It’s raining stars
A number of Bollywood celebrities showed up at the opening of Saroj Khan's academy in the city on Monday
Jasmine Singh

Pretty soon, we could have two Bollywoods! One, of course, is in Mumbai, and the second one, in all probability, could spring up in Chandigarh. Good news? Well, we leave this to you!

With the number of walk-ins of celebrities in Chandigarh - for either opening of a dance academy, music academy, fashion school, inauguration of a hi-end store, touch-and-miss visits at private functions - you will soon see Salman Khan strolling in sector-17 or Ajay Devgan shopping in a multiplex!

Ditto, we saw a beeline of celebrities show up at the opening of Saroj Khan's academy in sector-34 on Monday. The limelight has to shift to the sultry-looking Bollywood beauties for sure. So, what's up with them? (We haven't seen them for a while. We assume they are reading scripts!)

The James Girl

"I am reading scripts, I will be starting two new projects soon," says the petite (sans the suddenly vanished sexy curves) girl of James and Aag, Priyanka Kothari or Nisha Kothari. Whatever! A name change will not take away the talent of skin show!! In fact, a good director like Ram Gopal Varma can only make it better. Agreeable? "Ram Gopal Varma is a brilliant director, I liked working with him. He is great," says Priyanka. "I am glad he selected me." Why wouldn't he? Priyanka is a trained kathak dancer. "I learnt it for six years. It was a lifetime experience working with all the big stars and Ram Gopal Varma," she smiles before burying herself in her cell. Some people want to speak through work only!

It's experiment time

Now is the time. Udita Goswami has decided to come out of her self-made shell. It's time to show up girl. "I would do only one movie a year, but now I have decided to do three to four projects," says Udita. A conscious decision? "Yes. I would want to experiment with different kinds of roles and see how audiences react to it. I want to try all kinds of roles."

For this you have to see Udita's upcoming flicks Foonk, Chase, a movie with Sunny Deol Production and one with Akshay Kumar.

Watch out! 

Running away

With her last movie, Runaway, not being a 'runaway hit', Tulip Joshi, doesn't mind the box office counts; her creative satisfaction is the focus. "It's a conscious decision for me to do one Bollywood movie and one regional movie each year. This way I get to work and learn at the same time." Sure, looking at her success down South and in Punjabi movies, you couldn't agree more with her plans. "What plans? I don't plan. I follow my instincts. It feels good to be associated with big names in the industry work-wise, but if the content is competent I don't mind working with new directors."

Bollywood to regional cinema to Hollywood, Tulip Joshi has her hands full. "Cinema is my passion and I am open to all forms of performing arts; be it theatre or television. With more interactive and demanding audiences, standardised production standards and satellite entertainment there is more scope for actors to expand to different means."

Having started her career with Yash Raj Films and gradually striking with movies like Matrabhoomi and Dhokha, Tulip is now looking westwards with her project, Dam 999. "It's a English movie with a mixed starcast with Hollywood and Tamil actors. The story is based on controversy surrounding a dam in South India." This is in addition to a Bollywood movie that would to be released in the middle of this year.

Dance like me

She is in good books of Masterji, Saroj Khan. She was the most learned of the lot, dance-wise; still Preeti Jhangiani doesn't agree that women are natural dancers. "Not necessarily. It depends on the dance sequence and the kind of choreography given to you." And in case you have to deal with a co-star who has two left feet? "Then you turn into a guide, deal with the situation and make a song work."

She credits Saroj Khan for making her fit into the typical mould of a Bollywood actress. "From a 17-year-old who knew nothing about dancing to somebody who can shake a leg, she has been a wonderful teacher." Taking note of her professional life, the actor is soon turning a producer with her upcoming untitled project, which has Anupam Kher, Sharad Saxena, Rajpal Yadav, among others. She is also ready for her second outing in Punjabi cinema after her first movie with Bally Sagoo. — Neha Walia

Shall we dance?
Jasmine Singh

She came in this world to dance, and to make others dance to her steps. She has done it in almost 2,000 dance sequences for Bollywood movies. The legacy continues with Saroj Khan opening her dance academy in the city in collaboration with Leo One Productions (India) Ltd. The academy will offer different kinds of courses for youngsters who want to learn hip-hop, rock-n-roll, jazz, salsa, bhangra, gidda, bharatnatyam.

