This
feature was published on September 20, 1998
A
Frankensteinian character
By
Ervell E.Menezes
IF the Bard of Avon said "all
the worlds a stage" that line could today well
be changed into "all the worlds a TV
show" for after the stage came the cinema and now
its the TV or idiot box.
And somehow Hollywood is
at its best when satirising this medium. One can name a
number of such films. The late-1970s brought Network
which capitalised on the suicidal tendencies of an
anchorman. Peter Finch played the lead role and picked a
posthumous Oscar for it. The French director Bernard
Tavernier did even better in Deathwatch (Hollywood
made) in which a lens is implanted in the eye of TV
reporter Harvey Kietel to capture the last few days in
the life of a woman (Rommy Schneider) afflicted by a
terminal disease. Then there was Broadcast News (William
Hurt and Holly Hunter) and others. The small screen and
its power on the public is phenomenal and is often
misused.
The Truman Show is
a fable about a man, Tuman Burbank whose life has been a
staggeringly popular 24-hours-a-day TV show and he is the
most famous face on TV. He is an unwitting star of a soap
opera based on his life. Every moment of his life is
being filmed by 5000 concealed cameras and broadcast to
world-wide audiences.
Now, having a show in
which the rest of the cast are actors and only the hero
unwittingly real is implausible and almost impossible to
be kept a secret for 30 days, let alone 30 years. But
Hollywood loves this "anything is possible"
premise. So one has to accept an unlikely situation to
even get initially involved in the film. Remember Being
there where Peter Sellers played a man brought up on
TV alone? He knew nothing about the world outside.
Frightening: This splendid isolation.
Australian-born director
Peter Weir (Picnic at Hanging Rock) and The
Year of Living Dangerously) has taken up this
challenge to make a scathing attack on the manipulating
media and strangely he has chosen Jim Carrey to play the
lead role of Truman Burbank. From the time Isaw Mask Iwas
sure this updated Jerry Lewisism of Carreys
wouldnt last long. It was okay in the
1960s when Jerry Lewis
could evoke spontaneous laughter. Not today, it becomes
laboured. It was obvious that Jim Carrey would have to
change his act and The Truman Show provided that
break for him. It gave him a chance to create a new
persona and it had to be done gradually. At least 50 per
cent of that mad, gawky Jim Carrey had to go before the
serious or semi-serious Carrey emerges.
The enormity of the
subject allows one to forget the comedian Carrey and
concentrate on whats happening to him or rather the
hero Truman Burbank. Married to the perennially Perky
Meryl (Laura Linney), Truman lives in the immaculately
planned community of Seahaven, an entiseptic paradise
where people are forever cheery and nothing untoward ever
happens.
The only scar Truman
carries with him comes from the long ago death of his
father from a boating accident, which has given him a
great fear of water. But the young man also harbours a
secret yearning a wanderlust stimulated by his
fleeting romance with Lauren (Natascha McElhone), a
beautiful student snatched from his embrace some years
ago and spirited away to Fiji, where he, therefore, longs
to go.
In the course to time,
however, cracks appear in his lifes perfect veneer
that arouse suspicions. He sees a homeless man hes
sure is his own father. Then a radio malfunction allows
him to overhear a transmission intended for the
"extras" who constitute the population of
Seaheaven and make up the supporting cast of the Truman
Show.
It is Lauren who lights
the spark of doubt before she is banned to Fiji. His
close friend Marlon (Noah Emmerich), who has been with
him since seven, tells him "the last thing Id
even do is lie to you," a subtle way of telling him
the truth. In fact the opening lines of The Truman
Show say "nothing you see on the show is fake,
it is merely controlled," a clear play on words.
Trumans inventor and
manipulator, Christof (Ed Harris), talks about truth and
gives his own definition of it but when he sees that
Truman is trying to escape it means a blow to his
30-year-old show. We see it from day 10,909 to day
10,913.How will a story like this end? Wholl win?
Thats the question. It is the creation of a
Frankensteinian character, not monster. He may not be
brutal or scarry, but can he overcome his creator?
Considering the
implausibility, Peter Weir puts together an interesting
little story. There may be a few blanks like how did the
father suddenly come into the picture and why would
Lauren be the only one to tell him the truth about the
show?Jim Carrey is at best fair and this could be because
he cannot overnight shed the image he has created in the
last five years. Natascha McElhone who did very well as
the woman who was able to stand up to the great artist in
Surviving Picasso picks up from where she left off
there to provide a very credible cameo but Ed
Harris role is essentially academic. Not the
greatest show on earth or on TV (or about TV) but quite
watchable. It could also mark the beginning of the
transformation of Jim Carrey.
|