Punjabi antenna
Where has Punjabi humour gone?
Randeep Wadehra
On
Zee Punjabi, Khaas Mulakaat had Shahid Kapoor as guest.
Balwinder, the host – who normally interviews Punjabi
litterateurs – did a good job of asking right questions
regarding his latest movie and other aspects of his professional
life. On the same channel Khabarsaar took a close look at
the SGPC and its functioning; the debate went beyond the usual
politics.
Why do
potentially absorbing debates turn into an amalgam of inanities?
The anchor of Masle (PTC News) gave an impressive intro
to the topic relating to the rationale behind recent increase in
petrol prices. Are the public sector oil companies really
incurring losses? The panel for debate comprised two experts and
one social activist. Ritesh Lakhi, the anchor, turned to the
first expert for an answer.
The worthy
immediately declared that the figures presented by the
government were false. What made him say so? The expert pointed
out that every PSU had directors from the private sector, too,
who would not tolerate losses on their investments in the PSU.
Therefore, the claimed loss of Rs 50,000 crore was fabricated.
With bated breath one waited for an elucidation of the expert’s
precipitate conclusions. Instead, we got a lecture on rates and
inflation!
Very cerebral,
indeed, but irrelevant to the topic being discussed – one
thought the anchor would point this out. But no, he turned to
the expert number two. Not to be outdone, he went on to accuse
the government of presenting wrong/false GDP figures! He then
proceeded to tell us how the government ‘cleverly’ did this!
Breathless, one waited for the social activist’s turn. He did
not disappoint. "We cannot trust this government," he
pronounced with all the authority at his command. And why, pray?
Simple, the government had been printing currency notes on
substandard paper, even as everyone accused Pakistan of flooding
our economy with counterfeits!
How did his
earth-shattering observation connect with the withdrawal of
subsidies on petroleum products? Don’t ask.
One desperately
wanted to take a break from reviewing the chaff that floats
around in the name of serious debates. Sadly, channel surfing
did not yield anything of note. It was either religious
discourse or video music.
The drama slot
on DD Punjabi offers only a repertoire of repeats. On ETC
Punjabi, too, the stuff churned out does not enthuse. So, one
sought out comedy. Currently, PTC Punjabi is hosting a reality
show on laughter. After watching a few episodes, one began to
wonder whether the much-vaunted Punjabi sense of humour and
dynamism was a myth actually. One came across worn out gags and
predictable punch lines; for example, a son-in-law is fed sarson-da-saag
thrice on the same day by his mother-in-law on the plea that it
contains iron; he retorts that he may as well be given an iron
rod to eat. Frankly, the Masle debate on petrol prices
was more amusing.
Stand-up comedy
is an art form that should be able to evoke immediate laughs
from the audience; otherwise it will fall flat. In this genre
the audiences’ feedback is instant, which is crucial for a
comic act’s success. Audiences expect a stand-up comic to
provide a steady stream of mirth, and a performer is always
under great pressure to deliver. Therefore, constant supply of
fresh gags and stunning punch lines is vital.
DD Punjabi,
too, has a slot for comedy of the theatrical variety.
Unfortunately, this too relies heavily on the rustic nakaliya
tradition; but here spouses and in-laws predominate – an
old hat, really. We all know that theatre comedy creates humour
within the structure of a play with amusing characters and
situations. This provides reasonable scope for developing
innovative ideas. Punjabis are known for innovation in various
fields, especially business and industry. How come they are
lagging behind in performing arts, especially comedy?
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