Ironically, Saroj Khan herself finds nothing great in jazz, salsa for she feels that choreographers these days teach similar and repetitive steps. "Like the audience, I also see the sameness in western dances. The choreographers have nothing different to offer. What different can they teach? Indian dance forms have their own grace and style," says Saroj," who strongly believes there can be no better and dedicated dancer than Madhuri Dixit, and Govinda. "Madhuri and Govinda are dedicated dancers. Madhuri didn't know her steps when she came to learn Ek Do Teen for Tezaab. For almost 17 days she rehearsed day and night for the song," shares Saroj. What about the actors with two left feet? She smiles, "Sanjay Dutt for one. I took me one month to teach him Tama Tama."

The welcome batch at her academy will get admissions on special price, on or before February 20."

Desi beat
Get set for action
In the city to promote their first venture Aakhari Decision, Amar Sidhu and Deepak Kumar Bandhu label it as ‘an ordinary looking extraordinary film’
Mona

Healthy, entertaining action drama, a fusion of Western and Indian sensibilities,' is how director Deepak Kumar Bandhu defines Aakhari Decision, his debut flick that is set for release on February 19.

An underworld story about a sharpshooter Arjun, who wants to quit his profession for the love of his life, is 'Bond'ish in style and yet a Bollywood entertainer to the core. A pass-out from NSD, Deepak worked in theatre and acted in a few Bollywood films. It was a chance meeting with Ancient Arrows company that made him don the hat of a director. "Amar got in touch with this script that I found very interesting. He was so passionate about the story that I saw my hero in him."

Aakhari Decision is a movie that audiences would be able to connect to, feels Deepak. "Usually in commercial cinema, the movies are bigger than the viewer. My attempt is to create a narrative in which the camera observes every little detail that make the audience feel as if he or she is part of the action," he says.

Deepak's next venture is an untitled film based in Goa; a love story in the backdrop of drugs and sex. "Once again it's going to very close to reality," says Deepak.

"Making sensible cinema is what I am striving for," he adds. And what's the take of the hero Amar Sidhu? "We have especially done a few dialogues in Punjabi for the audience of this region," shares Sidhu, the action hero of the film, who belongs to Punjab and is based in LA. Amar moved to the US when he was two, although visited India almost every summer. "After studies, along with a friend Rohit Karn Batra I started writing a script for a Bollywood movie. But as both Karn and I were brought up in LA, ours was a different take than someone from India," says Amar.

Ancient Arrows got him in touch with Deepak who was to direct Aakhari Decision. "I am basically a shy person and when Deepak offered me the role I got anxious," 
he says.

"All fell in place the day we started shooting. Playing action hero came to my rescue as I got to practice scenes with Andrew Starhorn, our action director who is also based in LA," he adds. "The movie has a lot of raw action and no cables and no stuntman. In fact, two major chases are shot in LA," says Amar.

"The script evolved a lot as the project started. We made room for four song sequences and tweaked the ending to suit it better to Indian sensibility," he says. "It should be interesting watch as it weaves Hollywood and Bollywood in a novel way," offers Amar.

mona@tribunemail.com

Master blaster

Padma Bhushan awardee and Jnanpith award winner Girish Karnad has said Slumdog Millionaire was the worst film he had ever seen.

Karnad, a towering, multi-faceted creative personality in the field of theatre, literature, acting and academics, was speaking at a lecture on 'Colonialism and Culture' at the D.D. Kosambi lecture series, organised by the government of Goa in Panaji. "I have never seen anything worse than Slumdog Millionaire," Karnad said during a question-answer session that followed his lecture. He also said the movie had completely failed in India. India's hunger for Oscars showed "our own inferiority complex", he added. "I don't know why we are obsessed with the Oscars or the Grammy (Grammy awards)," Karnad said, adding that the Indian film industry was perfectly healthy in every sense of the word. — IANS

3 Idiots boon for multiplexes
The blockbuster has generated Rs 382 crore revenue till date 

Aamir Khan starrer 3 Idiots, which has gone on to become the biggest hit in Hindi film history, has helped multiplexes recover from the two-month strike last year.

3 Idiots - which takes a critical look at the education system in the country - has already earned more than Rs 382 crore (Rs 3.82 billion/$82 million) worldwide since its release in December 25 last year.

