The twain does meet in culture of Kerala
By Mohan
Maitray
DUE to its peculiar geographical
position, Keralas history symbolises assimilation
of traditions and new values. Even in earlier times
Kerala was the meeting point of all Indian religions,
philosophical thoughts and world religions.
A. Sreedhara Menon sums
up the religious practices of people of ancient Kerala:
"Their religion was a strange mixture of animism,
totemism and spirit worship. The people made offerings to
a number of local deities. The war goddess Kottavi was a
popular deity. The people performed a variety of
primitive rituals and practices. Feeding the cow was a
daily practice. Tree worship and ancestor worship were
common. Caste or communal barriers did not exist in any
rigid form". Consequently, the Dravidian way of life
underwent many changes with the emergence of Hinduism,
Jainism and Buddhism. The ecletic outlook of the people
of Kerala helped the new religions to prosper in an
atmosphere of goodwill.
Ilango Adikal, the
author of Silappathikaram is said to be a Jain
prince living at Matilakam, a reputed centre of Jainism
which had a well-known Jain shrine which presided over
the Jain temples in the vicinity. Tiruchanattumalai, now
a part of district Kanyakumari was also a famous centre
of Jainism, Jainism also flourished in areas of Kallil,
Alathur, Sultans Battery and Bangra Manjeshwar. The
decline of Jainism started in Kerala about the 8th
century A.D. and the process was complete by 16th
century. Wynad and Kasargod areas of North Malabar and
commercial towns of Alleppey and Cochin still have many
Jain shrines.
Buddhism is believed to
have been preached in Kerala in the 3rd century B.C. The
Vadakkunnathan temple, Trichur and the Shiva temple at
Madavurpara are supposed to have been Buddhist shrines
earlier. The districts of Alleppey and Quilon were under
Buddhist influence.
With the ascendancy of
Namboodris in the public life of Kerala, Buddhism began
to decline about the 8th century A.D. However, the
declining Buddhist thought handed over its rich cultural
legacy to incoming Hinduism in the shape of popular
rituals and modes of worship.
The decline of Jainism
and Buddhism paved the way for the spread of Hinduism.
Beginning with the 5th centuryA.D. Hindu reform movement,
Hinduism grew stronger in Kerala in the 8th Century A.D.
Prabhakara, set up a school for propagation of vedic
studies. Born in Kaladi, Shankaracharya, a Namboodri
Brahmin became a celebrated Hindu religious teacher. He
propounded the philosophy of Advaita Vedanta which
dwelt on the oneness of individual soul with Brahmin or
the cosmic soul. Cultural synthesis and reconciliation,
two important faces of the culture of Kerala, found
expression in the teachings of Shankaracharya.
Christianity, introduced
in Kerala in the first century A.D. by St. Thomas, also
had substantial following among the people.
Keralas
contribution to religious and secular architecture is
significant. The Tantrasamuchaya, Vastuvidya,
Manushyalaya Chandrika and Silapratna are some
acknowledged works on architecture.
Manushyalaya
Chandrika deals with domestic architecture. A
house in Kerala traditional style is a quadrangular
structure called Nalukettu, raised strictly in
accordance with the principles enshrined in Tachu
Sastra (science of architecture). Located in a
self-contained compound, this structure consisted of four
blocks constructed in four directions with the help of
laterite plastered with lime. Roofs were tiled or covered
with leaves of the palmyrah or coconut trees. The
woodwork of the structure was solid and beautifully
carved. Old palaces in Kerala were constructed in this
domestic style.
The notable palaces of
this kind had been Padmanbhapuram palace (Mattancheri)
and Krishnapuram palace near Kayamkulam. Now the domestic
architecture has undergone numerous changes both in style
and design because houses are for a single family. The
concrete brick structure has replaced traditional
construction set in mud or lime.
The temple architecture
in Kerala has emerged through a long process of
evolution. Rock-cut temples, said to be of the period
prior to 800 A.D., have been classified under two groups,
the southern and the northern group. Rock-cut temples of
Vizhinjam, Madavurpara, Kottukal and Kaviyur fall under
the southern group, whereas the northern group comprises
of temples at Trikkur, Irunilacode and Bhrandanpara.
Architectural pattern of these temples is of the shaivite
order. While the southern group is of Pandya origin, the
northern group relates to Pallava origin, Rock-cut temple
of Kallil near Perumbavur, formerly a Jain shrine, is a
Bhagavathi temple at present.
In Kerala, a distinctive
pattern of temple architecture evolved in different
regions of the state. Temples have been built in square,
rectangular, circular, apsidal and elliptical ground
plans. The southern half of the state has a dominance of
circular shrines, a special feature of Kerala temple
architecture. Apsidal temples are frequent in central
Kerala. Rectangular and elliptical ground plans are rare.
The Sri Padmanabha Swami Temple Thiruvanan-thapuram is of
rectangular style. Generally, the temple walls are made
of lateriate blocks. In some temples granite, with the
exception of the Super structure has been commonly used.
Many temples have wooden walls with carvings of Puranic
stories. Sloping roofs and lavish use of wood are
also distinct features of Kerala temples.
The temple architecture
of Kerala also influenced the architecture of churches
and mosques to a certain extent. It was on account of
this similarity that Vasco-de-Gama is said to have
entered a Kali temple at Calicut because he mistook it
for a Christian church. The temple plan earlier, adopted
in church architecture, comprised a sanctuary with four
sides alongwith a large hall supported by the pillars, in
the front. The church tower resembled the Sikhara of
the garbhagriha in the temple. Innovations
provided by the Portuguese in church construction are
reflected in the St. Francis church at Cochin. In
construction of mosques the outer walls built on a
basement resemble the distinctive style of temple
architecture. Wood has been profusely used in church and
mosque architecture of Kerala just as it is in temples.
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