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By Raj Chengappa, Editor-in-Chief |
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This is not an Islamic uprising – though it could become one – but, save for the usual talk of Muslim Brotherhood participation in the demonstrations, it is just one mass of Egyptians stifled by decades of failure and humiliation
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This is not an Islamic uprising – though it could become one – but, save for the usual talk of Muslim Brotherhood participation in the demonstrations, it is just one mass of Egyptians stifled by decades of failure and humiliation
A
day of prayer or a day of rage? All Egypt was waiting for the Muslim Sabbath on Friday – not to mention Egypt's fearful allies – as the country's ageing President clings to power after nights of violence that have shaken America's faith in the stability of the Mubarak regime. Rumours are as dangerous as tear gas here. A Cairo daily has been claiming that one of President Hosni Mubarak's top advisers has fled to London with 97 suitcases of cash, but other reports speak of an enraged President shouting at senior police officers for not dealing more harshly with demonstrators. Mohamed ElBaradei, the opposition leader and Nobel prize-winning former UN official, has flown back to Egypt but no one believes – except perhaps the Americans – that he can become a focus for the protest movements that have sprung up across the country. Already there have been signs that those tired of Mubarak's corrupt and undemocratic rule have been trying to persuade the ill-paid policemen patrolling Cairo to join them. "Brothers! Brothers! How much do they pay you?" one of the crowds began shouting at the cops in Cairo. But no one is negotiating – there is nothing to negotiate except the departure of Mubarak, and the Egyptian government says and does nothing, which is pretty much what it has been doing for the past three decades. People talk of revolution but there is no one to replace Mubarak's men – he never appointed a vice-president – and one Egyptian journalist tells me he has even found some friends who feel sorry for the isolated, lonely President. Mubarak is 82 and even hinted he would stand for president again – to the outrage of millions of Egyptians. The barren, horrible truth, however, is that save for its brutal police force and its ominously docile army – which, by the way, does not look favourably upon Mubarak's son Gamal – the government is powerless. This is revolution by Twitter and revolution by Facebook, and technology long ago took away the dismal rules of censorship. Mubarak's men seem to have lost all sense of initiative. Their party newspapers are filled with self-delusion, pushing the massive demonstrations to the foot of front pages as if this will keep the crowds from the streets – as if, indeed, by belittling the story, the demonstrations never happened. But you don't need to read the papers to see what has gone wrong. The filth and the slums, the open sewers and the corruption of every government official, the bulging prisons, the laughable elections, the whole vast, sclerotic edifice of power has at last brought Egyptians on to their streets. Amr Moussa, the head of the Arab League, spotted something important at the recent summit of Arab leaders at the Egyptian resort of Sharm el-Sheikh. "Tunisia is not far from us," he said. "The Arab men are broken." But are they? One old friend told me a frightening story about a poor Egyptian who said he had no interest in moving the corrupt leadership from their desert gated communities. "At least we now know where they live," he said. There are more than 80 million people in Egypt, 30 per cent of them under 20. And they are no longer afraid. And a kind of Egyptian nationalism – rather than Islamism – is making itself felt at the demonstrations. January 25 is National Police Day – to honour the police force who died fighting British troops in Ishmaelia – and the government clucked its tongue at the crowds, telling them they were disgracing their martyrs. No, shouted the crowds, those policemen who died at Ishmaelia were brave men, not represented by their descendants in uniform today. This is not an unclever government, though. There is a kind of shrewdness in the gradual freeing of the press and television of this ramshackle pseudo-democracy. Egyptians had been given just enough air to breathe, to keep them quiet, to enjoy their docility in this vast farming land. Farmers are not revolutionaries, but when the millions thronged to the great cities, to the slums and collapsing houses and universities, which gave them degrees and no jobs, something must have happened. "We are proud of the Tunisians – they have shown Egyptians how to have pride," adds another Egyptian colleague. "They were inspiring but the regime here was smarter than Ben Ali in Tunisia. It provided a veneer of opposition by not arresting all the Muslim Brotherhood, then by telling the Americans that the great fear should be Islamism, that Mubarak was all that stood between them and 'terror' – a message the US has been in a mood to hear for the past 10 years." There are various clues that the authorities in Cairo realised something was afoot. Several Egyptians have told me that on January 24, security men were taking down pictures of Gamal Mubarak from the slums – lest they provoke the crowds. But the vast number of arrests, the police street beatings – of women as well as men – and the near-collapse of the Egyptian stock market bear the marks of panic rather than cunning. And one of the problems has been created by the regime itself; it has systematically got rid of anyone with charisma, thrown them out of the country, politically emasculating any real opposition by imprisoning many of them. The Americans and the EU are telling the regime to listen to the people – but who are these people, who are their leaders? This is not an Islamic uprising – though it could become one – but, save for the usual talk of Muslim Brotherhood participation in the demonstrations, it is just one mass of Egyptians stifled by decades of failure and humiliation. But all the Americans seem able to offer Mubarak is a suggestion of reforms – something Egyptians have heard many times before. It's not the first time that violence has come to Egypt's streets, of course. There have been police mutinies before – one ruthlessly suppressed by Mubarak himself. But this is something new.
