sufficient village communities. She helped these women turn into entrepreneurs, who made quilts from home. Soon the numbers grew. Today, there are around 1,800 such women's self-help groups with more than 10,000 women involved in it. Battling many odds, Nileeema has made a name for herself in the field of rural social work and has brought pride and international honour to Jalgoan. Born in Bahadurpur ,Nileema is daughter of Chandra Shekhar Mishra, a retired school headmaster. Mishra says that since her early childhood, when she was less than ten years old, Nileema could strike a chord with people in the neighbourhood by her outgoing and helpful nature. " She has the passion for helping people, sometimes sacrificing her own time and resources made her a very popular figure in the town", says Mishra. When Nileema went to Pune to complete her Master's in clinical psychology, she came in contact with children of well-known personalities. Though she hailed from a middle-class rural background, it was her helpful nature that made her instantly popular. Her resolve at an early age, not to marry, and to devote herself to rural social work was strengthened when she travelled across the country while working with an NGO, Vigyan Ashram, near Pune, for eight long years. Even today, many of her classmates and friends, some of whom belong to the biggest industrial or political families in the state, treat her affectionately. "Do not give charity and make people dependent. Instead, make them self-sufficient and independent to face life," they advised her, and she heeded. These friends are still around and are willing to spend any amount for making people self-reliant and to help them stand on their feet. Her work is a proof of their support. Originally from Uttar Pradesh, the Mishras are settled in Maharashtra for seven generations. As a child, Nileema was witness to tragedies such as the plight of widows and elderly people. "It left a deep impact on me. It was the turning point, for, after that I decided that I would never marry and instead devote my life to the uplift of those not as fortunate as me," she says. Nileema strongly believes in the resolve of the villagers to identify their problems and find solutions to bring themselves out of poverty. She sees her role as a 'facilitator' guiding people to become self-reliant. |
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