Fashion’s big nite A black SUV sidles up to the curb and out climbs Freida Pinto in Chanel shades and a royal blue Moschino dress, with her makeup artist, the makeup artist’s assistant and her publicist in tow. It’s quite an entourage for the sleepy suburb of Artesia, home to Little India, where mom-and-pop restaurants mingle with sari shops, and the smell of curry floats out of open doors. But what else would you expect from Pinto, 24, the Indian beauty whose first big-screen role, as Latika in Slumdog Millionaire, has turned her into an award-season sweetheart? In the past few months, the film has won nearly every award possible, and Pinto has been flying from one red carpet to the next — Dubai to Los Angeles, New York to London. One place she hadn’t been yet was Little India. When she walks into Standard Sweets & Snacks, a casual South Indian snack bar, people barely look up from their lunches. Pinto may look Hollywood slick, with every shiny hair in place and her lips in a constant state of glossy perfection, but at this moment in her career, she’s still able to be almost
inconspicuous.
“When I watched the film in Toronto for the first time, I didn’t know what I was getting into,” she says, sitting down to a plate of roti and chutney. “The first time I saw my face on screen I felt really nervous and self-conscious.” She needn’t have worried. Pinto has gone from fashion model and TV travel-show host to Hollywood star overnight and is enjoying every minute of it. “That dreams come true is the biggest surprise ever,” she says, revealing that she’s been collecting Freida Pinto place cards from the glittery parties she’s attended. “Every moment you blink, you miss something.” Back in India, Pinto was a jeans-and-T-shirt kind of girl, but now designers are lining up to dress her. She’s worn Christian Lacroix haute couture, Zac Posen, Oscar de la Renta and Marchesa. Today, she’s paired her short floaty designer dress with shiny black lace-up Payless pumps picked up in Toronto. “Maybe they’ll offer you a shoe line,” I suggest. “I think they should,” Pinto responds. “In India, it’s hard to find a project, because most of it is Bollywood, which is very exaggerated,” says Pinto, who went through rounds of auditions for six months to land her role in Slumdog... Back outside, she crosses the street in front of a grocery store window piled high with sacks of basmati rice. “It smells like India,” Pinto says, before walking into Cottage Art, a store full of colorful pillows, bangles and kurtas. Pinto is gracious, posing for photos and talking about how she’ll decorate when she moves out of her parents’ house. “White walls with a pop of red accessories,” she says. After all, this dream sequence can only go on so long, and the red carpet will come to an end. Pinto has yet to line up another project. Her dream role would be something that might otherwise go to Winslet or Meryl Streep. But with her looks and her twinkly smile, she might want to consider a romantic comedy. We do a little CD shopping, and she lights on A.R. Rahman, who did the music for Slumdog..., and an Indian artist named Kishore Kumar. Then Pinto and company are back in the car headed for Sona Chaandi, the mother of all sari shops that caters to Gwen Stefani and other celeb Indo-philes. Inside, room after room is filled with saris, which run up to $995, as well as traditional Indian pants, tunic and scarf ensembles. There’s also a beauty salon attached that offers threading (a kind of hair removal) and mehndi body art. “I don’t wear saris,” Pinto says, scanning the colorful yardage. “I feel I’m too young.” But she’s game to play dress-up, so in come saleswomen carrying saris by the armloads, shimmering with beads and embroidery. Pinto settles on a turquoise-and-gold brocade, which owner Mala Malani swirls around her in a flash of colour, adding a yellow gold and topaz suite of jewelry. Malani offers tea and snacks, even a free sari. But Pinto leaves empty-handed. Back in the car, I ask her what she really wants—a Chanel purse, maybe? No doubt, designers are offering her the sun and the moon. “Something Prada ... or a watch,” she says, thinking. “No, no. I’ve got it—Harry Winston!” Yep, she’s learning fast. — LA Times-Washington Post |