"Losses have reduced post '3 Idiots'. We have earned gross revenue of Rs 1.6 crore from the movie till date. There were a lot of expectations from it and it fulfilled all expectations," said Amit Awasthi, manager (programming and operations) of Spice Cinemas at Noida.

"The movie has also proven Aamir Khan as a brand who comes out with one movie every year and that too a hit. Audiences are now ready to pay any ticket price for him," Awasthi added.

Spice ran on an average 26 shows of the movie with a maximum ticket price of Rs 175 per head.

Yogesh Raizada, corporate head (cinemas) of Wave Cinemas, echoed the feeling. "The profitability that went on the negative side of the integer line because of the strike saw a new lease of life courtesy 3 Idiots. Albeit the tremendous losses have not been recovered in their entirety, 3 Idiots has sustained it with a recovery of close to 80-90 per cent," said Raizada.

The industry went through a two-month-long standoff between the producers-distributors and multiplex owners over revenue sharing last year. It led to a whopping Rs 300 crore loss to the Hindi film industry.

The standoff between producers-distributors and multiplex owners started in February last year. While the producers demanded a flat 50 per cent share of all film revenues irrespective of the stars, budget and box office collection, the exhibitors stressed on sharing profits based on the earnings of a film.

As a result the producers declared a strike from April 4 onwards, which saw no new releases of Bollywood films in multiplexes across the country.

The strike came to an end after the two parties agreed on a new revenue sharing format.

A source from PVR cinemas added: "We've generated a net profit of close to Rs four crore net till date from the movie in the North. We ran close to 160 shows across all properties here and there have been definite profits with the movie. Undoubtedly the movie has skyrocketed Aamir Khan's brand too."

An industry source on the other hand had a different take. 3 Idiots definitely brought profits to multiplexes and also got benefited too, courtesy the multiplexes. But there are also other things involved as we had to give extra share to the distributors unlike earlier, after a new contract came into existence when the strike ended," he said.

Based on Chetan Bhagat's bestseller Five Point Someone, the film has been produced by Vidhu Vinod Chopra and directed by Rajkumar Hirani.

Also starring R. Madhavan, Sharman Joshi, Boman Irani and Kareena Kapoor in pivotal roles apart from Aamir, the paid previews of the movie garnered over Rs nine crore worldwide.

3 Idiots is also being touted as the highest grossing Indian film to release in the US, Middle East, Australia, South Africa, Pakistan, Kenya and Fiji so far. — IANS

Tip talk
Failure teaches you everything, says Shahrukh Khan

He has played many roles on the big screen, but today Bollywood actor Shahrukh Khan donned the quizmaster's hat, grilled management students and advised them to consider failure as being crucial to teach pragmatic lessons in life.

"Success imparts no wisdom, failure teaches you everything. Failure is very important. Fear of failure will make you pragmatic. It will make you logical in your thinking," he told a young audience at a quiz show.

Failure takes any form and it is the experience of failure that takes one's life forward, he added.

"Don't worry, get things wrong and learn from it," he said at the quiz show where participants were questioned on varying subjects ranging from brands, marketing concepts to management principles.

"Failure would always make you want to work harder," he said.

"I work hard because I am afraid of failure", said the actor, rated as one of the most popular film stars, at the show 'IIPM 4Ps', organised by business school, Indian Institute of Planning and Management.

Citing his example, he recalled his early years of struggle, which inspired him to work harder. "I have seen a lot of poverty. I was scared of being poor. I don't like to be poor and it is this fear that makes me work hard. I don't let go any chance or opportunity to earn a living", he said.

Failure also taught one to empathise. Success instills a superiority complex, while failure teaches one to empathise with those who go through the same experience, he said. — PTI

Stars in your eyes
Actors Adi Irani, Shiva & Zakir Hussain talk their heart out 
Jasmine Singh

Sometimes, unexpected guests are more entertaining and welcome than those expected. But this does not mean you should stop inviting guests!

They come with their share of hullabaloo and spice. Cut…the opening of Saroj Khan's dance academy in collaboration with Leo One Productions in Chandigarh was attended by some 'busy with work' filmstars, some 'still reading scripts' filmstars and some 'been-there-done-that' television people turned event managers as well as producers.

