The third angle to Fire
controversy
By Reeta Sharma
The film Fire has created
enough fire for Deepa Mehta to warm herself with
undeserved name and fame. I am sure she must be secretly
and thoroughly enjoying the mention and appearance of her
name and face in the print and electronic media. I wish I
could have avoided giving her space in my column.
However, I am provoked to write neither about the so-
called "freedom of expression", nor because I
want to hold aloft the banner of "fanatic keepers of
Hinduism" in the name of Indian culture. My concern
is purely from a third angle about la affaire Fire.
It is an angle which
people are afraid to express for fear of being branded as
part of either the Bajrang Brigade or the Shiv Sena; for
fear of being accused as undemocratic or not being
progressive. When I finished watching Fire, I
decided to forget all about it. It was a very crudely
directed film in which everyone had acted brilliantly.
But my wish to forget it was not granted. Hell broke
loose. Bajrang Dal and Shiv Sainiks had decided to
compete with Deepa Mehta to freely express crudeness,
indulge in cruelty on our sensitive minds and as
violently trample our privacy as she did.
What is Fire all
about? It glamourises lesbianism and justifies it as the
only alternative in suffocating marriages. But let me not
dwell on details of the film. I am more keen to share my
stamped impressions about the third view. People in this
category have full faith and respect for "freedom of
expression". Remember, some women in Europe wanted
to go about fully naked everywhere claiming it to be
their personal right to freedom? But even the westernised
and highly awakened Europe had not allowed it, calling it
absurd and perverted.
I would not say that
lesbianism is absurd or perverted. I concede it exists in
every society. But it is there only in an negligible
percentage. Its not rampant. Nor is it such a
burning problem that we need to deal with it in a
full-length film. But what do you do with people who are
desperate to seek attention and recognition? They not
only glamourise such subjects but even title a Hindi film
in English calling it Fire and not Aag, for
the sake of effect.
One has grown up admiring
and loving great artistes like Dilip Kumar, writers like
Javed Akhtar and talented actresses like Shabana Azmi. I
am, in fact, full of reverence for their blessed talents.
But, come on, Javed Sahib and Shabana, we are now grown
up enough to look beyond your talent and see through your
games. Dear Shabana, your proximity with Sushma Swaraj
has not gone unnoticed, which reportedly got censor
clearance for the film. You have established yourself as
the best actress in the country beyond any shadow of
doubt. Then why be greedy for more awards even at the
cost of sensationalism?
Javed Sahib would be
respected much more if he went to Gujarat, holding a
banner for hapless Christians than for his wife alone.
And, I think, poor Dilip Kumar has simply been used in
this game by friends like Javed Akhtar and had to face a
brutal and loathsome accusation of being called a
"Pakistani".
If only I were a judge, I
could have put these obnoxious accusers into jail for
hurting the sentiments of crores of Indians who love
Dilip Kumar. I would not give him to Pakistan even if
they were to offer me "Occupied Kashmir" in
exchange.
Protests against the
Bajrang Dal and Sainiks are fully justified.I, myself,
through this column, protest against their violent
attacks on peoples freedom to watch whichever film
they want to. If they do not like the film, or are
disgusted with the glamourisation and blatant display of
what lesbianism is all about, they ought to choose a
peaceful, democratic manner of protest.
Many people feel films on
such subjects should be made but not in a country like
ours. We still have a long, long way to go before we
reach a stage where people can digest and understand such
dimensions in any society. We are ridden with illiteracy
and ignorance to such an extent that we would only be
adding to the existing chaos. Advocates of the first
angle, holding the banner of "freedom of
expression", may find my afore mentioned statement
contradictory. To them my answer is that we cannot show a
film on sex to a 10-year-old. The childs brain
would only get distorted and disturbed it is not fully
aware and educated on the subject. Another argument
forwarded by this school of thought is that people like
me are closing their eyes to reality, and that
todays children know everything. Sorry. This is too
generalised a statement. Lakhs of not only children but
even adults are not aware of the existence of such
aberrations in our society. What do we gain by telling
them? We horrify and sensationalise them and, in all
probability, give them a cue to indulge in it themselves.
Tomorrow, in the name of
"freedom of expression", another desperate
director would venture out to make a film on incest. Here
again these people snub me saying, "What is wrong
with that? Does it not exist?"I think arguments will
not take us far. Let us respect freedom of expression. I
strongly feel it is the medias duty to exercise
self-restraint. We have to see as to who is our audience
or readership. We have to respect every individuals
freedom. If it is your desire to make films on such
subjects, what about the desire of people like me who do
not wish to expose young minds to such material? Our
desires are clashing. So let us find a via media.
There is a third view
beyond the frenzy of the fanatics and the cunning use of
the famous and elite. The section which holds this view
would continue protesting silently, peacefully and
democratically in the interest of the large number of
people.
New Year
greetings
Of the hundreds of New
Year greetings cards that I have received this year, only
one caught my attention because of its theme. It was
mailed by the Punjab Health Systems Corporation managing
director S.S. Channy. It is a specially designed card in
honour of women. Before you jump to a conclusion that he
was, perhaps, being clever, let me tell you that Channy
was only propagating the philosophy and message of Guru
Nanak Devji, the great visionary, who had said So kyon
manda akhiye, jit jamme rajan (Why abuse the
womanhood which gives birth to great people?). Mind you,
Guru Nanak gave woman an equal status and extolled their
virtues, which Channy has put in print.
What Channy has done is an
imaginative card which depicts a young, smiling girl
child, encircled by sketches of some of the great women,
who have contributed to the society. They include Lata
Mangeshkar, Amrita Pritam, Kalpana Chawla, P.T. Usha,
Kiran Bedi et al. The young girl, in this symbolic
fashion, is guided to follow the footsteps of these great
Indian women. The card, indeed, is a touching compliment
to women; thank you, Channy, on behalf of all women.
This feature was
published on January 9, 1999
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