C O M P E N D I U M Monday, April 12, 1999 |
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CHANDIGARH: The Man of Portraits Shakti Singh needs no introduction. He is a well-known and established name in the local arena of art. A product of the Chandigarh College of Art, he is holding his solo show at Indus Ind Art Gallery till April 20. Here the scene is dominated by portraits which seem true to life. These are in water colours, pastels, oils. The features of the models, their expressions have been caught perfectly by the artist. It is for nothing that he is much sought after when anyone wants a portrait to be done. The twinkle in the eye, the perfectly arched eyebrows, the amused countenance, the curls of the beard every minute detail is there calling for attention. Shakti has displayed two compositions based on village belles. These two pieces appropriately show his inspiration and influence of Rajasthani culture. Hence, the use of bright and lively colours. Portraits made by Shakti Singh have found places in almost all important buildings in and around the city. These days he is working on the image of the Governor of Haryana. Sensitive social issue on canvas Anil Vadhera this time has worked on a sensitive social issue. This is an issue for which social work organisations and the government alike have strived hard to eradicate but have not been successful. In some places it thrives unabashedly while in others it is carried on under the cover of sophistication. Whatever way it goes, it always makes its presence felt. Yes, the significant problem of concern is the life led in red light areas. Drawings by Anil on the same delicate subject are in black and white, aptly matching the graveness of the situations the habitants have to face. In some of the frames he has depicted the females living in a cell or a jail. He has also shown how the inmates are dressed up and wait at the door steps to lure the customers. But these are just superficial representations. Can anyone really bring out and understand what these people and experience deep inside? Symbolism has been used by Anil to show the lecherousness seen in the eyes of the visitors of those areas in the form of a crow. Priti Verma CHANDIGARH: April 11 Kavita Dwibedi, Founder-Director of the Odissi Akademy, Delhi, brought to life the splendidly sculpted postures of dance from the walls of the Konark temple to the Pracheen Kala Kendra as part of its monthly baithak programme on Sunday evening. Daughter and disciple of Guru Harakrishna Behere, she presented a short, well-prepared programme, incorporating all the aspects of a traditional Odissi recital. Commencing her recital with the traditional manglacharan, invoking blessings of Goddess Durga, the dancer exhibited perfect mudras with supple body movements. The second item Pallavi, a major item for all Odissi recitals where the dancer presents shuddha nritta, excluding the abhinaya, the dancer was at her best in bringing to life the sculpted forms from the temple walls of Puri with her natural elegance and Lasya that distinguishes this dance form from other classical dance froms. Her perfect bhangimas, and natural good looks presented a visual delight. To present the Ahbinaya Paksha, she chose to enact a Virahini nayika based on the Ashtapadi Nandati chandana from Jaydevs Geet Govind, where Radha yearns for the company of her beloved Lord Krishna. The emotions of a languishing Nayika were effectively delineated by her enormous eyes and supple body movements. The Oriya Janana or bhajan Ahhe nila saila by the poet Saalbeg was her next item, where she presented an aesthetic blend of abhinaya, lasya and nritta in the odissi dance form. Her next item Mangal Geetam depicted various Leelas of Lord Krishna, Kavita exhibited agility and swiftness of a fawn depicting the leelas of the child god. The traditional last item moksha, where the dancer yearns to unite with the creator depicts the esoteric aspect of this dance it was meant for the second century and was carried forth by the Devadasis in the temples of Orissa. The young dancer dealt with this aspect of the dance with maturity of expression and graceful movements. She was supported by Shri Prafulla Kumar on the Pakhawaj, Shri Rj Kishor Dalbehera on the flute and the vocalist Shri Prashant Kumar Behera. |
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