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Mind-reading
of Pak
Generals
Review by Bimal Bhatia
Generals and
Governments in India and Pakistan edited by Maroof Raza.
Military Affairs Series of Har-Anand, New Delhi. Pages 144. Rs
250.
INDIA
and Pakistan can loosely be called "brothers separated at
birth". Yet the military and governments in these states
took different courses. The military in Pakistan usurped
governance, domestic and foreign policies — even the nuclear
programme to pursue its Kashmir fixation. The Pakistan army
sidelined and embarrassed the elected Head of government —
whenever there was one — and even drove Benazir Bhutto to
admit to a foreign correspondent, "I am in office; not in
power."
The birth of
Bangladesh in 1971, due partly to its Army’s incompetence,
resulted in more power to the Pakistan army despite Zulfikar
Ali Bhutto’s gameplan to sideline it. On the contrary, the
Indian Army which notched up significant victories after 1965
found itself downgraded systematically.
The five
articles offer a narrative which defines and analyses the
different environments in which the Indian and Pakistani
armies have functioned since independence. While Pakistan has
a tradition of military intervention, India’s military
establishment functioned as an exemplary non-political force.
In his title
essay Maroof Raza quotes Samuel Huntington: "The military
institutions of any society are shaped by two forces: a
functional imperative stemming from the threats to society’s
security and a societal imperative arising from the social
forces, ideologies, and institutions dominant within the
society. The interaction of these two forces is the hub of the
problem of civil-military relations."
The
legitimacy of political authority is traditionally deeply
accepted in India where the army has never sought to control
or be an arbiter in the nation’s political affairs. In fact,
it has often appeared even in times of social and political
disorder as a staunch "no-nonsense" defender of the
elected government.
The political
history of Pakistan has been different. Pakistan was born in
agony and confusion. The cumulative bitterness, frustration
and pain accompanying Pakistan’s creation, and the continued
threat to its existence (whether real or imagined) from India
have shaped much of its political history.
Raza quotes
Stephen Cohen in an appraisal of the two countries at the time
of partition. India not only had a greater military advantage
in the partition of stores, but the calibre of its politicians
and civil servants was definitely superior to that of
Pakistan. Indian civil servants in some cases had even more
military-related experience than its senior military officers,
and were thus able to conduct a rational political dialogue in
military matters.
In Pakistan,
on the other hand, Iskander Mirza (a military officer turned
bureaucrat) was perhaps the only political figure with a
military background. Jinnah had little interest and Premier
Liaqat Ali Khan’s knowledge of the military was negligible.
Thus, Pakistan’s military was rightly frustrated with its
politicians, leading eventually to a breakdown in
communication between them.
The
increasing use of the Pakistan army in administrative roles
and "aid to the civil" duties between 1952-1957
(including the Ahmadiya riots of 1953 in Lahore) combined with
continued corruption and ineffectiveness of the civilian
leadership led to a loss of military patience and it took
power as an increasingly apprehensive society feared Pakistan’s
fragmentation.
Its military
demonstrated that professionalism may in fact contribute to
its intervention in politics. The military coup of 1958 was
undertaken in disgust and disappointment with the incompetent
political leadership, as it threatened Pakistan’s security
and, in turn, the interests and integrity of the military as
an organisation.
India’s
resounding victory over Pakistan in 1971 stunned the world as
it did the Pakistani army. Though with the creation of
Bangladesh India’s military reputation got a big boost, it
continued to remain strictly subordinate to the civilian
leadership and became an example to many developing countries.
Indira Gandhi
inherited a deep-seated suspicion of the military from her
father Nehru. She repeatedly employed a divide-and-rule
strategy against the higher army command, and the civil
servants supported her efforts. Her suspicion of men in
uniform prompted her to be careful and not allow the military
to get involved in the domestic sphere beyond a point.
Indira Gandhi’s
defeat in 1977 and her return to power in 1980 demonstrated
the degree of maturity of Indian democracy and how governments
could change without any hint of military intervention. Her
use of the Army in the unfortunate Operation Bluestar in 1984
resulted in a crisis which shook the integrity of the Indian
Army at many levels. It led to her assassination and that of
former army chief Gen A. S. Vaidya.
It was in the
1970s that two outstanding and powerful Generals, Lieut-Gen
Harbaksh Singh and Lieut-Gen Prem Bhagat, VC, were denied
promotion to the post of army chief. Her later supersession of
Lieut-Gen Sinha, one of India’s best military minds, created
considerable bitterness within the Indian military
establishment.
Sumona
Dasgupta discusses the militarisation of the Indian state
since the 1980s — the dual role of the armed forces as an
instrument of domestic and foreign policy. She discusses two
foreign missions — India’s "peacekeeping"
Operation Pawan in Sri Lanka during 1987-90, and Operation
Cactus in the Maldives in 1988 — apart from the Army’s use
for internal security.
Smruti
Pattanaik’s well-researched chapter on military
decision-making in Pakistan gives you an inside view of the
khaki mind. While military decision-making is an important
function of the state, in Pakistan it lies in the sole domain
of the armed forces and outside civilian control. National
interests are defined by the military which also tells the
government how to achieve them.
The role of
the Pakistan army being to protect the "territorial and
ideological frontiers of Pakistan", it perceives an
ideological claim over Kashmir. Moreover, the army often
considered itself the most honest and efficient organisation
while expressing a total lack of faith in politicians.
During
Zia-ul-Haq’s period the ISI acted not only as the country’s
largest intelligence agency but also as a major policy-making
body. Under Zia’s supervision it was assigned a task which
otherwise had been the function of Foreign, Home and Defence
Ministries.
When elected,
Benazir Bhutto was not administered the oath of office till
she agreed to surrender her right as civilian Head of
Government on important matters like Afghan policy, nuclear
programme, Kashmir and Pakistan’s relations with India.
The post-Kargil
events and the military takeover in Pakistan indicate the army’s
primacy in defence and foreign policy. The Washington
Agreement and withdrawal from Kargil were humiliating for the
army which was blamed by Nawaz Sharif for the misadventure.
Musharraf maintained that it was a joint decision and accused
Sharif of destroying the "last institution of stability
by creating dissension in the ranks of the armed forces".
What of the
nuclear issue? Sanjay Dasgupta’s chapter on command and
control in the nuclear era provides significant conclusions.
He cites George Perkovich to argue that the military
establishment in Pakistan, like its counterpart in India, is
likely to be far more circumspect with its nuclear option than
civilian politicians. And India’s "no first use"
deters a Pakistani nuclear attack, while Pakistan’s
"first use" deters a full-scale conventional attack
by India.
Overlooked is
the fact that the revised nuclear threshold gives Pakistan the
leverage to keep the pot boiling in Kashmir. This, if nothing
else, underscores why we in India cannot afford to pussyfoot
about institutionalising national security and decision-making
at the macro level to the extent it deserves.
It is an affordable book for
all those who like to know about the enormity of
"burden" carried by khaki-clad Generals next door.
