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Delicate coral hue, mellow taste and refreshing light presence make THERE is something irresistible about saffron. No, we aren’t referring to the much-abused term in the contemporary political context but in culinary parlance. It may be the most expensive spice in the world, but a little goes a long way and just a hint of it elevates the recipe from plain to pristine verging on perfection. Saffron is the colour of selfless sacrifice — kesariya baana — and strong romantic association — kesariya baalama — and is derived from the Arabic zaafraan. Stigma from 10,00,000 flowers are required to make a pound of the sublimely aromatic substance that breathes lives into a wide range of sweets and savouries. This is the case with Murg Kesariya. There are many recipes that bear this name — some even tracing their lineage to Nawab Wazid Ali Shah of Awadh — ranging from fat-laden, dried fruit burdened rich ‘delicacies’ to barely fragrant yellow-tinted almost repulsive offerings that one encounters in eateries across the land. Once a friend (now no more a friend after this offence) has terrified us with a monstrosity created by him using saffron essence and edible colour that he insisted deserved this title. On the other extreme are
those crass cooks who decorate the chicken with visible strands of
saffron hoping that the garnish will somehow work its magic. Alas! the
trick has never passed the test. We have encountered intrepid
tandooriya who have dared to drape their tough tikka with
saffron but why waste breath on those who jump in where angels fear We have always felt that the presence of saffron should be suggestive and never overpowering. This is the reason that we have fallen for this recipe. Kesariya murg eschews the mundane haldi, dhania and mirch. Jeera and garam masala are taboo. It also renounces the ubiquitous pyaaz. It has a delicate coral hue, mellow taste, refreshing light presence and a flavour that keeps tantalising you to guess its roots. Fennel, cardamom, mace/nutmeg contribute as much to its seductions as the kesar.
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