In defence of nukes &
missiles
WHEN India conducted the Shakti
nuclear tests last year, President Clinton had said that
India did not need to develop nuclear weapons to be
counted as a strong nation. He said that democracy and
economic development, not nukes and missiles, make a
nation strong.
But what is happening in
reality? The USA spends $4 billion every year just to
maintain its nuclear weapons; its total defence budget is
$350 billion.
The USA is developing
theatre missile defence systems in violation of the ABM
treaty.
The USA willingly and
consistently turns a blind eye to the nuclear and missile
proliferation by China to Pakistan and other countries.
The lessons from the
merciless US aggression against Yugoslavia and Iraq are
clear; be strong, or be doomed.
India is more isolated
internationally than even Yugoslavia. No country will
come to our defence in case of external aggression.
India must rapidly
develop its nuclear, missile and other defence
capabilities to the fullest. India must not succumb to
pressure by the "international community" in
matters of national security. Even if it means
short-to-medium-term economic hardship, India must become
self-sufficient in strategic security.
The price paid now will
be much better than any sacrifice made later on.
MUKUND KHER
Bloomington (USA)
(In response to the Internet edition.)
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India
in Canada
"Kee kehne ke kehne
putt sardaran de, paunde bhangrae...!" Sounds
familiar? For many young Punjabis this "Ranjit
Mani" song has helped develop a new brand of Indian
pop culture within the South Asian community. And it has
provided our youth with an opportunity to prove to their
parents and the society in which they live, that they
know and understand the importance of maintaining their
cultural roots.
This popular bhangra
song coupled with a western beat has also been performed
numerous times by a local group of talented young men,
who have intelligently and carefully combined the art of
bhangra with the energetic style of hip-hop. They call
themselves the Dhol Connection and they've done this, not
to westernise an already popular folk song but to
strengthen its cultural importance and to make it
accessible to the youth.
In the past few years,
Indian dance groups have been sprouting up everywhere in
Vancouver. Cultural shows are no longer just an endless
array of filmi dance numbers, but are now an
entertainment extravaganza. From jeans-wearing dhol
players to the new brand of "Kuch Kuch Hota
Hai" kids, Canadian-born children seem more in tune
with their culture than those born and brought up in the
ever more westernised India.
Dozens of Indian dance
schools teaching Bharatnatyam, kathak, gharba, bhangra,
gidha and film styles have opened up in Vancouver. Not
only do they help represent every Indian community, but
they also provide an outlet for the South Asian youth
that would help them to establish a base from where they
can better understand their culture.
Through the influential
power of music, the South Asian youth have found a way to
enjoy the richness of their culture in a fun and exciting
way. The popularity of dance schools has grown so
dramatically that some of them attract up to 500
students. From the ages of five to 35, the "crush
generation" is no longer struggling to get involved
in cultural activities, rather it is jumping at the
chance to take part in such endeavours.
Currently we have the
largest ever population of South Asian youth. The average
South Asian teenager is no longer hiding from his
cultural upbringing; he is rather embracing it with open
arms. Geographically, Canada may be the farthest country
from India, but through new technology in mass
communications and a keen interest in our culture, we
have succeeded in bringing a part of India to Canada
SIMMI PURI
Vancouver (Canada)
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