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PTL’s
mantra of success
Review by Surinder Singla
"THE
government support is no easy game," reminisces Chandra
Mohan, the former CEO of a blue chip company Punjab Tractors
Ltd (PTL), in his autobiographical rendezvous "Zero to
Blue Chip". He navigates the reader through the
conception of the company to the birth and its eventual robust
health, while intermittently narrating the interface with the
politico-bureaucratic combination at different stages of its
growth.
In an overall
evaluation of his interaction with this all-important and
powerful network, Chandra Mohan fortunately had been on the
right side of this combination that benefited the company as
also his personal growth along the way. His personal anecdotes
amply demonstrate the informality with which he could entice
the cooperation of people who mattered in government. Hailed
as a unique success story by the World Bank, Chandra Mohan
experimented with new strategies in PTL, contrary to the
established line of global thoughts, albeit with the
establishment support.
By and large,
public servants are handicapped in their effort to give spark
to their entrepreneurial instincts because of political
interference and spaghetti like administrative machinery.
However, Chandra Mohan has been more of an exception to this
golden rule. A towering personality, armed with technical
qualification and declared pursuits in the context of green
revolution, he overwhelmed the politico-bureaucratic network
and made them support him. His passion to focus on the
bottlenecks and come up with innovative solution in the larger
interest of farmers made him steer through many a difficult
paths in his journey.
The political
leadership of the state supported him since, because of its
peasantry background success depended upon farmers’
acceptability. This was also a boon and expectedly chose not
to put spokes since he was fulfilling the need of farmers. The
peasantry leadership was in fact positively helpful since the
interest of farmers coincided with that of the company. The
need for cheaper and smaller tractors for farmers made the
state leadership to even offer state concessions to the
company that perhaps were not available to other companies.
Besides, it
is my perception that the IAS pool of the state, be the
Punjabis or living with Punjabis, possesses, relatively, a
better insight into the entrepreneurial way of working per se.
This virtue in the background of positive political climate
enabled them to become facilitators, whether willing or
otherwise, for Chandra Mohan to experiment and give shape to
his vision. The entrepreneur in him was allowed to follow his
convictions to their logical conclusion and eventually
succeed, of course not without occasional hiccups. Some of the
leading lights of yesteryears that assisted him are Mr
Tejinder Khanna who actually launched the company, Mr MS Gill,
TK Nair, PH Vaishnav and NN Vohra, to name a few.
An important
facet that prompted and spurred him was his association with
the Research & Development Wing of the Railways and his
disappointment at not being able to translate the virtues of
patent technology there. Disenchanted with non-translation of
R&D efforts into the ultimate welfare of people, he chose
to shift to the application department from a theoretical
R&D. "Beware of the armchair theoretical specialists.
Custo-mer’s mind is beyond customer-surveys and charts.
Listen to them. But finally, go deep, trust your gut-feeling
and dive in", he reminds us. Later, committing himself
with a missionary zeal to serve the larger interest of
society, he applied his mind to entrepreneurial wits and
psyche that Punjab can feel proud of. However, it is no secret
that his efforts, howsoever honest and resilient, would have
come to naught without the catalytic role of an otherwise
precedent-bound politico-bureaucratic machinery. Later, while
being a member of the committee for disinvestment, he even
successfully persuaded the leadership not to interfere in his
company.
Entrepreneurs
are needed to see the economic possibilities of new
technologies. It is an accepted fact that men who prepare
themselves to be entrepreneurs do great things. They are
central to the process of creativity and are the agents of
change. They have an inborn passion, risk-taking abilities and
a will to elevate themselves from the managerial slots to
entrepreneurial roles. Of course, circumstances do have their
influence in their very special and specific ways.
In my view,
for any enterprise to succeed and grow, what is required is
not only entrepreneurial instincts coupled with a clear vision
supplemented with management skills, and backed with R&D
but also, at the same time, a facilitating role of the
political and administrative establishment. Once served with
this kind of menu, PTL became an outstanding entity in its own
right. The technical upgradation exhibited by Punjab Tractors
equaled with the R&D anywhere in tractor industry in the
world and competed successfully with the international giants.
Chandra Mohan
has been a very lucky man that the system did not impinge upon
his entrepreneurial instincts, rather it nurtured it. The
results are for everyone to see and rejoice (market
capitalisation Rs 3,000 crores) and do provide the motivation
not only for the young entrepreneurs but also for the
politico-bureaucratic set-up in planning their strategies for
harnessing the latent potential of these entrepreneurs. They
must realise that it is only too easy to stamp out
entrepreneurship since it is a latent human characteristic
that despite its creative power, it is extremely fragile.
Chandra Mohan undoubtedly had a vision, was a workaholic who
used management techniques to the advantage of the company and
never gave up. Of course the potent combination that he was
blessed with in terms of inheritance and the environment took
him to where he is today at the summit. He nurtured his
relationship with everyone who mattered.
The lesson
learnt, however, points to the question as to whether it is
possible to expect non-interference from politico-bureaucratic
setup. The instances that Chandra Mohan offers in the shape of
excise waiver given to his company, thus putting clogs on the
financial bleeding when the red ink was spilling fast, while
excluding others do point in this direction. However, it is
another side of the story that all companies that get the
favour of establishment discretion do not succeed.
Punjab
Tractors Limited is one that made the most of it, with all the
hard work of its CEO.
With a never ending tirade
against complacency and an ever growing desire to realise his
fullest potential, Chandra Mohan is now busy giving shape to
another entrepreneurial venture of a 21st century battery
company. Known for his yearning to turn challenges into
opportunities, there is no doubt in my mind that he shall
repeat his success formula.
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Fiction
as modern myths
Review by M.L. Raina
Myths of
Modern Individualism: Faust, Don Quixote, Don Juan, Robinson
Crusoe by Ian Watt. Cambridge University Press, Cambridge.
Pages xvi+293. $ 12.95.
Will your own
will, and it gives power which is better than liberty!
—Turgenev in "First Love"
MICHEL
Tournier, the contemporary French novelist who adapted the
myth of Robinson Crusoe in his novel "Friday",
defined myth as the story "we all know". What he
meant was that myths are inscribed in our consciousness, and
in our everyday life we make sense of the world in their
terms. The fact that we give mythical names to people implies
the pervasiveness of myth in all cultures. Ian Watt is not
concerned with myths as sacred narratives beyond time in the
way in which Mircea Eliade, Joseph Campbell, Victor Turner or
Ernest Cassirer are. He is concerned with literary myths that
became frames of reference for and mirrors of the evolution of
European culture in the 16th and 17th centuries.
Watt regards
myth as a "traditional story that is exceptionally widely
known throughout the culture and credited with a
quasi-historical belief", and that symbolises the
governing values of a society. In this sense his treatment of
myth is secular and formal, and is free from normative value
judgements implicit in the sacralisation of religious
interpreters.
How literary
myths structure and mirror our thinking can be illustrated in
the following two instances. Just recall the scene in the 1965
Merchant-Ivory film, "Shakespearewallah", in which
the protagonist Manjula (memorably played by Madhur Jaffrey)
confronts her lover’s English paramour while the production
of Othello is on. Manjula suppresses her own desire to
strangle her while on stage the strangling scene from the play
is taking place. The Othello-Desdmona story has given meaning
to Manjula’s rage as well as interpreted it for viewers
familiar with the Shakespeare text.
