Sunday,
October 13, 2002, Chandigarh, India
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Tiny tots bring to life scenes from Ramayana Panchkula, October 12 At Satluj Public School, Junior Wing, students enacted Ramleela, as Ritu Mehta, a class V student, introduced the story of Ramayana and other students enacted the key roles. Students of kindergarten prepared masks of Ravana, and those of play group and nursery prepared swords and other weapons. Class I students had prepared crowns for the king. Mr Pritam Singh Serai, director of school, distributed sweets and gave away prizes and certificates to participants . He emphasised on message of Ramayana that triumph of goodness over evil. |
Ph.D entrance
test on
November 11 Chandigarh, October 12 Candidates may submit their application forms for the test up to
October 28 at their ‘risk and responsibility’. However, in case
the results of qualifying examinations are not declared by November
11, their entrance test for the Ph.D enrolment shall stand
automatically cancelled and they shall have no claim whatsoever. The
prospectus can be obtained by hand through the State Bank counter at
Panjab University up to October 28 and by post up to October 18. The
counter for receipt of forms in the university (old enquiry) will,
however, remain open on October 14. This was stated in an official
press release of the university. |
Stepping
Stones win group-song contest Chandigarh, October 12 Thirteen junior teams (class VI to X) and eight senior teams (class XI and XII) participated in the contest that had 250 participants in all. In the junior section the first prize was bagged by Stepping Stones School, Sector 38, the second prize went to Sacred Heart Senior Secondary School, followed by IS Devsamaj Senior Secondary School, Sector 21 which landed the third prize. In the senior section prizes (in the order of merit) went to: IS Devsamaj Senior Secondary School, Sector 21, Government Senior Secondary School, Sector 23, and Government Senior Secondary School, Sector 21. Besides team prizes, individual prizes were also given to members of the winning teams.
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PU pension issue taken up Chandigarh, October 12 The delegation had gone to Delhi after receiving a communication from the Centre rejecting the pension scheme. The delegation left for the capital yesterday. |
Posters
on water conservation Chandigarh |
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Lecture Chandigarh |
Web of melody captures city audience Chandigarh, October 12 There was, however, one difference. Seth presented a haul of rich ghazals selected from a richer repertory. Deep lyrics and music blended to enthrall the audience. In her controlled and highly stylised voice, Kavita Seth presented one after another sequence to keep the interest of the audience alive. The beginning to concert was made well, with Kavita handling the timeless lyrics of Mirza Ghalib with great care and sensitivity. ‘Dil-e-nadan tujhe hua kya hai’, was the opening ghazal, which naturally raised the expectation of the gathering. The artiste of the evening handled the responsibility of playing with rhythm well enough to keep the listeners absorbed. Kavita’s rendering of Sudershan Goyal’s composition ‘dil kahin bhi na hum laga paye’ added another string in the cycle of rhythm which went on uninterrupted featuring a Nida Fazli ghazal ‘Jab bhi kisi nigaah ne mausam sajaaye hain’...and another Mauj Rampuri nazm ‘Woh ek lamha...’ Aesthetic handling of each piece remained the high point of Kavita Seth’s presentation. She reflected the substance of her training in her presentation, which was another one among hundreds. A common face on the light classical vocal circuit, Kavita Seth learnt to unravel the mysteries of music from masters like Pt N.D. Sharma of Gwalior gharana and then Shri Vinod ji of the Gandharva Mahavidyalaya. Although academically trained in classical vocal, Kavita has chosen to pursue the world of ghazals. As she said, “I was always inspired by the emotional appeal of ghasals, where the significance of lyrics is immense. The singer’s success lies in handling the words well. Light classical also gave me the chance to search depth within myself. I realised that this stream of music was much like a never ending stream of water. Unlike classical music which is invariably limited by the discipline of gharanas, light classical just flows ...and allows the listeners to flow along with.” Mehndi Hassan is her ideal, so is Jagjit Singh. With two albums to her credit, Kavita is now going the way any budding performers would go. She is touring London for a concert next week. |
FILM REVIEW ‘Yeh Kya Ho Raha Hai’ Nirman (Chandigarh) and KC (Panchkula) is an experiment with adventures of fresh lads and lasses on the college campus. The youngsters are out to make their presence felt. Attention seeking is main business of the youth. Pranks to woo girls takes one into the heart of co-educational campuses in metros of the country. The story-idea more than novel is impressive, but far away from the grind masses live in real life. The dialogue are crisp and full of youthful babble. The double entendre — typical of a black comedy — is in plenty. The film has gained pace by crisp editing. The fresh faces: Aamir Malik, Vaibhav Yash Raj Veer, Prasant Chiyanani, Tarun Anand, Deepti Darynani, Payal Rohatgi and Punnarva lead the film. Pammi Baweja is the producer and Hansal Mehta the director. Suparn Verma has penned the story. The camera has been handled by Chirantan Das. Javed Akhtar’s lyrics have been tuned by Shankar- Ehsaan- Loy of the “Dil Chahta hai” fame. |
The curves of rhythm & essence of life Chandigarh, October 12 The works of Nirmala Singh which have been structured under the title of ‘Life’ rise to meet the standards of beauty. They draw not from definite forms and figures and facts, but from life itself. That explains their nature — largely abstract and hardly figurative. The themes appear familiar so does the thread that binds them. Each work derives base from a certain element of rhythm which is quintessential to life. The technique, being unique also has a way with the senses of an objective viewer who is looking more for beauty in the canvas than for perfection of technique. Let alone the rare technique of encaustics that features a blend of pigments, wax and pigments, more important for any work of art is to qualify well on the scale of aesthetics. And Nirmala Singh’s works do that comfortably. There is no set pattern playing with the texture on the canvas. Forms seem to emerge like poetry and flow endlessly in the form of splashes of colours. There are some forms which extend a pleasing invitation, especially the one in which youth is contrasted against age. The twilight zone of life is painted with perfection and the work inspires the viewer. There are other works of art in which aesthetics has a role to play. Some others are mystic, as art itself. The works can be viewed between 10 am and 6 pm at Indus Ind gallery in Sector 8. |
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Heritage
of Rajasthan Chandigarh, October 12 Being displayed at Panchayat Bhavan, the show features styles of Rajasthan’s traditional wear. The product line includes exclusive and ethnic clothes from Jaipur, featuring stitched and unstitched suits, Indo-western and sarees of lehriya, bandhni, gota patti, aari, embroidery, brocades, mukesh and the famous block prints on crepes and cotton. |
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