Who could succeed Hosni Mubarak?
Gamal Mubarak The youngest son of Mr Mubarak and his half-Welsh wife, Suzanne, Gamal was educated at the elite American University in Cairo, going on to work for the Bank of America. Mohamed ElBaradei |
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Kapila
Vatsyayan, now 82, is a well known name in India, particularly in Delhi's cultural circuit, but few know about the long years of strife and commitment that chiselled her into a prodigy of classical dance, art and culture. She was barely 10 years old when legendary Acchan Maharaj spotted her talent. He was so impressed by the in-built talent in this young woman that his impromptu comment was: Bahut accha naachi ho, lekin talim ki jaroorat hai (you dance beautifully but you need training). The occasion was a school performance and among the audience were Acchan Maharaj and Nirmala Joshi, who later became the Secretary of the Sangeet Natak Akademi. Kapila's dance on the theme Ardhanarishwara was applauded as great choreography. On his suggestion, Kapila became a disciple of Acchan Maharaj. Those were the times when dance was coming out of royal courts. Years later, Kapila paid her guru dakshina (debt) to Acchan Maharaj. The great legend had passed away, leaving behind his nephew, Birju Maharaj, who had lived under his tutelage in Lucknow. Kapila brought Birju to Delhi and established him in the dance school she was running along with her friends. Subsequently, Birju Maharaj became a legend in his lifetime. During summer vacation in her student days, Kapila used to learn Bharatnatyam from Meenakshi Sundaram and Rukmini Arundale's disciple Lalitha. Then, she invited Gura Ambi Singh to come to Delhi from Manipur and learned Manipuri dance with him. She also brought Lalitha to Delhi. Unlike many of her contemporary artistes, Kapila has been fortunate. Her training began with the practice of dance from Oriental dance to Kathak, to Bharatnatyam and Manipuri. Her concurrent training in English literature at Delhi University provided critical apparatus. Besides Western art and whatever she learned in pre-Independent India, she had to pick up Sanskrit and Indian languages because of her family background which was a reformist one, deeply rooted in Indian ethos. In 1930s her family lived in Calcutta and was involved in the nationalist movement. After completing her MA from Delhi University, she went to the United States on a Barbour fellowship. It was a distinguished fellowship for Asian women based on the outcome of a written test. One day after her prerequisites for the Ph.D degree, she decided to return to India and gave up the fellowship. She has been quoted as saying that, "I felt that I was ignorant about the culture to which I belonged. I had to know it. I also felt that if I wanted to go further in English literature and Western art, I would have to go to its language foundations in Greek and Latin. Then there was this dance thing. So one autumn day outside the library in Michigan, I meditated and surprised my parents by returning home". Kapila returned to motherland searching for an identity and started travelling. She went from Madurai to Kanyakumari, to Palghat practically on foot and in buses and reached Kerala Kalamandalam. During her itinerary, Kapila met scholar Vasudeva Sharan Agarwal, who has written about 40 books on the history of Indian art and on India through the eyes of Panini. He strongly recommended that she should preserve these classical works. As the Head of the Department of Archaeology in Banaras Hindu University, Agarwal accepted Kapila as a special Ph. D student. She says: "Here neither my degrees in English nor my American education were considered adequate preparation. I had to take a Sanskrit philological examination. I did that and then got grounding in indology and archaeology." Kapila's favourite authors, however, have been Coomaraswamy and Heinrich Zimmer, an indologist and historian of South Asia, who first identified the radical difference between Western classic and Indian art. Without them, she says, "I do not think, I would be the person I am today". Kapila also reads parts of Upanishads that her parents gave her. She has herself written many books, including The Square and the Circle of Indian Arts, Bharata; The Natya Sastra and Matralaksanam. She blazed a new trail in 1990, leading scholars of India and China to "look at each other" instead of trying to see each other's country. She resigned as a member of the Rajya Sabha soon after her nomination following a controversy over the office of profit in 2006 but was re-nominated in April 2007 for a full-term, expiring in February
2012. |
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