The second
instance is from the American poet Karl Shapiro’s poem,
"The Progress of Faust": "Backward, tolerant,
Faustus was expelled/From the Third Reich in nineteen thirty
nine. /His exit caused the breaching of the Rhine... Five
years unknown to enemy and friend/He hid, appearing on the
sixth to pose.../Where, at his back, a dome of atoms
rose." The poem is a testimony to the need to attribute a
new invention (the atom bomb) to an established mythical name
of the past. It uses an old story to tell a new one, even as
it regards Hitler as the culmination of the Faustian spirit in
the manner of Oswald Spengler.
The late Ian
Watt was a respected scholar whose first major work "The
Rise of the Novel" still remains a groundbreaking study
of the sociology of English fiction. By his own admission, he
worked on this, his last work, for four decades. His
erudition, as that of others of his kind (a dwindling breed
now!), derives from a rare blend of deep thinking and
sustained reading These qualities are not much in evidence in
the new class of finger-on-the-keyboard scholars spawned by
the Internet, whose instant "downloads" and
tin-eared argot are fast replacing the humane professionalism
of genuine committed scholars. Hence two cheers for the likes
of Watt!
In this book
Watt has chosen the central myths of the European imagination
to explain and interpret some well-known classic works of
literature. The myths of Faust, Quixote, Don Juan and Crusoe
are widely disseminated in European writing. They have been
assimilated into the languages and behavioural patterns of
Europe and denote ambition (Faust), adventure (Crusoe), sexual
libertinage (Don Juan) and fantasising (Quixote). For Watt
these myths represent the transition from a life of hide-bound
conformism typical of the Middle Ages, to one of individual
assertion characteristic of the modern bourgeois phase of
nascent capitalism.
Watt himself
explains the scope of this study: "My four myths are not
‘sacred’ exactly, but they do derive from the transition
from the Middle Ages...to the system dominated by the modern
individualist thought, and this transition has itself been
marked by the remarkable development from the original
Renaissance meanings to their present Romantic meanings."
What Watt does not explicitly mention here but amply reveals
in his discussion of literary texts is the transformations
these myths undergo in various epochs of social evolution. It
is here that Watt’s study scores over other studies of this
kind. For one thing Watt sees the utility of myths as cultural
symbols in binding popular beliefs and attitudes.
Each myth is
this book illustrates a single aspect of the relationship
between the individual and society in which he or she is
placed. The Faust myth, as Goethe was to interpret it later,
is the quintessential articulation of the individualist effort
to grasp reality and mould it to human desire for perfection.
But in medieval literature and in Marlowe’s "Dr Faustus"
it remains an image of the unaccommodated human ambition out
to defy prohibitions and restraints of religion.
Marlowe’s
hero is a Renaissance man, not a magician as depicted in the
medieval folklore. He is ambitious in a way in which most of
us are not: he seeks knowledge and power, indeed, as Foucault
would put it, knowledge is power. His pact with the devil is
the first modern contractual relationship that will mark out
the capitalist enterprise in which all traditional
relationships, all obligations are negated.
A
relationship shorn of pietistic and sentimental uncertainties,
Faustus’s contract is nonetheless a transgression of man’s
place in the medieval cosmology. His punishment, therefore, is
justified within the terms of that cosmology. The pathos of
the last scene wherein Faustus hesitates to hand over his soul
to the devil is human, all too human. "Resolve me of all
ambiguities" he commands the devil in the beginning, but
the devil has the last laugh. He cannot allow this request,
because he cannot postpone death, a fact neither Marlowe, nor
Goethe, nor Thomas Mann in "Dr Faustus" (1949)
glosses over in their versions.
Goethe’s
Faust is the modern capitalist-reformer using his power to
bring benefits to mankind and, in a marked difference from
Marlowe’s hero, goes to heaven instead of hell. In Part II,
Goethe’s hero has none of the sensualities besetting Marlowe’s
hero. He is very much a modern planner, reformer and
benefactor. In this sense he reflects his period’s emphasis
on the social and political primacy of the individual.
In Thomas
Mann’s novel, even though the punitive element of Zeitblom’s
pact with the devil (his muse) is present in the hero’s
fatal disease (a theme also underlying "Death in
Venice"), the whole German culture is implicated in
Faustus’s fate. In Mann, unlike in Marlowe and Goethe,
Zeitblom-Faust’s fate signals the demise of European culture
as centuries of European humanism had envisaged it. The
passage of Faust reaches a dead-end in the barbarity of
Nazism, so Mann believes. In Istvan Szabo’s film "Mephisto"
(not discussed in Watt) the myth becomes overtly political.
Like Marlowe’s
hero, Cervantes’s Quixote and Defoe’s Robinson Cursoe are
folk heroes embedded in the popular culture of the 17th
century Spain and the 18th century England."Don
Quixote" is the first "modern" novel, if
modernity is understood as the self-searching,
self-questioning attitude using as subject matter its own
doubt and belief in the value of its message. "Robinson
Crusoe" can claim another kind of priority: it is
"modern" insofar as it expresses the tendencies of
the mercantile middle classes emerging from the English
Revolution.
Crusoe and
Quixote arrive on the European scene to coincide with the
social and religious aberrations and Cromwell’s bourgeois
revolution. Both are facets of the emerging individualism.
Both symbolise the anomalies that beset the transition from
one social and political epoch to another. In Cervantes’s
novel the conflict between fantasy and reality, between
Quixote and Sancho Panza, is the degraded form of the secular
version of the conflict between sanctioned order and its
defiance. In Crusoe that conflict is resolved in the hero’s
will to fashion his own order out of nothing.
And yet, as
Watt shows, the punitive element is not altogether absent: it
has only been brought in conformity with the emerging secular
ideas. At the end Quixote accepts his dream fantasy as
irrelevant and Crusoe returns to his shores cured of his
obsession with himself. This is not the same thing as being
condemned to hell but it is a comeuppance all right. Hell
returns later in the Don Juan myth.
In the
original Spanish version by El Burlador the statue of the dead
Commander he had earlier killed attacks Don Juan. This is his
punishment for flouting the codes of sexual moderation
enjoined by the very ethics of Puritanism that the bourgeois
revolution represents. Part of this punitive sense is carried
over in Bernard’s Shaw’s "Don Juan in Hell", but
Byron in the 19th century provides this archetypal philanderer
a cynical justification for his deceits and betrayals. He is
apathetic and passive; he does not battle to survive. His
passage "leaves behind as many doubts as any other
doctrine/has ever puzzled faith withal, or yoked her in".
(Byron in "Don Juan").
Robinson
Crusoe experiences the difficult transition from solitude to
society very slowly, because Defoe fills his narrative with
minute details of daily life and introduces Friday’s
footprints rather late in his tale. By inventing Man Friday he
allows Crusoe to save himself from the weight of his obsessive
individualism. Incidentally those who admired Crusoe, men like
Rousseau and Marx (both products of the new age), ignored
Defoe’s chastening of his hero; and Coetzee’s
"Foe" has different dimensions altogether.