Strangely, it was the unexpected threesome, Zakir Hussain, Adi Irani and Shiva, who stole the show, despite the presence of beauties from Bollywood like Udita Goswami, Priyanka Kothari, Pretty Jhingiani and Tulip Joshi.

It's a nice change to see brains chosen over beauty!

And then we had Saroj Khan, with her repertoire and combination that still makes her going in the industry - dedication, style and knowledge of her subject.

First and foremost, the three musketeers…

Character wise

You would either know him as actor, Aroona Irani's brother or a character artiste from movies like Beta, Dil, Jimmy, Daddy Cool. But Adi Irani has more to just the surname. Honestly, he has never flaunted it. Had it been the case, the character artiste would have been a successful actor himself. And this is what he had set out to be. "I always wanted to be an actor. I couldn't be one, so I settled for something else," he shares, not sounding a wee bit disheartened. "Life finishes if you feel let down. I take everything in my stride and I am doing stuff that I like." Really! Is he really gung ho on what he is doing as of now? "I am not happy with the roles I am doing. These days, heroes take away all the cream; they have taken over our roles. I have to be satisfied with my work," says Adi, who is working on his soon-to-be released thriller movie. "Bollywood no longer has 'dedicated roles for villains'. Today, we have characters with grey shades instead. Talent never goes waste. People who have it never go out of good work." 'Thank you' by Aneez Bazmi is his new good work to watch out for.

Plan B

Nothing stays forever. Actor Shiva realised this pretty soon. Or need we say 'it's better late than never'. " Irrespective of the length of a role in the movie, the actor or character artiste is still appreciated. Unlike, the television stars who have a small life. As long as you have the show on air, you are noticed and the minute it goes off air, you are nowhere," shares Shiva. So, the fall back option? "Production, event management and direction. I realised I had to do other things to keep me going," adds Shiva, who has done television and played villain in many movies.

Johnny Gadaar

Some people just can't decide their calling. But whatever they do they are the best. NSD, television, theatre or a first break in a movie by Ram Gopal Varma, Sarkar, they leave an impression on the audiences' mind. Zakir Hussain, is one such actor who does justice to whatever he thought he would do and is now doing. "I got attracted to television sometime back in 1980. I had a friend doing theatre in Delhi, Mandi House, so I also joined in. Thereafter, I joined NSD, after which I did some work with Govind Namdev before Sarkar happened," says Zakir, who is known for his negative and comic roles. "I started out with serials like Firdaus, Kitty Party and Gaatha. I was noticed in Ek Hasina Thi." How can someone manage to impress the director and the audiences with limited scenes? "I agree it is an actor driven industry. They are the ones who decide the success of the film. The newer lot of directors believe in character artitstes, who are equally important to the film," adds Zakir, who was appreciated for his cold-blooded role in Sarkar. "It was a challenge for Ram Gopal Varma and also for me," laughs the actor.

jasmine@tribunemail.com

Valentine blues

This Valentine replace red, the usual colour of the season with blue. If you have doubts about blue being equally romantic, check out the stuff at Soh Koh, where there is enough designer wear in blue, especially for the lover's day.

The designer store unveiled its Valentines collection on Tuesday that comprised designer range of Cue, prêt line by Rohit Gandhi and Rahul Khanna; Rimi Nayak, Arshiya and Gaurav and Ritika. The designers have Wills and Lakme Fashion week to their credit.

"Western and Indo-western apparels are on display, considering what youngsters prefer to wear," says Naini Gupta, co-owner, Soh-Koh. There is 30 per cent off on all stuff, "Also, the fact that only a few costumes have multiple pieces, make the purchase worth it."

The entire collection falls in the price range of Rs 5,000- 15,000. "As the dresses are exclusive, well fit and made of fine fabric, one can wear them anytime after some time gap," he says.

Also available are clutches and shoes by celebrity designer Payal Kothari. "Accessories are as important as the outfit these days. A tacky accessory can ruin the grace and look of an expensive designer wear," adds Naini. For men, available are formal and party wear shirts, trousers, and jackets. — TNS

Symphony of waves
SD Sharma

Soulful strains of classical symphonies on violin, spells of mystical Sufiana kalaams, the vitality of pristine Punjabi folk - all flowing in the melodic waves remained the salient features of a memorable musical concert Venice and Punjab: Water Memoirs held at the Tagore Theatre on Monday evening.

