A wonder called Madan Mohan
The timeless appeal of the
maestro’s compositions can be gauged from the fact that when
Madan Mohan’s unused compositions were used for Veer-Zaara,
its music topped all charts. Tish Malhotra
pays a tribute
The only big honour that came his way was the National Award for Dastak in 1971 |
Madan
Mohan, the mellifluous composer, who was born on June 25,
1924, in Baghdad, began his career as assistant to Anil Biswas
and S. D. Burman. He started giving music independently with Aankheen
in 1950. His pioneering style of composing ghazal-based film
songs earned him the title of ghazal king.
According to
music critic, Raju Bharatan, Madan Mohan "brought to his
art a velvety feel that will endure for ever in a vein of ‘Jaana
tha hum se door bahane bana liye (Adalat)’. According to
film critic Subhash K. Jha, "Madan Mohan did for the film
ghazal what God did for the man by giving light to earth`85.The
melodic omnipresence of Madan Mohan is attributed to the
timeless quality of his compositions. The noted music director
C. Ramachandran had remarked: "What do you mean Madan was
only good at composing ghazals? Madan was good at every single
thing he composed `85.Madan’s light compositions have the same
individualistic quality as his serious songs. What’s more, I
don’t think anyone of us had this knack of picking the right
instruments for the right song."
In a music
journey spanning a quarter of a century, from 1950 to 1975,
Madan Mohan composed many stunning songs. Pick up, for example,
any fabulous number from films such as Anpadh, Chirag, Heer
Ranjha, Parwana, Laila Majnu, Aap Ki Parchaiyan, etc. Else
take the poignant songs from films like Adalat, Jailor,
Sanjog, Woh Kaun Thi, Haqeeqat, Mera Saaya, Dastak, Heer Ranjha,
Hanste Zakhm, etc. Add to the list the bubbly numbers
from Bhai Bhai, Duniya Na Maane, Neela Aakash, Dulhan
Ek Raat Ki, Ek Kali Muskai, etc.
In this series
of astonishing music, the unbeatable combination of the melody
queen Lata Mangeshker and the versatile Madan Mohan gave us many
eternal hits. Mohammed Rafi had also sang countless memorable
songs for him. Asha Bhosle. Manna Dey, Mukesh, Kishore Kumar,
Mahendra Kapoor, Geeta Dutt, Shamshad Begum and Bhupinder Singh
have also contributed many dazzling gems. Talat Mahmood also
came out with many heart-stoppers from films like Madhosh,
Ashiana, Chhote Babu, Deekh Kabira Roya, Bahana, Suhagan,
Jahanara, etc.
But in spite of
producing such a huge repertoire of stunning songs, Madan Mohan
never got the Filmfare award. Lata Mangeshkar had aptly
remarked: "He saw little recognition in his lifetime.
Today, after he’s gone, no other composer is admired as much
as he is. He was, perhaps, destined to be recognised after his
death."
Suresh Kohli,
in a recent article, said this about Heer Raanjha, "Madan
Mohan’s music contributed to the film achieving the cult
status. Each Kaifi Azmi lyric lifted to heightened perception.
Each song a gem `85. Madan Mohan never won a Filmfare trophy and
the only big honour that came his way was the National Award for
Dastak in 1971."
The other
distinguished lyricists with whom Madan Mohan mostly worked were
Rajinder Krishan and Raja Mehdi Ali Khan. Yash Chopra and
Sanjeev Kohli, the elder son of Madan Mohan, paid a befitting
tribute to the maestro by resurrecting his unused compositions
for Veer-Zaara in 2003. The music stormed the entire
country. It topped all musical charts.
To commemorate
Madan Mohan’s 85th birth anniversary, in 2009 Yash Raj Films
released an exceptional album Tere Bagair featuring a
rare treasure of 15 unreleased songs composed by Madan Mohan in
his lifetime. These were sung by Lata Mangeshkar, Asha Bhosle,
Mohammed Rafi, Talat Mahmood and Kishore Kumar. Lata Mangeshkar
said, "I am happy that his fans still revere him and listen
to his music with such fondness. I am sure they will love the
songs on Tere Bagair".
Yash Chopra had
added, "Though I never worked with Madanji, 30 years after
his demise his tunes embellished my film, and today I am happy
that we are following this up with Tere Bagair."
Madan Mohan, who died on July
14, 1975, will always remain a wonder for the lovers of finest
music. His music is immortal. Collections of his melodies songs
are the pride possessions even in the era of free download.
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