Friday,
June 21, 2002, Chandigarh, India
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PU student leaders remanded Chandigarh, June 20 Meanwhile, the court has issued a notice to the UT police on the bail plea moved by Nabha for June 24 for filing a reply. The police had registered a case against them on March 8 following the clash that took place between the supporters of two main organisation — SOPU and PUSU. The police had registered a case against them under Sections 147, 148, 159, 324 and 307, IPC. |
Kandola to replace Bharti as SDM Chandigarh, June 20 Mr Bharti was given a formal send off today and he leaves tomorrow. He is proceeding on a 15-day leave of absence and will come back on July 10 to formally hand over the charge to Mr Kandola. His work as the Land Acquisition Officer and the Additional IG Prisons will be handled by the SDM (Central), Mr Prithi Chand. The work of the Joint Chief Electoral Officer and Joint Registrar Co-operative Societies will be looked after by the Additional DC, Mr Gurmail Singh. |
MUSIC DAY CELEBRATIONS Chandigarh, June 20 The occasion was commemoration of a festival which began in France in 1982. Ever since that year, the Ministry of Culture, France, has been paying a tribute to the sprit of music by helping people come together to share music by invading streets, courtyards, squares. Fete de la musique, as it is called, has now crossed the frontiers of France and is celebrated in 100 countries. This is perhaps the first time the Alliance Francaise le Corbusier de Chandigarh and CITCO have come together to hold a two-day celebrations in Chandigarh. The first day of the festival saw music speak in the language of harmony. As the two members of the French musical troupe GMT performed in the open for visitors at Sukhna, one thing came out clear: “where words fail; music speaks.” So although a lot of lyrics used by the performers remained incoherent, the crowd enjoyed every bit of fine music that was doled out. The melodies spoke on their own; although the formal language was Senegal. As for music, it sounded like a delightful blend of Latin and African influences. The musicians were perfect at harmony — where Mansour regaled the audience by singing, even while handling the guitar and the mouth organ in the same breath; Montrichard gave him accompaniment with the guitar. Not just that, a city-based tabla player Mehmood added a soulful Indian touch to the Western melodies. Mansour sung wonderfully in wolof, baring his deep rooting in Senegal. At the same time, Montrichard came along to intermingle his lyrical traits and energies with the guitar. The two make a great team and played on Xavier Petit, acoustics and stringed-instruments. They are working on an album currently. With complete control over their respective rhythms, Mansour and Montrichard made and mixed music that was groovy and marvelously melodic, all sung in wolof (a language spoken in Senegal). The chemistry of the two performers on stage was amazing. Ask them what brought them together and they reply: “We met on the stage.” Mansour, an ex-Trussart demonstrator opened a trio of guitars influenced by McLaughin or Peter Gabriel for Montrichard’s group called GMT. Gradually the duo took form and surprised each other with their complicity. Mansour mainly embodies as much the energy of Hendrix as the melodies of Kansas and Yes. Montrichard harps on Latin music. As for today’s show, the duo performed with an Indian musician mixing the delightful tabla tunes with the melodies from the West. Mansour began with a Senegalese song, then presented a fusion; and later went on to sing an English numbed: When I am sad she comes to me. The group held viewers’ attention for over two hours. Tomorrow, Amit Kumar will perform along with wife Reema and model Aditi Govitrikar at the Plaza carnival at 7 pm. |
NEW RELEASE T he success of Vikram Bhatt’s ‘‘Raaz’’ has spawned a new genre of experimental cinema and it would be a testing time for Vikram Bhatt again with his new Rs 16 crore movie “Awara Paagal Deewana” which is slated for release today at Neelam in Chandigarh, Bassi in SAS Nagar and KC in Panchkula.If love does not set the box-office alight, there is always action. Firoz A. Nadiadwala, the maker of “Hera Pheri” teams up with director Vikram Bhatt for gritty saga in “Awara Paagal Deewana”. This film is based on Hollywood’s “Charlie’s Angels”. The film has extraordinary stunts, co-ordinated by the team that worked on “The Matrix”. Also watch out for martial arts in this movie. Those who have seen the rushes say the film has shaped into quite a whammer. This one is produced by Firoz A. Nadiadwala who is one of Khiladi Kumar’s (Akshay Kumar) favourite producers. Belly dancers from Cairo and London have been roped in for a special item song “Ya Habibi...” sung by Adnan Sami. It also has an Arabian singer singing lines in Arabic language. This foot-tapping number has generated a lot of pre-release interest in the film. Leading the star cast are Akshay Kumar, Sunil Shetty, Aftab Shivdasani, Preeti Jhangiani, Amrita Arora and Aarti Chhabria, each boasting of a significant and strong characterisation that is vital to the story. Other important portrayals are Om Puri, Paresh Rawal, Johnny Lever, Asrani and Rahul Dev. Catchy music by Anu Malik, lyrics by Sameer, cinematography by Pravin Bhatt, action by Dionlam-Abbas Ali Moghul, choreography by Ahmed Khan, dialogue by Neeraj Vohra, story-screenplay by Anand Wardhan, Mangesh Kulkarni, editing by Amit Saxena and art by Sailesh are the important credits of “Awara Paagal Deewana.”
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