The programme, designed and directed by Bhai Baldeep Singh, commenced on a melodious note with acclaimed Italian violinist Sara Michieletto taking the centrestage. Armed with exceptional experience and superlative confidence, she opened up with an Antonio Vivaldi classic The Seasons and bared the beauty of four seasons employing various intonations. She went on to emulate the great maestros Francesco De Guranieri and Tomaso Albinoni while delineating their compositions before doling out her own classic Polo Wandering. After three more symphonies, she concluded with her self- composed hit, Venice Punjab: Water Music, also the concert theme. She was apparently at her best in two of her self- composed classics as she displayed the technical virtuosity in weaving a series of engaging sequences in rhythmic patterns. With a long-drawn bow, Sara produced a cohesive melody with musical notes traversing in all octaves.

Meanwhile, Baldeep Singh, the maestro joined Sara for a jugalbandi on a sophisticated violin and a raw brass pitcher. The audience relished her music and the spirit behind her inspired performance.

Baldeep Singh again doled out the electrifying Pakhawaj Prahant with adroit mastery over the rhythmic bols before defining the magnificence of five rivers of Punjab in Whether have my rivers gone. He had perceived five tal patterns spanning 25 to 33 matras dedicated in reverence of each river.

The soulful singing spell of Sufiana gayaki came from versatile maestro Madan Gopal Singh, a composer, singer, lyricist, scholar and scriptwriter. Holding a doctorate in semiotic study of seminal texts in Indian cinema, Madan Gopal Singh wrote a film Rasyatra on Malliakarjun Mansoor and films like Ekti Nadir Naam and Song Toona, based on a poem by Baba Bulle Shah. He has composed music for Khamosh Pani, Abir Bazar, and sung for Mani Kaul Kumar Shahani and more plays.

His diverse traits were amply visible in the brilliance with which he rendered compositions of different genres, starting with mystic poet Sultam Bahu's Dil darya samundron dhuuge .. Gifted with a mellifluous voice and lung power, he traversed in all octaves while rendering Heer, the slumbering love legend of Punjab, authored by Waris Shah.

The audience clapped as he recited verses of Baba Bulle Shah, especially Hori Khelungi and more from Shah Hussain. The mystic recitations melted in Punjabi folk and old folk hits like Mein drya di machhli ve haaniya, bagla banke aa.. followed. Madan Gopal Singh was accompanied by Preetam Ghoshal on sarod, Deepak Castilon on guitar and Gurmit Singh on percussions.

Facts and fiction

Bonjour India Festival this time opens its door to a photographer's mind and an artist's vision with True Fiction. Displaying over 20 works by French photographer Bernard Faucon, one of the most celebrated artists in the world.

Over the past 25 years, Bernard Faucon has had nearly 250 solo exhibitions and group shows, from Leo Castelli in New York City to Yvon Lambert in Paris, and as well innumerable one man and group shows in museums worldwide. The exhibition celebrates the best works of the artist, who has produced some of the most original photographs of the late 20th century. He has been at the forefront of the staged, surrealist school of photography. He has won numerous awards from his work, including the Grand Prix National (1989), and the Prix Leonard de Vinci (1991). He decided to cease photography in 1995. In 1999 he produced his first book of writing. He was also one of the first photographer's to go in outer space for out of orbit photography.

The show has traveled to seven cities, including Delhi, Chennai, Bangalore, Pondicherry and from here will move to Mumbai. The show will be inaugurated by Pradeep Mehra, the UT advisor and Minister of Council from France. — TNS

Light, camera and action 
behind the stage 
More and more youngsters at the Department of Indian Theatre are opting for slots like set designing, direction and sound recording
Manpriya Khurana

Whoever said it's all for Bollywood, arc lights, paparazzi…Whoever thought it's to be on stage, in front of the lens, before the audience, for the applause…Students at the Department of Indian Theatre might have imposing alumni list comprising the likes of Anupam Kher, Mangal Dhillon, Mita Vashisht, still a significant fraction of the learners would rather don the director's hat, put on the headphones, design the sets, do the sound check.