Don Quixote’s
advent reveals the omnipotence of desire (a point regrettably
underplayed by Watt). This leads him to disown all kinship and
to claim for himself an autonomous status. It is only through
Sancho, his horse Rocinante and to some extent his niece, that
he realises the need for human contact. An embodiment of pure
imagination, Don Quixote becomes human only after he
re-establishes contact with the quotidian world. In terms of
Watt’s argument, Quixote’s individualism of unaccommodated
fantasy is ameliorated within the demands of a secular idea.
Watt has a
twofold purpose in analysing these myths as they appear in his
chosen novels. One is to reassert the fact that these myths,
now become "extraordinary commonplaces", bear the
stamp of a particular consciousness that was to express itself
in certain recurring attitudes towards what has been called
the European Enlightenment. Individualism, secularism,
scepticism are different forms of that consciousness. In this
way Watt draws a field map of how these myths spread out to
provide a pattern to European culture. That western culture by
and large still exhibits these traits speaks for the
persistence of the mythical presence in various historical
periods.
The second
purpose, existing as a submerged hope in his account, is to
reiterate the values of moderation in our own age of excess
and extremity. That does not make an explicit statement that
would draw our attention to his judgement on these myths. But
there definitely is a judgmental gesture in his account. This
reminds us of Ortega Y Gasset (himself a wise but cautious
admirer of Don Quixote) in whose "Revolt of the
Masses" we can trace Watt’s plea for moderation:
"Restrictions,
standards, reason", argues Ortega, "they are all
summed up in the word civilisation...A man is uncivilised,
barbarian in the degree in which he does not take others into
account". This judgement, not exactly a judgement but a
perception, is what seems to me to make Watt’s recall of the
founding myths of European culture relevant to us as a
cautionary tale.
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The
second oppressed sex
Review by Anupama Roy
Crossing the
Sacred Line: Women’s
Search for Political Power by Abhilasha Kumari and Sabina
Kidwai. Orient Longman, New Delhi. Pages ix+226. Rs 190
(paperback).
THE
recent debate on reservation of seats for women in Parliament
raises crucial issues pertaining to women’s political
participation. It is interesting that these issues were seen
as "resolved" with the constitutional guarantee of
universal adult franchise and the assurance of political
equality to women, apparently without the acrimonious
"gender war" experienced in western societies before
women there achieved what women in India ostensibly received
on a platter.
The
explanations for the invisibility of women in the political
sphere are frequently grounded in biological determinism which
prescribes for women "feminine" interests separate
from, and incommensurable with, the male sphere of political
activities. This presumed political "backwardness"
and "incapacity" of women has had many implications,
all of them detrimental to women’s political participation.
Perhaps the
most significant among these is the perception that women are
not "mature" enough to take politically sound
decisions and remain guided in political matters by their male
"guardians". A logical outcome of such a perception
is that women’s participaiton and representation of their
interests can be ensured and safeguarded through their male
guardians.
Thus any
attempt to ensure a more direct role for women in political
decision-making may be seen either as "doubling" the
presence of their male guardians, or the woman participant
herself may be seen as a male "proxy". In both
cases, her participation is construed as irrelevant, redundant
and unnecessary.
Abhilasha
Kumari and Sabina Kidwai have taken up the task of exploring
and unravelling these "myths" surrounding women’s
political roles by constructing what they call an
"authoritative self-knowledge", through women’s
own experiences in politics. Through interviews with women in
political parties, Kumari and Kidwai look at the "hidden
barriers" which these "myths" create and
perpetuate within political parties.
Focussing on
three major political parties — the BJP, Congress and the
CPM — the study examines how these political parties view
women ideollogically, what roles they envisage for them within
the party, how much power are the men in the party willing to
share with them and the extent and urgency with which
questions of women’s rights are taken up by them. The
authors also explore regional parties like the Samajwadi Party
of Uttar Pradesh and the Telugu Desam Party of Andhra Pradesh
to see if their emergence widens the space for participation
by women in any way significantly different from the
"major" parties.
The
interviews bring out, however, that irrespective of their
public postures on reservation for women, their Left, Right or
centrist orientation or their regional or national character,
none of the political parties questioned the traditional
notions of women’s role or status in society.
While
political participation has been primarily associated with
political activity in the public realm, women are seen as
belonging naturally to the apolitical, private realm so much
so that debates and discussions on women’s efforts to
"cross the sacred line" are seen either as a
challenge to some sacrosanct "tradition" or an
irredeemable affront to the "natural" order.
Invariably then, discussions on this theme get focused not on
sorting out the best possible ways of assuring their adequate
participation but on the fundamental inability of women to be
political.
The authors
correctly point out that whereas debates pertaining to the
access of other "marginalised" groups to political
power are more often than not grounded in the principles of
democratic participation and inclusion, in the case of women
issues of democratic participation almost always become
contingent upon their capabilities, education and awareness.
Such ideological conservatism on the women’s question
translates itself into discriminatory structures within party
organisations and politics.
Almost all
women politicians interviewed by the authors pointed out that
women were absent or inadequately represented in the
organisational structures of parties. Unless they came from
politically entrenched families, women claimed to have found
it extremely difficult to get an opportunity to contest
elections. Even when they were given the chance, often women
candidates found themselves contesting seats that the party
was more likely to lose.
In conditions
of confusion and uncertainty emanating from political
alliances and seat adjustment, opportunities for women
appeared to have been further restricted as women candidates
were more likely to be seen as dispensable in the bargaining
process. When elected, women politicians claimed to have found
it more difficult to reach a position of responsibility like
ministerial position) commensurate with their political
experience and ability.
The women’s
wings of political parties similarly seemed to have had little
autonomy over the setting of its agenda. While a considerable
part of their energies seemed to have been spent in generating
and mobilising support for their parties, mobilisation in the
form of awareness for women’s rights did not appear to be a
primary party concern.
The
frustrations by failure of such attempts is perhaps best
articulated in the following comment by a Uttar Pradesh
Assembly candidate’s retort cited in the book: "These
men will never give us power. We will have to put our hands
into their throats and pull it out from their stomachs, that
is the only way."
"Crossing the Sacred
Line" is an insightful book forcing us out of the
complacency instilled by constitutional guarantees promising
equality. It forces us to question why women remain marginal
in the political process, why, despite the considerable
increase in the size of women voters, the number of women who
contest elections and women representatives in Parliament
remain abysmally low.
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Western
elite’s threat
Review by D.R. Chaudhry
The Revolt of
the Elites and the Betrayal of Democracy by Christopher Lasch.
W.W. Norton & Company, New York. Pages x + 276. $ 12.95
ORTEGA
YGASSET’s well-known book "The Revolt of the
Masses" published in the 1939s was a loud and anguished
howl over the possible mass upsurge in the world in the wake
of the successful Bolshevik revolution that took place in
Russia some years earlier. Ortega has utter contempt for the
mass man. The mass man, thinks Ortega, has no use for
obligations and no feeling for great historical duties. He
rejects "everything that is excellent, individual,
qualified and select." Being a "spoiled child of
human history ", he is unruly and follows no direction of
any kind.