Around this time every
year, accessories designer Stuart Weitzman debuts a one-of-a-kind pair
of Oscar shoes festooned with $1 million worth of precious gems. It’s
a stunt he started in 2002, when "Mulholland Drive" actress
Laura Elena Harring pranced down the red carpet in diamond-encrusted
sandals. Since then, actress Regina King and singer Alison Krauss, among
others, have worn the high-profile Cinderella slipper, and the
ploy has always garnered lots of publicity. But this year, with the
economy backfiring, Weitzman won’t be playing Prince Charming. Many
actresses will undoubtedly adorn themselves with plenty of carats at
Sunday’s Academy Awards, but no one wants to be branded an
out-of-touch fairy princess. Oscar parties such as the Vanity Fair bash
and Madonna’s annual soiree are being scaled back
considerably. Lavish gifting suites are on the wane and there are fewer
outrageous offerings like the "diamond facial" (in which tiny
diamond chips are used to exfoliate the skin). "Would you really
want to tune in and see a bunch of women walking down the red carpet in
black pantsuits?" asked Hal Rubenstein, fashion director of ‘InStyle’
magazine and an Oscar fashion commentator on "Good Morning
America...It’s a recession, not an apocalypse." But glamour’s
getting a closer inspection with so many pink slips emerging across the
country. Andy Lecompte, who styled Jennifer Lopez’s tresses for the
Globes, scaled back on the drama and went with a simple bun. "She
wore that gold dress, and with the economy the way it is, she didn’t
want to overdo it with jewels or her hair," he said. Such
adjustments may seem almost imperceptible from afar — Lopez’s dress
had enough shimmer, after all, to put the rest of her look in the
shadows. But in some circles, the effect of Hollywood’s "less is
more" impulses has been dramatic. "It’s more about the one
thing that can say it all," said Rebecca Selva, spokeswoman for
jeweller Fred Leighton. Like the Chopard timepiece encrusted with
5-carats’ worth of diamonds worn by Penelope Cruz to the recent SAG
Awards. Monica Corcoran and Melissa Magsaysay. — LA Times-Washington Post |
Before A.R. Rahman received three Academy Award nominations for his contributions to Slumdog Millionaire Indian-infused techno soundtrack, he was known across India as "the Mozart of Madras." He’s long been Bollywood’s best-known composer, a household name for his love ballads, offbeat world rhythms and patriotic pop hits that have sold more than 100 million albums, making him one of the world’s top-selling artists. But for Rahman, Slumdog’s fluid soundtrack is the culmination of his accomplishments.
"The reason I love Slumdog is because the music is all world cultures, all celebrating," he said in an interview from Los Angeles, which his entire extended family is visiting for Oscar night. "In India, I know people feel other film scores (of mine) are closer to their hearts. But when you are doing a film, it’s very important to make the film look like one full piece of artwork. I think scoring Slumdog with every kind of music possible, from Chinese to hip-hop to M.I.A. ... was really fresh ground for me." The film’s most popular song is Jai Ho, a bubbly
Bollywood number that ends the movie with a classic song and-dance
routine. Rahman, 42, said he always knew he would make his life about
music. Though his father died when Rahman was 9, his mother pushed him
to hang out with friends of his father: tabla master Zakir Hussain and
violinist and singer L. Shankar. They helped him get a scholarship to
Trinity College, Oxford, where he earned a degree in Western classical
music. In 1991, he was hired to write and direct music for Roja.