"Given a choice between set designer or an actor, I would rather be a set designer. One, still most of the actors who pass out want to be actors only. Very few actually want to venture in the offbeat choices, that as it is increases the struggle many fold," Manish Kumar, a final year student, is blunt and bold. He adds, "When drama students pass out, they are trained to be actors only and most pass out as actors first, it's only a little later that one recognises one's own other talents." Quiet a tangent from one-track mind.

Practical or philanthropic, reasons galore. Opines Himanshu Dwivedi, a second year student, "Most newcomers want to become actors. Their obvious reason, there is no money in drama. But drama is the need of the hour. If there's no money in it, then we need to ask ourselves why is there no money and what can be done to promote it. Given a chance, I would rather be a drama teacher because that is where my heart and passion lie." That's not to say he's not been inspired by the right people, for the obvious reasons. "I admire our alumnus Anupam Kher and though I like films, I recently rejected a film offer because didn't want to get into anything half-baked without requisite training, understanding, knowledge of the entire process. But yes, acting may or may not be, but I'm definitely going to be a drama teacher."

A remarkable shift from the stereotypes, conscious desire not to be limelight.

"Today's youth would rather do something in which their talent lies, invest time and energy in which their perfection lies," says Jagdish Tewari, another student. To be just a hero or heroin is not the alpha or omega anymore. He laughs, "Even if forced to be on the stage, I would rather be a villain than a hero. But otherwise, direction is where my passion lies."

Critical appreciation and work satisfaction somewhere count in too. Adds Himanshu, "By being a drama teacher, I want to work at the ground level and bring about some changes. That's what is important. Otherwise, most of the institutes these days give you one-month training, six months crash course and make a substandard actor out of you."

Opines Manish, "Also design is required in everything, as an actor too you ought to have certain design sensibilities. I designed the sets for our recent play Macbeth, also Punjabi play Ishq Hai and I'm doing the same for our upcoming play on Greek tragedy Trojan Women." So much for the 'off screen reasons.' Curtains down and behind the stage scene, in future, sounds just as good.

manpriya@tribunemail.com

Not so gay!

A new study has shown that teenagers who self-identify as gays, lesbians and bisexuals are at a greater risk of having suicidal thoughts. Moreover, those who were unsure of their sexual identity were also at higher risk for suicidal ideation and attempts.

"This is the first study that has separated sexual identity from sexual attractions and behaviours in looking at risk for poor mental health outcomes," said corresponding author Dr. Brett Thombs, of the Lady Davis Institute for Medical Research (LDI) at the Jewish General Hospital. "The main message is that it's the interface between individuals and society that causes students who identify as gay, lesbian, or bisexual the most distress," said study first author Yue Zhao, a McGill University graduate student working with Dr. Thombs. "Sexual orientation has three different components. The first is identity, which is dependent on the society in which one lives; the second is attraction or fantasy; and the third is behaviour. "What this all means is that clinicians need to look not just at individuals and their sexuality, they really need to assess the environment they are coming from and how they see themselves within it," said study co-author Dr. Karine Igartua. Igartua and Montoro are co-directors of the McGill University Sexual Identity Centre (MUSIC), the first gay and lesbian mental health centre in Canada.

"Our findings also clearly suggest that further study of the link between anti-gay sentiment and suicidality need to be undertaken," added Thombs. The study results were published in the Journal of the American Academy of Child and Adolescent Psychiatry. — ANI

Jobless Gen Y

Australia's Generation Y will be having a tough time landing a job, as employers find them too lazy and unfocused to be hired. According to the Courier Mail, bosses see Gen Y workers as people who lack work ethic and spend too much time talking to friends during work hours.

"Employers come to us about Gen Y, saying they're looking for a staff member but they don't want anyone in that 20s age bracket because they find they don't understand common courtesy in the workplace," News.com.au quoted Kristy-Lee Johnston, director of Footprint Recruitment, as saying. But the complaints do not come only from managers and bosses.

"They also come from other people in the team who are of another generation," social researcher Mark McCrindle said. Chamber of Commerce and Industry Queensland policy general manager Nick Behrens said the global financial crisis should act as a wake-up call.

"The chamber is hoping Gen Y will learn from this, that they can no longer take for granted the good times and will no longer get away with the luxuries they have been given," he stated. — ANI

Romance, not for men!