Political
domination of the masses, so thinks Ortega, is the root cause
of the crisis of the western culture. The mass man recognises
no authority outside of himself and suffers from incredible
ignorance of history. Mass culture reflects "radical
ingratitude"with an unquestioned belief in limitless
possibility.
Christopher
Lasch, a historian of repute at the University of Rochester,
turns Ortega upside down and sees the chief threat coming from
the top of the social hierarchy and not the masses. The elites
control the international flow of money and information and
manage the instruments of material and cultural production.
Lack of faith in values is the most glaring characteristic
they flaunt with abandon. The value of the cultural elites, in
Ortega’s opinion, lies in their willingness to assume
responsibility for the exacting standards without which
civilisation is impossible. They live in the service of
demanding ideals and care more for obligations, than rights.
This is no longer true, observes Christopher Lasch.
It is argued
forcefully by the author of the book under review that the new
elites are simultaneously arrogant and insecure. They regard
the masses with scorn mingled with apprehension. They now
operate in a market that is international in its scope. Their
loyalties are international rather than national, regional or
local. They represent a class of cosmopolitans who see
themselves as "world citizens without accepting any of
the obligations that citizenship in a polity normally
implies". The notion that the masses are riding the wave
of history has long since departed.
The
industrial working class is no longer the vanguard of
revolutionary transformation of social relations. All its
efforts are aimed at its inclusion in the dominant structures
of the existing social system. It is the elites who call the
shots. Being arrogant, self-centred and acquisitive and devoid
of all empathy and compassion, they pose a real threat to
society.
Lasch
seriously examines the question whether democracy has a
future. It is the insulation of the elites from society and
its larger concerns that poses a potent threat to democracy.
It is the elites who define the social issues but they have
lost touch with the masses. Their ivory tower existence has
rendered them unfit to think creatively and boldly in tackling
the larger issues of society.
In the
process, they have developed a secret conviction that the real
problems cannot be solved. They wash their hands off their
social responsibility and furiously engage themselves in their
narrow, mundane pursuits. The mounting problems like the
decline of manufacturing and the consequent loss of jobs, the
shrinkage of the middle class, the growing number of the poor;
the decay of the cities and host of such other issues no
longer touch their moral sensibility and imagination.
Self-governing
communities, not individuals, are the basic units of a
democratic society. It is the decline of the communities, more
than anything else, that makes the future of democracy dim.
Shopping malls are no substitute for neighbourhood.
Professional bodies cannot take the place of a community. This
individualisation of society has made the city a big bazar,
but the luxuries on display are beyond the reach of the most
of the residents. Some of them take to crime as the only
ticket to the glittering world seductively advertised as the
American dream. The trouble with this kind of society is not
just that the rich have too much money but that their money
insulates them, much more than it used to, from common life.
After
insulation of the elites it is the deterioration in the
content and level of public debate which poses a lethal threat
to the survival of democracy. A vigorous exchange of ideas and
opinions on substantive questions lends meaning and vitality
to democracy. Now such issues are left to experts. The narrow
expertise in the absence of a conceptual framework confounds
the people at large and renders them apathetic to the larger
issues of social life. The smugness of experts coupled with
the mass apathy renders the political debate and elections a
periodic ritual, a charade to be gone through.
There is a
surfeit of information in American society these days. Rather,
Americans are now drowning in information, thanks to
newspapers, television and other media. However, surveys
indicate a steady decline in their knowledge of public
affairs. The complexity of public affairs is best left to
experts and they debate it among themselves. In the absence of
public debate and democratic exchange among the public, most
people have no incentive to master the knowledge which would
make them capable citizens. In the age of information,
observes the author with pain in his heart, the American
people are notoriously ill informed.
The social
mobility and meritocracy are flaunted as two crowning
achievements of the American system. The author discounts
both. The ladder of mobility is available to some from a
particular group or a class, leaving the bulk to slog at the
base. This makes American society highly mobile as well as
highly stratified. As a result, the class divisions in it run
far more deeply than they did in the past. The policy to
provide relief to the deprived minorities in the matter of
recruitment into professional and managerial class is opposed
on the ground that it weakens the principle of meritocracy.
Meritocracy
as seen in practice breeds careerism that tends to undermine
democracy by divorcing knowledge from practical experience.
This creates a social situation in which ordinary people are
not supposed to know anything at all. The reign of specialised
knowledge is the antithesis of democracy.
Whether
democracy can survive or not is not the basic question. A more
deeper question raised by the author is whether democracy
deserves to survive. After all, democracy is not an end in
itself and its efficacy is to be judged by its success in
producing superior goods, superior works of art and learning,
superior character. A democratic society must have common
standards. A democracy cannot afford multiple standards which
are the distinguishing feature of a society organised around
the hierarchy of privileges.
Recognition
of equal rights is necessary but not a sufficient condition of
democratic citizenship. Unless everyone has equal access to
the means of competence, equal rights alone will not take us
far. Democracy also requires something more invigorating than
tolerance. Democracy these days is more threatened by
indifference than by intolerance.
The author
makes some highly insightful and penetrating comments on the
system of education in American society. He laments the
decline of liberal education so necessary for a rounded
development of personality. Liberal education has become the
prerogative of the rich and a few students from select
minorities, thanks to economic stratification. The great
majority of students have given up the pretence of liberal
education. They study business management, accounting,
computer science and other practical subjects. They get little
training in writing and seldom read a book, and graduate
without exposure to literature, philosophy, history and other
areas of humanity.
In this
system of education, fundamental issues go unnoticed,
abandoning the historic mission of American culture, the
democratisation of liberal culture. This leads to moral
breakdown of society, marked by the frequency of divorce,
increase in female-headed households, instability of personal
relations and the shattering effects of this instability on
children and other related problems.
Lasch is
convinced that it is the corporate sector and not the academia
that has corrupted higher education in America. The corporate
control has diverted social resources from the humanities into
military and technological research, fostered an obsession
with quantification that has destroyed the social sciences.
The university’s assimilation into the corporate order is
fast driving out critical thinkers, leaving the field free to
the technocrats, a knowledge class, whose activities and ideas
do not threaten any vested interest.
One can see a
similar phenomenon in the offing in India as well.
Kumarmangalam Birla and Mukesh Ambani have jointly submitted a
paper on higher education to the Prime Minister. Henceforth,
it is the industrialists and not the academics who would lay
down the education policy in India.
The book is a powerful
critique of the American system. Christopher Lasch is
unsparing in attacking its shortcomings and failures and this
is the hallmark of a honest and fearless intellectual who
rates truth above everything else. Written in a breathtakingly
lucid style, suffused with deep moral commitment and
convictions, the book is a valuable treatise to sift grain
from the chaff and lay bare the inner core of the American
system.
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In-patriate
writing in English
Review by Akshaya Kumar
The
Perishable Empire: Essays on Indian Writing in English by
Meenakshi Mukherjee. Oxford University Press, Delhi Pages 212.
Rs 545.
