Friday,
November 10, 2000, Chandigarh, India |
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Adalat settles 1,706 cases CHANDIGARH, Nov 9 — At a Special Lok Adalat, organised at the Sector 17 District Courts on the occasion of Legal Services Day today, 1,706 cases were disposed of, while Rs 99, 02, 807 was awarded as compensation to litigants. A sum of Rs 1, 66, 415 was also realised as fine. Several cases pertaining to matrimonial disputes were also amicably resolved. In all, about 2,560 cases pertaining to accident claims, matrimonial disputes, rent, recovery of money and other matters were taken up. For the first time, cases pertaining to labour disputes were also heard. To expedite the process of disposal, 16 Benches were constituted under the aegis of the UT State Legal Services Authority. Mr. Justice G.S. Singhvi and Mr. Justice N.K. Sodhi of the Punjab and Haryana High Court here also actively participated in the Lok Adalat. The Member-Secretary of the State Legal Services Authority, Dr Bharat Bhushan Parsoon, along with Chandigarh’s District and Sessions Judge Mr H.S. Bhalla, besides the Chief Judicial Magistrate, Mr Sant Parkash, also took part in the Adalat. According to senior judicial officers, a liberal view was taken while deciding the summary cases. The Adalat started functioning at 9.30 a.m. Within minutes, the familiar corridors of the District Courts were filled by a crowd of hopeful lawyers and litigants. Patiently, they waited for their turn. Tea and coffee were also served free of cost. For their convenience, two makeshift reception-cum-enquiry counters, with details of the cases fixed before various Adalats, were also set up near the main gate of the District Courts. At the end of the day, litigants left the courts, visibly relieved. For their guidance, literature to create legal awareness and information about the available legal services, besides the persons eligible for free counselling, was also distributed by the State Legal Services Authority. According to the pamphlets, free legal aid was available to persons with incomes not exceeding Rs 50,000. In addition, a member of the Scheduled Castes or the Scheduled Tribes, a woman or a child, a disabled person, an Industrial workman, besides a victim of trafficking, were eligible for free legal aid. Talking to the media after the conclusion of the Special Lok Adalat, the president of the District Bar Association, Mr N.K. Nanda, thanked the advocates for making these a success. |
Sirmauri artistes
mesmerise city audience CHANDIGARH, Nov 9 — Himachali folk dancers with agile movements and colourful attires mesmerised the city audience at the Punjab Kala Bhavan where the Punjab Sangeet Natak Academy in collaboration with the Indian Council for Cultural Relations organised a folk dance show here tonight. The Sanskritak Dall Rajana Bhoj from Sirmour who performed under the horizon series acquainted audience with the rich cultural heritage of Himachal. The melodious musical notes created by simple musical instruments like Dholak, Harmonium, Hulak and Harer were highly appreciated by the audience. Starting with a song dedicated to goddess Renuka a troupe of 15 artistes presented four folk dances. The main attraction of the show was the parat nritya performed by Kailash Chand Sharma and Raj Kumar. The deepak nritya where two artists Asha and Basanti danced gracefully carrying four deepaks lighted over their heads was another show stealer. The show concluded with the performance of Sirmouri dance. It was a
group dance performance by all 15 artistes together. |
Giving
refined touch to mural designing CHANDIGARH, Nov 9 — Art never expresses anything but itself. And
all that it expresses is beautiful. A lot of this aesthetic is being
viewed in the city these days, with almost all the galleries displaying
varied art forms. Yet an addition was made today to the list of artistic
activity as murals designed by about 30 artists of the Bama Academy,
Panchkula, went on view at the Government Museum and Art Gallery, Sector
10. Mural designing may not be a very common form of expression
vis-a-vis painting and sculpture, but it surely is coming up in a big
way. Also, it is here to stay, it reflects a lot of creative talent, and
has a high aesthetic value.
The mural exhibition confirms this statement. On view are extremely
inspiring works which have been created from mediums as rare as glass,
crushed paper and so on. Each work sends across a very powerful message,
not only in context of its content but also with regard to its creative
value.
The interesting and noticeable part of the exhibition is a shift from
the very ancient formats of designing murals. The word mural is derived
from the old French word Murraille borrowed from another Latin word
Murralis. It means on the wall. So mural is anything which is employed
to decorate the wall.