Men may not be as romantic as women on Valentine's Day, a new study suggests. A poll of 2,100 adults found that despite the fact that more than three in four women want to receive a romantic letter or poem, only half of men have penned either.

Also six per cent of men confessed to passing off existing romantic poetry as their own in order to impress their beloved. Meanwhile, two in three women would like to be complimented on their appearance. And most women wish for a romantic meal with their partner's complete attention on them.

"We may no longer be knights in shining armour or damsels in distress, but we still want and need romance - it is part of our emotional DNA," opines relationship expert Jenni Trent Hughes. She added: "The beauty of romance in the 21st century is that it is a blank slate. Forget about everyone else and make Valentine's Day work for you and the object of your affection." — ANI

Choose it right

Gross! Who said students in India don't have much of a choice? Be a doctor, engineer anything of the two! Make it to IITs, IIMs, AIIMS, you have a free hand. Frankly speaking, career and subject choices for students in India are guided by everything but interest, aptitude.

The most important question or concern of a parent is, "What is my Child going to be in his or her life?" When it comes to choosing the answer of this question, we just make our children jump into the rat race of becoming a doctor or an engineer or likewise. It results in children pursuing a career, which they are misfit in; spending lives with an identity, which their heart does not own. All job satisfaction related frustrations and depressions have their roots in being in a wrong profession. Vision India Top 30 is launching a series of Seminars called Right Career Identification Initiative at Bal Bhawan-23, Chandigarh this February 14, will be highly useful for students and their parents. It is a new initiative in education where career pathing is being done for students right from Class 6th to Class 12th .

Speaking on the occasion, noted career expert Rohit Shekhar Sharma, said, "Nowadays, Careers do not begin after Class 12th, they begin when the Child is 12 years of age. In our Country, we make Career and subject choice for our children based on several irrational thoughts, without taking into account the Child's IQ, mental abilities, aptitude and career reference. This results in career related frustrations and, infact, a child's whole life is spoiled."

S K Jha, director said, "Each child is unique, every child a hero. In the seminar, we will lay down the career graph of each child and show him the way to reach out to the career of his dreams."

More about the programme, 'Vision India Top 30' is a very ambitious programme for students of Class 6th to 12th. Conceived and founded by Career Guru Rohit Shekhar Sharma, Vision India Top 30 is based on the Career-Pathing model as done in University of Cambridge, UK. Drawing inspiration from Anand Kumar who runs Super 30 programme and produces 30 IITians out of slum dwellers every year, Sharma has created a parallel education system which is much more meaningful and relevant in the contemporary World. VIT 30 has 5 sections - Civil Services, Medical, Engineering, Commerce & Management and Arts & Creativity comprising 30 students each. What's more? Fifty per cent of the seats in this programme will be reserved for students from economically weaker section. — TNS

Making a point
The dramatics club of DAV College-10, Aaghaaz, recently grabbed the second prize at the 25th Inter-university National Youth Festival

Let's straighten statistics first. They are almost eight years old now, comprise 14 members, competed against eight zonal teams, came second and have quite a few other accolades in their kitty.

The dramatics club of DAV College-10, Aaghaaz, recently grabbed the second prize at the 25th Inter-university National Youth Festival held at Maharishi Dayanand University, Rohtak.

But before the self-congratulatory mode, they are in gratuity mood. So before divulging details, Simran Singh, final-year student, BBA, launches into a thanksgiving spree, as is often the case when trophy's in your hand! "I'm really grateful to our principal, Prof Ravinder Chaudhary and Virmani sir for lending us support and encouraging us."

About the event, he adds, "There were eight teams participating, two from each zones, north, south, west, east and we came second in the skit competition. At the festival there were 61 universities participating in all."

A spoof on the deteriorating society struck a chord with the audience. "The audience really appreciated our skit Kal Ho Na Ho." He continues, "They say the world will come to an end by 2012 but the way we are going, with so many problems like global warming, terrorism, climate change, deterioration of the society depicted through so many reality shows comprising obscenity, vulgarity, erosion of values, our message was that the world will come to an end sooner than that. Rather it has already come to an end."

And what did he do? "I play the character of a host of reality show, a spoof on the host of Sach Ka Samna…we were confident, but we just did our job; never thought of losing or winning." The audience cheered and they walk away with a prize!

— Manpriya Khurana 




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