UNTIL
now, Indian English novel has been evaluated as an isolated
and perhaps more privileged and sophisticated stream of
creativity within the rubric of Indian novel as a whole. Its
relationship — complementary or contrasting — with novel
in bhasha literatures has been overlooked for overtly
political reasons. A dialogic encounter with bhasha literature
threatens to undermine its international claims as also its
projection in the media as the only authentic discourse of
post-colonial India. It is usually alleged that bhasha writers
are parochial and therefore are qualified enough to express
narrow regional interests only.
Meenakshi
Mukherjee, a well-known critic of Indian English fiction, in
her latest critical endeavour locates the cultural dynamics of
Indian English fiction in the broader context of Indian novel
as a whole. This is definitely a step forward in the direction
of Indian English criticism as it wriggles out of the colonial
hangover in its attempt to explore the poetics of Indian
English literature vis-a-vis bhasha literature.
In her
earlier enterprise, "Realism and Reality", Mukherjee
had speculated on the possible lineage of Indian English novel
from ancient Indian narratives lake the Panchatantra,
Kaadambari, Daskumarcharita, etc. In "The Perishable
Empire", she shifts her focus once again to the
post-colonial fiction scenario but within a comparative frame
to underline its tensions and heterogeneity.
In her
insightful opening chapter "Nation, novel,
language", Mukherjee argues that in the wake of colonial
encounter, it was novel in Indian languages more than English
writings which received a major impetus. While Indian English
novel lacked direction, in many of the Macaulay-maligned
dialects, it soon matured and forged its respective traditions
in a definite manner. She observes, "While novels in
Bangla, Marathi, Malayalam and other languages soon
consolidated their strengths and initiated literary traditions
that continue to this day, scores of English novels written in
the late 19th and early 20th century are virtually forgotten
now." She quite significantly adds: "By the turn of
the century novel in the ‘vernaculars’ had become a major
vehicle of political dissent, positing in fictional terms what
was not yet feasible in the arena of action, novel after novel
in English paid direct or veiled tribute to imperial
rule."
More than a
theoretician, Mukherjee is known for her meticulous archival
research. She analyses more than 60 rather obscure novels in
English written by Indian between 1830 and 1930 — a period
seldom taken into account to theorise the history of Indian
English novel. She discovers certain distinct tendencies in
early Indian English fiction. One, early "Indian English
novelists displayed their acquaintance with the classics of
western literature more readily than did Indian-language
novelists". Two,"Novels in English hardly ever
provide us with examples of self-reflexivity about the
language they use." Three, this fiction catered only to
male readership for the knowledge of English was a
male-specific skill in the 19th century; novels in Indian
languages on the other hand, had a sizeable readership among
women.
In another
significant eassy, "Churning the seas of treacle: three
ways", the writer theorises the three distinct ways in
which early Indian English fiction takes off. She chooses
"Govinda Samanta" (1874) by Lal Behari Day as
a novel of subaltern life, "Sanjogita" (1902) by
K.K.Sinha as historical romance, and "Prince of Destiny:
The New Krishna" (1909) by Sarath Kumar Ghosh as a
philosophical narrative. These three novels lay down the
direction of future Indian English fiction.
The prince as
protagonist in Sarath Kumar Ghosh’s "The Prince of
Destiny" is "born on the day Queen Victoria became
the Empress of India, which occasioned great show and
pageantry in Delhi, thus becoming ‘hand-cuffed’ to history
— as Salman Rushdie’s hero would be years later".
With regard to "Govinda Samanta", Mukherjee makes a
very bold statement thus: "‘Govinda Samanta’ might
even be seen as precursor to the Hindi classic ‘Godan’
(1936), though Premchand may never have known about the
existence of this book. It seems surprising today that the
first subaltern novel in India should have been written in
English."
Indian
English novel has its unique worries and anxieties. One
overriding concern of Indian English novelist has been to
vindicate his Indianness, the choice of English as medium of
expression notwithstanding. One comes across a spate of
articles, doctoral dissertations on Indianness of Indian
English writers writings, but it is unthinkable to even
imagine a thesis on Indianness of Marathi or Punjabi novel as
such. This anxiety of Indianness weighs so heavy on the
imagination of Indian English novelist that more often than
not he ends up in presenting a rather homogenised or
essentialised perspective of India as a nation.
Mukherjee
compares the enterprise of Indian English writings to
"one-string instrument", which even in the hands of
a master like R.K.Narayan "cannot become a sitar or a
veena". According to her, the much-hyped Malgudi of
Narayan lacks local colour, and therefore it very easily
lapses into "a metonymic relationship with India as
whole". Also, she adds, since English in India functions
on relatively fewer registers, it does not allow Indian writer
in English the creative freedom to bring out the polyphony of
Indian character. Translation studies, institutionalised as
they are, have divided us more than ever before. Translation
is no longer a "part of natural ambience", it is a
self-conscious act, a field of study. Instead of acting as a
conduit of cultural transmission within country, it is
generating cultural divide among us. Mukherjee recalls that
how earlier Hindi-speaking women readers used to take Sharat
Chandra as original Hindi writer; and how students from Kerala
in the 1970s and 1980s used to know about Premchand’s "Godan".
The
commodification or professionalisation of translation has
resulted in the decline of its quality. The fact that
contemporary translation industry encourages translation from
native languages into English has destroyed the unofficial
indigenous translation culture which we as a multilingual
society has always had. "Mutual translation"
continues to be a neglected area.
The very
title of Mukherjee’s book, "The perishable
Empire", however appears rather wishful, and therefore
unreal too. She intends to counter Macaulay’s claim of
British Empire as an "imperishable", one by way of
asserting the unprecedented changes post-colonial history has
undergone in terms of its deconstructive methodologies and
discursive practices. The slogan of writing back to Empire is
more hype than truth. Empire continues to dictate to us in
ways that are too subtle to be underplayed.
Second, the
writer is carried away by her Bangla heritage. Novelists or
poets belonging to Bengal or Bihar receive preferential
treatment. By underplaying Sanskrit as an alternative to
English imperialism, Mukherjee is hinting towards the
regionalisation of Indian novel. Such regionalisation is
welcome provided it is not done at the cost of the nation.
Moreover by asserting different trajectories of novel in
different Indian languages, she seems to suggest a total
absence of Indianness per se in these novels.
Although the book contains
many chapters, yet most of them have already been published in
different anthologies earlier. Essays on Amitav Ghosh’s
"The Shadow Lines", Rushdie’s "Haroun and Sea
of Stories", Bankim’s
Rajmohan’s Wife", etc. no doubt carry important
critical insights, but the fact that they have been published
elsewhere do dampen the over-all freshness of her critical
endeavour. The book primarily addresses to the rise and
evolution of Indian novel in English and bhasha literature,
the addition of an essay on the poetry of Sarojini Naidu and
Toru Dutt is out of place, and does not contribute to the
developments of the argument of the book.
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Age
of the global media
Review by Ivninderpal
Singh
Communication
Technology, Media Policy and National Development by V.S.
Gupta. Concept Publishing, New Delhi. Pages 242. Rs 300.
EXPANSION
of media, spearheaded by the development of technology, has
blurred geographical and political boundaries, bringing about
a global village. The effects of the media can be seen in all
spheres of human activity. It has changed the perception of
individuals about self and society. Even the functions of the
media have changed. Many social scientists are of the view
that media has submitted itself to market forces, especially
in the post-WTO period. Previously a major function of the
media was to provide information; but of late this has given
way to commercialised infotainment.