The current exhibition, however, clearly shows that the mural
designing is gradually getting refined. Most works on the display in the
second annual art exhibition have been created from symbols which have a
strong place in the Indian tradition. The attempt of the artists is to
get the best of expression with the use of exotic mediums.
Most of the works seem to be rooted strongly in nature. The
traditional strength of the country is also on display, with the artists
drawing a lot of inspiration from the Indian tradition. Other themes
which have been voiced through art include nature, the all-time
favourite with the artistic mind. Many of the works also reflect the
mundane activities.
The encouraging part of the show is the amazing use to which various
waste materials have been put to by the artists. The artists have
employed mediums as diverse as dry stems, crushed paper, gum, glass
pieces, ropes and other waste materials to give shape to their creative
endeavour.
The exhibition was inaugurated today by Mr Nek Chand and it will go
on till November 12. |
Exploring
relationship between art forms CHANDIGARH, Nov 9 — Like signature, art is also personal and very
exclusive to each artist. What inspires an artist and what chemistry
converts that inspiration into a work of art is a mystery. The
metamorphosis of that inspiration as visualised in the mind of an artist
and ultimately into a creative work is a long process, be it in dance,
painting or writing.
So is the emergence of Komala Varadan as a dancer, a painter, and a
photographer. From a Bharata Natyam danseuse to a photographer of
absolute maturity, she has come a long way. Today she is known and
recognised for more than one skill. But mostly for her original and
innovative choreography and her achievement of having enriched the
repertoire of Bharata Natyam with creations. When Chandigarh Tribune
contacted the artist in the UT Guest House last afternoon, she did not
seem elusive at all. In fact, she shared her experiences as a woman of
many skills. She is in the city to give a presentation on art and
communication. While today she made a presentation titled ‘Painting
comes alive’ at College of Art, she will present ‘Salutation to
nature’ tomorrow.
Komala treats art as a language. So, for her, it is another medium of
expression. Admits the artist, “In childhood I concentrated on dance,
so much so that I was back in Bangalore to achieve this mission even
when my parents migrated to Singapore. Down the line I picked up the art
of painting. I had begun with portraits because my teacher V.R. Rao
specialised in portrait painting.”
Talking about the power of art, she said that it was one form of art
which pushed me towards another art form. “From portraits and
landscapes I arrived at my own theme which is dance. As a dancer I
perceived and felt movements differently from other artists and there
arose an urge to make a statement.” No wonder Komala paints on the
theme of dance and has even evolved a unique style of her own to depict
it. She has painted almost all forms of dance including Kathakali,
Kathak, Odissi, Mohiniyattam, and even the Indonesian dance.
She is however known mainly for her choreography. She is credited
with choreographing of Tulsidas’s Ram Charit Manas as a solo recital.
Prakritim Vande is yet another choreography which combines her skills as
a dancer and a photographer. In this sequence she salutes the nature.
Coming to yet another facet of her personality — that of a painter.
Komala says, “I like transcribing from one language into another,
transferring the experiences felt in one medium into another. The
transition from dance to painting was challenging.” Her first painting
“Nartiki” was done in 1974 when she was working for an exhibit in
Bangalore. Exploring dance movements, at first those of classical dance
styles and later folk and other movements, as well as painting them on
the canvas was a highly on experience for her.
“Some of the dance numbers I have choreographed echo as paintings,”
she says. Krishna’s dance on Kalinga, Siva as Nataraja, Durga and Kali
have all been represented through dance and as paintings. She has also
done a series on monsoons and later she even choreographed a dance
number titled “Rain” for a Tamil poem by the same name by Mahakavi
Subramanya Bharati. So illustrious she is considered that the Films
Division of the Government of India has even produced a documentary on
her titled “A versatile artist.”
She has also written two novels and over a hundred short stories. Her
stories have also been translated into English, Hindi, Kannada and Urdu.
She happens to be a member of the Authors Guild of India. Informed
Komala, “Very recently I have published a book titled Bharata Natyam
— expanding horizons which is a pictorial version of her Bharata
Natyam recital of Ram Charit Manas. Yet another passion with Komala is
her institution which she calls Kalaikoodam. The institute, founded
about 15 years ago, has emerged as a cultural centre where people
converge for furthering the cause of art. Komala herself takes lessons
in Bharata Natyam here and also holds seminars to promote culture. |
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