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No one can replace Dhanraj Pillay Apropos of Amardeep Bhattal’s article “Spoilsports at play” (Spectrum, May 16), the writer threw light on Dhanraj Pillay, the mercurial forward. Only fools can afford to slight and ill-treat the renowned hockey star. It is absolutely wrong to play with his career. Pillay has the ability to change the complexion of a game singlehandedly. He acts as a link between the forwards and the defenders. To snap that link would be disastrous for India. It can’t be ignored that even now Pillay is fit as a fiddle. At present, no one can be substituted for the ace striker. Tarsem S. Bumrah, Batala
An inspiring account I was delighted to read the review “He swept his way to success” by D.S. Cheema (Spectrum, May 9) of the book .... And Dignity for All written by James Despain and Jane Bodman Converse. The reviewer has done a good job of introducing the book. I had the opportunity of going through this book. It is a realistic and greatly inspiring account of the problems encountered by modern managers. The book is highly useful for individual, corporate and social development. I would strongly recommend it to all, irrespective of their professional pursuits. Gurdev Singh, Chandigarh
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Talat’s magic Commenting on my article on Talat Mahmood
(Spectrum, May 9),
M.L. Sharma says (May 23) that Talat was often replaced by other singers. While Naushad replaced Talat and used Mahender Kapoor’s voice for Manoj Kumar only in the film
Aadmi, in the cassette of the film released by HMV, the duet has been sung by Talat and Mohammad Rafi. For Jahanara, the producer wanted Rafi to sing for the hero Bharat Bhushan, but the composer Madan Mohan felt Talat would be more appropriate. The producer threatened to replace Madan Mohan and bring in composer Roshan who agreed to use Rafi. Madan Mohan finally said he would spend his own money — a hefty sum of Rs 50,000 — to record Talat for the film. If the producer liked the result, Talat would be retained. Talat put his soul into Phir wohi
shaam, Teri aankh me aansoon pee jaoon,.... Later on, the producer publicly admitted that he had made more money from the music of the film than from the film itself. M.L. Dhawan, Chandigarh
Memories of Lahaul This refers to “On top of the world, looking down on creation” by P.C. Bodh (Spectrum, May 23). The article reminded me of my hometown. I used to go there during my winter vacations. It made all the poems of the lake poets come alive. The enchanting scenery of the place is still fresh in my memory. The origin of the people of Lahaul is steeped in controversy. Some believe them to be the descendants of Indo-Mongoloids or Indo-Aryans. They have a spoken dialect and no script. There is no similarity to any other language. These people have a unique and distinct culture, identity and values which they have cherished since centuries. Dimple Katoch, Shimla
Idol worship This refers to “Idol speculation” by Khushwant Singh (Windows, April 24). Idol worship is not only a Hindu practice, but also a trait of all other religions. An idol is not merely a marble statue of a god or goddess. All inanimate objects whether in the form of a lucky book or a tall obelisk, if worshipped, are idols. When even a mathematician has to use symbols to represent quantities, how can a religious person do away with symbols? An idol is not the God, but a symbol of an aspect of a many-faceted God. n Chaman Lal
Korpal, Amritsar
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