Moreover,
this information revolution has directly influenced the
socio-cultural environment in the developing countries as the
media barons belonging to the Occidental world care little
about the values of the Oriental world. Today media is
frenetically promoting material culture, thus increasing the
gap between material and non-material culture. This is so
because the pace of change in the latter is slower. This
cultural lag, as social scientist William F. Ogburn says,
encourages normlessness in society.
But this
proliferation of media has a positive aspect too — its role
in nation-building. The book under review stresses how the
media strengthens basic foundations like rural development,
spread of education, awareness of environment, empowerment of
women, and rights of the disadvantaged sections of society.
The book has
been divided into three thematic sections. In the first,
communication technology, information revolution and its
social implications have been discussed. The second analyses
the national media policy and the third covers the role of
media in nation-building.
But a major
flaw in this book is that the author has tried to cover all
aspects of the media in just about 200 pages. Thus most of the
topics are given a superficial treatment and they fail to
enlighten the reader. In the first section, he dwells more on
the history of communication technology than its present
status. Too much space is devoted to the SITE and INSAT
programmes while NICNET and ERNET get a passing reference.
Great injustice has been done to the Internet, the information
highway, multimedia and cable television.
Regarding the
impact of media on society, the author should have explained
the socio-cultural changes with case studies. Concerning the
ever-growing communication gap between what is and what ought
to be in the context of the nation’s cherished goals and
ideals, the author neither critically evaluates the problem
nor offers any solution.
In the
section on the national media policy, he has merely reproduced
reports of committees or commissions which were formed by the
government starting from the Committee on Broadcasting and
Information Media, 1964, and ending with the working group for
reviewing the provisions of Prasar Bharati Act formed in 1996.
Even in the annexe he merely discusses the reports of such
commissions and committees without pointing out which of these
recommendations were accepted by the government, what changes
they brought about in the national media scene and the present
status of these reports.
On the issue
of the entry of foreign newspapers in India, he has merely
quoted leading social scientists as these appeared in various
newspapers rather then discussing its pros and cons for India’s
sovereignty.
The third
section is worth reading. Various topics concerned with
nation-building have been discussed in detail. The author
deals with the role of media in rural development, role of the
rural Press in the uplift of the backward classes and the
constraints in reporting rural development. The need for
decentralised planning and the introduction of agricultural
journalism courses have also been stressed by the author.
The concept
of national unity and national cohesiveness along with the
role of media while reporting communal incidents and
grievances of disadvantaged sections of society have been
examined with examples from the post-independence period. The
role of media in promoting awareness and literacy among
citizens through distance education programmes and virtual
online university has also been discussed.
In the
concluding chapter, the author has tried to look into the
relationship between market forces and media in the age of
liberalisation. It is a subject of much debate among social
scientists. Some feel that market forces dictate media
functioning while others believe that media formulates the
market strategy. He has also discussed the corporatisation of
media, regional Press and the "right to know"
campaign.
Missing in
the book is a glossary. The author repeatedly uses scientific
terms related to media strategies but does not define them.
The author
should have dealt with only one aspect of the media scene in
detail rather than discussing several aspects briefly.
The book is not likely to be
of much interest either to the layman or the media researcher.
At best, it can serve as a textbook.
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Saga
of BJP’s founder
Review by Bhupinder Singh
Portrait
of a Martyr: A Biography of Dr Shyama Prasad Mookerji by
Balraj Madhok. Rupa and Co, New Delhi. Pages 312. Rs 195.
SHYAMA
Prasad Mookerji has been hailed as the first martyr in
Kashmir. The book under review is an attempt by Balraj Madhok,
the long time Jana Sangh leader and one time associate of
Prime Minister Atal Behari Vajpayee, to present the life story
of the founder president of the Bharatiya Jana Sangh. Much of
the narrative is taken up by the last few days of Mookerji’s
life, the days when he was arrested in Jammu and Kashmir and
then died under what is claimed to be mysterious
circumstances.
The son of
the nationalist and educationist (and founder of the Calcutta
University) Ashutosh Mookerji, Shyama Prasad became the
youngest Vice- Chancellor of an Indian university (Calcutta
University) at the age of 33 in 1934. He distinguished himself
as an administrator, though not as a scholar or academic.
It was a
short haul from education to politics. He had earlier been
elected as a Congress candidate to the Bengal Legislature
Council from the Calcutta University in 1929. He later left
the Congress and joined the Hindu Mahasabha sometime in 1939
under the influence of V.D. Savarkar. This scion of a Bengali bhadralok
family was the first Minister to be sworn in independent India
as the representative of a militant Hindu organisation. He
soon resigned from the cabinet and became the founder
president of the Bharatiya Jana Sangh. He had earlier been the
president of the Hindu Mahasabha during 1943-45 and its acting
president earlier.
The author
remarks that Mookerji’s "decision to join the Hindu
Mahasabha instead of the Congress, in which he could have
surely reached the top in no time..." seems unconvincing.
He brings forth no evidence of Mookerji’s role in the
Congress as long as he was in it. There are similar
speculative statements that abound throughout the book. These
might help to impress the party cadre, but not those not yet
part of the faithful, to say nothing of those sceptical of the
ideology that Mookerji represented and Madhok upholds.
Unfortunately that is a major lacuna of the book, much of it
is a sermon being preached to the choir. The absence of any
references to published sources is a major drawback of the
book.
There is an
underlying streak of violence evident in the book that is a
little disconcerting for those (like the reviewer) somewhat
less inclined to recourse to strongarm tactics. For example,
regarding relations with Subhas Bose, the author writes:
"(The Calcutta Corporation elections in 1940) pitted the
two stalwarts against each other... Subhas Bose, with the help
of his favourites, decided to intimidate the Mahasabha
candidates by the use of force. His men would break up all
Mahasabha meetings and beat up its candidates. As a result,
Mahasabha candidates got so terrified and demoralised that
they would not hold any meetings at all.
"Dr
Mookerji could not tolerate this. He got a meeting announce
that he planned to address himself. As soon as he rose to
speak an audience member chucked a stone at him that hit in
the head causing profuse bleeding. This infuriated the
audience that adored him. They fell upon the goondas,
including the strongmen of Subhas Bose and gave them a
thorough beating that put an end to their hooliganism. Soon
after, Subhas Bose met Dr Mookerji and suggested that there
should be no interference or attempt at disturbing the
meetings of the rival parties.
"This
incident proved the mettle of Dr Mookerji as a political
leader of the people of Calcutta and created a salutary effect
on his opponents. Subhas Bose learned to respect him and they
became good friends though their paths remained different.
This friendship slowly grew into mutual admiration."
The message
that the author wishes to convey is clear, but unfortunately
it is precisely this kind of abetment and tit-for-tat tactics
that all parties employ. Going by the logic suggested by the
author, we know now why each political party is competing with
others to have the bigger goonda force with them. They are
merely trying to "prove their mettle", win the
"respect" and "mutual admiration" of the
other parties.
