by Harihar
Swarup
Thespian
whose patriotism is unquestionable
SHAHEED was
one of Dilip Kumars early films which portrayed him
in the lead role of a martyr. Son of a DIG, the hero
turned into a revolutionary during the British Raj and
was hanged. The song of the movie Watan ke
naujawaan, watan ki rah per shaheed ho became a
hit. Dilips father, Ghulam Sarvar Khan, had not
known that his son had become a film actor. A close
friend of Sarvar Khan once casually told him: Your
son has started doing good work.
Taken aback,
Dilips father said: Has he begun offering
namaz? Oh, no, said the friend,
he is acting in film. An orthodox Muslim,
Sarvar Khan, a five-time namazi, was no lover of films
and he never visited a cinema hall but his friend
persuaded him to see Shaheed. The old man sat
through the movie spell-bound and started crying when he
saw his son being hanged on the charge of treason against
the Raj and his body taken in procession by freedom
fighters.
The film over, Sarvar
Khan scolded his son and asked him not to play a tragic
role of this type. The film, released in the early
fifties, proved to be a turning point in young Yusuf
Khans (Dilip Kumars original name) career and
established his credentials in the public mind as a
patriot.
The icon of a martyr
continued when, at the height of his popularity in
fifties, he offered his services to Jawaharlal Nehru who
used it to popularise many causes. In the 1962 war with
China, Dilip Kumar raised funds for the jawans and in the
1965 clash with Pakistan, the patriot in him was again
aroused and he channelised his energy and popularity for
the welfare of the soldiers.
Dilip Kumar campaigned
actively for Krishna Menon against Acharya J.B.Kripalani
in the prestigious Lok Sabha poll for the Bombay
North-East seat in 1962. Nehru had, in fact, written a
letter to Dilip Kumar asking him to campaign for Menon
and at Dilips bidding, the entire film industry
turned up in his (Menons) support. It was during
the campaign Dilip Kumar had a glimpse of his would-be
bete noire, Bal Thackeray, who was at that time busy
laying the foundations of the Shiv Sena.
They did not bear any
ill-will against each other. Thackeray, a cartoonist, was
little known then while Dilip Kumar was a household name.
They met even after elections but there was no hostility.
As a matter of fact, Thackerays wife, the late
Meena Tai, evinced great interest in the film industry
and was a fan of Dilip and Nargis. The Shiv Sena supremo
took cudgels against the matinee idol during the Bombay
riots in 1992, questioning his patriotism and sainiks
called him a Pakistani agent. Dilip
Kumars fault was that he tried to rehabilitate the
hapless victims of the riots.
Thackeray again picked
on Dilip Kumar on the issue of Deepa Mehtas
controversial film Fire. Yusufbhai did not
find anything objectionable in the film nor did he
consider it obscene. What followed was, in fact, more
obscene. A band of Shiv Sena goons stripped down to their
underwear in front of his house. Thackerays charge
was that Dilip Kumar masterminded the
pro-Fire campaign since the actor was the
only one from the film world who came in support of Deepa
Mehta when she was facing the Senas onslaught.
As if this was not
enough, seeking to derive political mileage out of the
Kargil conflict, the Shiv Sena dictator demanded that
Dilip Kumar should return the Nishan-e-Imtiaz,
Pakistans highest civilian honour conferred on him
last year. Dilips close friends advised him not to
join issue with Thackeray but, the fighter he is, the
film legend crossed sword with the Sena supremo. Sources
close to Dilip Kumar say he visited Pakistan and accepted
the award with the consent of the Prime Minister. He also
carried a message of Prime Minister Atal Behari Vajpayee
to his counterpart, Nawaz Sharif. When the Prime Minister
undertook the well-publicised bus ride to Lahore, he
specially invited Dilip Kumar to accompany him.
Convalescing from the heart bypass surgery, Dilip
expressed his inability to travel to Lahore.
This was, perhaps, the
reason that Dilip Kumar rushed to Delhi to seek the Prime
Ministers advice. Mr Vajpayee, too, came out in
support of the thespian and saw no reason for doubting
his patriotism. You are an old citizen of India and
it is wrong on part of the Shiv Sena to raise doubts
about your loyalty to the country, the Prime
Minister told him. So far as the award was concerned, he
left it to the thespian to decide whether he wanted to
keep or return it.
The hero of
Shaheed is not moving out of Bombay, his home
for 65 years as he had threatened during the peak of
controversy over the award.
Born in pre-partition
Peshawar, Yusuf Khan came to Bombay when he was very
young. His father, was a merchant of dry fruits and areas
of his operations were, besides Peshawar, the fruit
growing towns of Baluchistan and Afghanistan. Bombay had
a thriving dry fruit market and Sarvar Khan procured dry
fruits from the mandis of the North-West Frontier
Province and sold them in the metropolis. He finally made
Bombay his headquarters and shifted his establishment
there.
Yusuf Khan was
introduced to the film industry by the legendary actress,
Devika Rani, who saw the talent in the young man.
Jwar Bhata (tides) was the first film in
which he got a minor role and after that there was no
looking back.
How Yusuf Khan became
Dilip Kumar is a mystery. According to one version the
new name was given to him by Devika Rani. Some film
critics say a Hindu name in films those days had more
acceptability and, therefore, Yusuf became Dilip. Many of
his fans did not know for years that by religion he is a
Muslim. In his various roles too he would sing bhajans in
temples and accept prasada offered by
poojari. This act of Dilip evoked wrath of orthodox
Mullahs.
Dilip developed Leftist
leanings quite early in his film career and his best
friends came from the Communist movement. When the CPI
split and the hardliners formed the CPM, he was very
upset. He made a film Sagina Mahto in which
he attacked the hardliners for dividing the movement.
Sagina Mahto, a tribal working in coal mines,
revolted against the modus operandi of marxists.
Earlier, another film
Footpath, too was inspired by the Leftist
movement. It was directed by Zia Sarhadi, a card holding
member of the Communist Party. Dilip Kumar played the
role of a reporter who exposes the Capitalist ideology.
Dilips image of
Shaheed cannot be tarnished; his patriotism
is unquestionable.
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