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Beating challenges, traditional Kashmiri handicrafts shine at Shilp Samagam Mela

The vibrant cultural heritage of Jammu and Kashmir took centrestage at the Shilp Samagam Mela at Delhi Haat, INA, with over 40 stalls showcasing exquisite handmade crafts from the region. Artisans displayed intricate pashmina shawls, jackets, hand-embroidered stoles, and more,...
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Artisan Altaf Hussain at his stall at the Shilp Samagam in New Delhi.
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The vibrant cultural heritage of Jammu and Kashmir took centrestage at the Shilp Samagam Mela at Delhi Haat, INA, with over 40 stalls showcasing exquisite handmade crafts from the region.

Artisans displayed intricate pashmina shawls, jackets, hand-embroidered stoles, and more, offering a glimpse into Kashmir’s rich craft legacy.

Sayeed Firoz, a stall owner from Kashmir, emphasised the importance of handicrafts to his home state. “In Kashmir, it’s mostly handicrafts or tourism. Almost every house is involved in handicraft, with forms like woodwork, carpet weaving, paper mache, and shawls.”

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Firoz expressed concern over the future of these traditional arts. “I’ve been in this field since my 12th grade, but the new generation isn’t interested. None of my three children want to continue this work. While the craft won’t completely end, the ethnic and traditional pieces are slowly becoming fewer with each passing generation,” he adds.

Firoz’s stall featured Jama and Sozni embroidery, known for fine detailing and time-intensive work.

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Another stall owner, Tahur Meer, has brought a selection of shawls, stoles, and jackets to the event, showcasing the region’s famous Kanjiwaram designs. “”One piece takes 5-6 days to make,” Meer said, describing the intricate needlework involved.

“My family has been in this field since my grandmother’s time,” said Meer, whose collection of pieces ranged from Rs 1,000 to Rs 1 lakh. “The precise work is done with needles, and it requires a lot of patience and skill.”

Waseem, another stall owner, showcased a range of Kashmiri shawls and stoles, each reflecting the distinct styles of hand embroidery and Aari work. “Hand embroidery shawls and stoles take about 5 to 6 days to finish one piece, while Aari work can take up to a year, depending on the complexity and size of the design,” he explains.

Altaf Hussain, a craftsman with 40 years of experience, displayed a stunning collection of paper mache and woodcraft pieces. “These are unique to Kashmir, crafted by hand with intricate designs, often taking months to complete.”

Hussain echoed concerns about the future. “The younger generation has more options and doesn’t want to sit for hours doing this work. I fear the essence of this artwork will die down.”

Despite the challenges, these artisans remain passionate about preserving Kashmir’s traditional crafts and are hopeful that events like the Shilp Samagam Mela will help keep the region’s rich heritage alive for generations to come.

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