Sunday,
September 14, 2003
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Architectural
controls
Pride
in national dress
Restricted
tourism
No
violence against women
Gross
National Happiness
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Visiting
centuries of history
Sushil Kaur
THOUGH the usual coach or rail
service operates from London, it is most agreeable to rent a car and get
on the M20. You can drive at a laid-back speed along the undulating Kent
countryside that is delicately pastoral, go about five miles east of
Maidstone and at junction 8 you reach Leeds castle. This very ancient
and one of the most romantic castles in England which for 300 years was
the abode of the royal family.
ENVIRONMENTAL CONCERNS
Documenting
biodiversity: Bane or boon?
Meena Menon
"ADIVASI children
working in the forest all day come back and use MS Word in our village,
Mendha Lekha (in Chandrapur district)," says Nilesh Heda, who works
in the Vidarbha area of Maharashtra on People's Biodiversity Registers (PBRs).
Four villages in Vidarbha came forward to document their resources and
prepare an electronic database, says Mohan Hirabai Hiralal of
Vrikshamitra, Mendha Lekha. People feel PBRs are important as they
document knowledge that can help them in planning their future
activities and bringing resources within their control, he adds.
Husain
invites controversy for birthday bash
Sunita Pradhan
MAQBOOL Fida Husain turns 88 on September 17.
In keeping with the occasion, he has come up with a set of 88 fresh
paintings which would be travelling with him from Kolkata to Mumbai and
Delhi. The ‘travelling show’, as he calls it, coincides with the
release of his new film, Meenaxi:
A Tale of Three Cities.
It's
good to be bad, sometimes
Aditi Garg
"GOOD" and
"bad" were the first few pairs of opposites I learnt at school
along with 'ugly-beautiful' and 'up-down.' At that time I thought of
them as absolutes but now I realise that these are relative terms. Just
as 'beautiful' turns 'ugly' in front of a prettier thing and 'up' seems
'down' from a higher point, 'good' and 'bad' are also comparative terms.
It is all a matter of perspective.
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