He was just 25 and called it "a real milestone for me." Rahman
has recently started to compose more international scores, including
last year’s film Elizabeth: The Golden Age. He studied Chinese
and Japanese music to score the Mandarin language picture Warriors of
Heaven and Earth in 2003. His wife, Sairaa, said, "The Oscar is
definitely the biggest moment in my life," she said. "I know
he has won so many awards. But this one is special because he is
representing India." Rahman hopes all the attention will encourage
other young Indians to choose music as a future. "We really need
that space for creativity in India right now," he said. "Most
of all, I just want that to be recognised." —LA Times-Washington Post |
When Hollywood stars hit the red carpet in hopes of snagging an Oscar, sometimes they should be careful what they wish for. An Academy Award can cap a career like that of director Martin Scorsese The Departed or put a veteran actor like Chris Cooper Adaptation on Hollywood’s map with greater access to better roles and higher salaries. But for others it can be a box-office curse. Past winners Nicole Kidman, Renee Zellweger, Halle Berry, Adrien Brody and Cuba Gooding Jr. have not had a major hit in years, even though many are still sought after by Hollywood studios. Kidman won an Oscar for 2002’s The Hours, but has never headlined a big hit. The actor starred in recent Oscar hopeful Australia, which failed to win any major awards and flopped at the box office.‘’Considering how many bombs she’s done, it’s pretty surprising that she’s still out there chugging away,’’ said John Wilson, who honours the year’s worst movies during the annual Razzie Awards. Since winning her Oscar for a supporting role in 2003’s Cold Mountain, Zellweger’s career went cold with such films as Cinderella Man and Leatherheads. Her last film, the romantic comedy New in Town, earned $6.7 million during its opening weekend last month.‘’I keep trying to remind myself when was she good?’’ said Us Weekly film critic Thelma Adams. Berry, the Oscar winner for 2001’s Monster’s Ball, added a Razzie three years later for Catwoman and gallantly showed up to accept. Berry, who gave birth to her first child in 2008, has not been seen in theaters since her Oscar hopeful Things We Lost in the Fire was quickly doused in 2007. Of course, not all Oscar winners suffer a similar fate. George Clooney and Sean Penn are A-list actor/directors with their pick of big-budget movies and personal projects. Nicolas Cage has appeared in two-dozen films since winning his best-actor Oscar for 1995’s Leaving Las Vegas. Cage’s 2007 film National Treasure: Book of Secrets was the biggest box office hit of his career at $457 million worldwide.‘’What he’s done is become a genre-movie maker, and it has nothing to do with the Oscar,’’ said Adams. Others haven’t been so lucky. Perhaps the deepest fall from Oscar grace has been that of Gooding, who famously yelled Show me the money! to Oscar-winning effect in 1996’s Jerry Maguire. Since then, Gooding has filled his resume with not-quite classics such as Boat Trip, Norbit and Daddy Day Camp. ‘’He had shown so much promise in Jerry Maguire and he went from supporting player to star, and sometimes that jump is difficult,’’ Adams said. The problem for many newly minted Oscar nominees and winners, said Wilson, is that their handlers are inundated with lucrative offers for dubious projects.‘’If you’re not known, the industry also doesn’t know what you’re capable of. They may throw stuff at you that’s out of your league, over your head or beneath your talents,’’ he said. —Reuters |
||
Spectacle slowdown The cultural and botanical fiesta of the city, the Rose festival has begun and so you expect nothing less than a full house, curious but admiring tourists, cultural panorama of folk artists from the country, the playful but wobbly camel rides and a dozen varieties of roses everywhere. Well, the ones who took the conscious decision of being present on the inaugural day of festival were witness to some 'reality check'. Sticking to its tradition, this year rose festival is all this, but still not in its true colours. The tourists were there, with curiosity overtaking admiration, the folk artists were dressed up for the show too, lets call them school children for reality sakes, the camels were there dutifully doing their job of pleasing the jhoothe-wali brigade, and the roses were there too, only to make one wonder if the recession has casted its spell on them too. All those who came to see a new side of the festival were served the same recipe, with a little less salt though. Like always, floral collection stood apart with competition winning entries making for a visual and aesthetic treat. The rangoli and marigold decoration were eye-catching (with an extra dose of gainde ka phool, it looked more like a marigold festival).
Out of the ordinary activities, one interesting was formed by the stone and wood sculptures, thanks to the talent from Govt Art College-10, that complemented the flowers in an amalgamation of natural elements. But the overall mood left the public asking for more. The commercial stalls that generated some good crowd have also been done away with. The cultural scene is also low, just giddha, bhangra and few Rajasthani performances were worth watching. No food stalls to lure the public as well, but the kids did find their fun-part in checking out flowers and vegetable and fruit carvings. Some felt that the reason for rose recession in the festival is because of its wrong timing. "I feel it should be held in January end. Most of the flowers have withered away," says Dr. