Friday,
July 5, 2002, Chandigarh, India
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MDU court meet postponed to July 22 Rohtak, July 4 In another development, Dr Dalip Singh, Director, Directorate of Distance Education of Maharshi Dayanand University, has been entrusted with the additional charge of Director, Computer Centre, with immediate effect by the Vice-Chancellor of the university. The Vice-Chancellor has also ordered the shifting of the Computer Centre to the new DDE. |
Govt can revoke suspension of NBB Director: HC New Delhi, July 4 “The government can disagree with the views of the Chairperson and the Board of Management of National Bal Bhawan. Consequently, it can overrule a decision taken by the Chairperson or the board, as it has done in the present case,” a Division Bench comprising Justice A. D. Singh and Justice Madan B. Lokur said. “In case of termination/disciplinary proceedings, the same procedure as is adopted in the case of appointment has to be followed,” the Bench observed, while setting aside the order of a single judge of the court. Allowing the government’s appeal, the Bench, before giving the judgment, observed, “we must say this is a case, which ought to have been sorted out by the parties amongst themselves, through some sort of in-house mechanism. Bal Bhawan, as its name suggests, was surely not intended by its founders to settle its internal disputes through a court of law.” In December 2000, NBB Chairperson Ajay Singh had suspended Dr Pant, pending contemplated disciplinary proceedings. Aggrieved by the Chairperson’s order, Dr Pant appealed to the central government challenging her suspension as well as the initiation of the disciplinary proceedings against her. After being advised by the Ministry of Law and Justice that prior approval of the government ought to have been taken before placing the Director under suspension, the Ministry of Human Resource Development in December 2001 cancelled the suspension order. The NBB and its Chairperson moved the court against the government’s order. Their prayer was acceded to by the single judge in January 2002 as a result of which Dr Pant was again placed under suspension. However, the Division Bench, hearing an appeal against the January 2002 order, reserved the decision. According to the rules for the post of Director of Bal Bhawan, the appointment can only be made after prior approval of the central government. Consequently, if disciplinary action was to be taken against the Director by its Chairperson, then the same could only be done with the prior approval of the government and not otherwise, the Bench said. Bal Bhawan is a government-funded, yet autonomous, organisation of the Ministry of Human Resource Development with an aim to provide opportunities to children for education, to enhance their creativity and provide them with experience and activities not otherwise available to them. |
ARTSCAPE
THE exhibition on ‘Ajanta - The Unseen Jewel’, photographed by Benoy K. Behl, is on display these days at the National Museum, New Delhi. Benoy has “conquered the darkness” of the Ajanta caves with his technique of accurate photography in dim light. Through these breathtaking photographs, the world gets a chance to discover the still bright colours of the Ajanta paintings, regarded as one of the most exquisite exposition of art worldwide. They are at last finding their true place in the world. The 31 caves of Ajanta are carved out of the rock in the horseshoe-shaped gorge of the Waghora river in the Sahyadri hills of Maharashtra. In this wild solitude, amid forests and ancient hills, the followers of Buddha sought spiritual solace. They created an isolated refuge, far from worldly thought, to mediate in peace. The British rediscovered the Ajanta caves in 1819 and were struck by the extraordinary beauty of its paintings. The paintings of Ajanta mainly depict the Jataka tales: the stories of Buddha in his previous births, as a man and in forms of various animals. These simple parables convey the teachings of Buddha. The world of compassion, the main essence of the teachings of Buddha, is enshrined in the paintings of Ajanta more beautifully than anywhere else in the world. The Ajanta site is on the World Heritage list of protected monuments. Despite the fact that the Ajanta paintings have been a subject of research of scholars from around the world, these were largely unseen in their authentic colours until now. The reason being that the caves are dark and the Archeological Survey of India does not permit the use of strong lights, as these would damage the ancient paintings. However, Benoy’s photographs capture the paintings in their true colours and ambience.
As one venture into the exhibition, he will be transported into the world of loveliness. The painter has achieved the beauty in terms of both line and colour. This is especially true in the case of the cave 1, Vihara. The Bodhisattva Vajrapani (detail) of the cave 1, belonging to 6th century AD, is one of the masterpieces of Ajanta paintings. The magnificent and bejewelled crown of Bodhisattva conveys the impression of the majesty of the spirit. The quality of humility is seen in the paintings of Ajanta and also the deepest warmth of human interaction. Each painting seems very realistic and all the intricate details are beautifully pointed out. Many of the paintings have been lost due to the ravages of time. But still they hold a unique charm. As in the cave 17, stories in the Vihara take us deep into the realm of nature with its forests and animals. There is continuous narrative in Ajanta paintings, where the same figures are seen again. Benoy K. Behl, an Indian documentary film-maker and art historian, has photographed all the panels and minutiae of the paintings with a new technique of photographing precisely in the conditions of extremely low light. For the first time, the world has witnessed the radiant colours of Ajanta paintings with all their beautiful nuances and details. |
PLAYTIME THE play, ‘Cleansing’, directed by Sanjay Kumar and staged by Pandies’ theatre at the Shri Ram Centre in the Capital, is an acute response to what is happening around the world — violence, destruction, oppression. In a world fast losing its sanity, the play foregrounds and focuses on conflict and its resolution. Does nationhood and evolution of a national identity mean the submergence of the other? This is the question that is raised by the group.. What constitutes this national identity? Does it include a woman, a poor woman? Does it include a Dalit or even a poor Brahmin boy? The play abounds in images of terror, rape, bestiality, domination, humiliation and seeks introspective answers from its viewers. The play was well received by the audience in the Capital. Pandies’ theatre was registered in September 1993. Committed to stage plays relevant to the ethos and time, it has evolved as an activist and possibly the only feminist theatre group in the Capital. Started as a university movement in 1987, it has established itself among the leading groups with an impressive strength of 70 regulars. (Input by Garima Pant) |
MUSIC ZONE MUSIC giant T-series released the music albums of two new movies,
Ankhiyon Se Goli Maare and Kaante, this summer. While Anand Milind has composed the music for
Ankhiyon Se Goli Maare and Sameer the lyrics, famous playback singers like Sonu Nigam, Alka Yagnik and Sanjeevani have given voice to the lilting notes. For
Kaante, the music was composed by Anand Raaj Anand and lyrics by Dev Kohli. Anand Raaj Anand has also lent his voice to some of the songs in the album, others being Kumar Sanu and Kavita
Krishanamurty. |
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