It is,
therefore, not an accident that Nathuram Godse, a member of
Shyama Prasad Mookerji’s party, the Hindu Mahasabha, was to
assassinate Mahatma Gandhi. Significantly, the author makes no
mention of Mookerji’s reaction to the assassination of
Mahatma Gandhi. However, the climbdown in the stand of the
Bharatiya Jana Sangh, the party that Mookerji founded along
with the author Balraj Madhok in 1951, was evident when the
new party, unlike the Hindu Mahasabha, decided to open its
membership to people from all religions and castes. Of course,
he never gave up the core militant Hindu hardline and
anti-Muslim stand.
The book
would have been valuable had it been more userfriendly. As it
is, there is no index and no bibliography for the interested
reader. Letters (or portions of them) have been reproduced in
the book as part of the main text. It would have made the work
much more useful by incorporating the Kashmir letters as
appendices.
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Faiz:
poet of Urdu & this century
Review by Gobind Thukral
The Best
of Faiz (Faiz Ahmed Faiz) translated by Shiv K. Kumar. UBS
Publishers’ Distributors, New Delhi. Pages 200. Rs 195.
TRANSLATING
poetry from one language to another is indeed a challenging
task if not an impossible one. Rhythm and rhyme are difficult
to come by as the translator tries to catch the meaning,
syntax, mood and the form from the original to a new. Shiv K.
Kumar, a poet, novelist and an outstanding teacher of English,
knew this fact too well when he started his second attempt to
translate the legendary Faiz Ahmed Faiz from Urdu to English.
Shiv Kumar admits this.
We can turn
to that rebellious poet who never compromised with any kind of
tyranny — social, political or religious. Faiz himself has
this to say, "Translating poetry, even when confined to a
cognate language with formal and idiomatic affinities with the
original compositions, is an exacting task; but this task is
obviously far from formidable when the languages involved are
as far removed from each other in cultural background,
rhythmic and formal patterns, and the vocabulary of symbol
allusion as Urdu and English."
Shiv Kumar
admits the tough task. He says, "When one undertakes to
translate as difficult a poet as Faiz whose involved thought
processes often make his syntax very complex, almost
intractable to rendition in a language whose diction, phrasing
and rhythmic patterns are not tuned to Oriental
sensibility." Faiz could write English with great
felicity and Kumar is a well-known teacher of English.
Another
advantage he has is that Faiz and himself are "ham
watan, ham zuban and ham pesha". They come from what
is the other Punjab for us. Faiz, a Marxist thinker and an
activist, spent years in jail where his poetic genius flowered
and was editor of the Pakistan Times, ambassador of his
country to the erstwhile Soviet Union and won the Lenin Peace
Prize.
He became a
legend in his lifetime. A man of unbound courage and clear
convictions, Faiz was no armchair thinker. He lived as he
preached. In 1982 when Gen Zia’s Islamic fundamentalism
ruled high, he told the BBC in the presence of a large group
of people, including this reviewer, that he was a Marxist and
did not believe in God and that Pakistan was moving towards
religious fundamentalism and endangering its welfare. Only
Faiz could have the courage of conviction and declare his
belief so openly.
Humility had
marked his comments. Years in jail had mellowed him and made
him greatly aware of the suffering of the people. We do not
have a melancholy poet, but a singer of inspiring songs. Those
who met him in India or abroad and had the pleasure of
listening to his poetry knew that they were in the presence of
a genius.
Here was an
inspiring poet who lived his poetry. His genius was "maqam
Faiz koi rah mein jacha hi nahin/jo koo-yar se nikle to soo-e
dar chale. (No resting place, O Faiz, Appeared all resting
place, O Faiz, Appeared all through the journey,/as I emerged
from; the beloved’s lane, I headed straight for the
gallows.)
In the
preface to his first book of poems, "Naqash-e-Feradi",
Faiz has said, "Writing poetry may not be a crime. But to
keep on writing couplets without any reason is no sign of
wisdom either." And when Mirza Ghalib was asked why he
has stopped writing poetry his reply was, "From the time
the aching wound (nasoor) in the heart has been closed,
I have stopped writing poetry." In the same introduction
delineating on the birth of poesy or the poetic mood that
gives rise to writing. Faiz said, "The pangs of the heart
give birth to poetry, but it is nurtured by deep and abiding
experiences, often tragic, of life." Again somewhere in
the late fifties he had described his poetic experience thus:
"It is the intensity of your experience, your
overpowering feelings that sway your mind and push you to
write." Spontaneous indeed, some would say. The jails of
Montgomery, Lahore and Multan are witness to the flowering of
the genius of this revolutionary poet.
Faiz is a
passionate poet with deep commitments. The man and the poet
are inseparable. What made him great was his deep commitments
and poetic genius. He was a colossus on the literary horizon
of Asia. His role as a progressive writer and leader of the
Afro-Asian Writers’ Movement would always be remembered. In
his poetry he recreated reality without any compromises. Even
as a journalist and as the editor of the Pakistan Times, Fiaz
Ahmed Faiz upheld the value of independent journalism and
stuck to it. He had to pay the price, a heavy one indeed. But
he still stands as a beacon light for the coming generations
of journalists.
It is
worthwhile to quote Shiv Kumar. "It would, therefore, be
appropriate to say that Faiz’s all-embracing poetics is like
a mighty river that carries in its sweep countless
tributaries. Faiz denies no experience, excludes nothing to
project reality in all its baffling complexity. He is a poet
of many moods, and his work is a mosaic of diverse concerns
— of classicism and modernity, of political commitment and
romantic love, of affirmation and denial." He is a Sufi,
a classicist, a modernist and deeply humane. His poetry lends
easily to ghazal singers. He went with ease from one style to
another — from formal prose syntax to free wheeling
structures. He once said, "A poet is not a grammarian or
a lexicographer. Language is his tool, the material he uses to
create. It is thus subservient to him, not he to it."
There is, therefore, no fixed pattern in his writing,both in
case of ghazals and nazms.
For a
translator of Shiv Kumar’s competence, providing a different
cloak to the poetry of Faiz, English in this case, has proved
to be very tough. He has ably captured in many poems the mood
and provided reasonably valid translation. But the spirit is
at times missing. You read the Urdu version which has along
side a rendering in Roman script and then move to the next
page for translation in English. Why could it not be on the
opposite page to make it easier for the reader. You would know
that the verve, the fire, the passion and the vitality are at
times missing.
It may not be
the fault of the learned professor. The two languages differ
so vastly. Yet this translation serves some purpose. One, the
selection of poems from collections — "Naqsh-e-Faryadi",
"Dasta-e-Saba". "Zindan nama", "Dast-e-Teh-Sang","Sare
Vadi’s Sina," "Sham-e-Shahir-e-Yaran",
"Mere Dil, Mere Musafir" and "Ghubar-e-Ayyam"
is really the best. Second, it introduces that eminent poet in
whose death in 1984 an era in Urdu poetry came to end, to a
larger non-Urdu knowing readers who might have heard his ghazals.
This is a service to Urdu literature and language which
has been a victim of communal politics since the subcontinent
was partitioned by wily politicians.
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