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Power and Resistance
THIS volume explores how photography represented, idealised and publicised the Delhi Coronation Durbars, occasions marking the formal coronations of English monarchs as empress and emperors of India: Victoria in 1877, Edward VII in 1903 and George V in 1911. Formally schematised and instituted by the Viceroys of India — Lytton, Curzon and Hardinge — the durbars were the first examples of the aestheticisation of imperial politics and the inscription of the Raj in a celebratory history that served to legitimate colonial presence. Lasting several weeks, each lavish occasion was imaged and described in photographs, paintings, press illustrations, illustrated souvenirs, memoirs, photo albums and films.
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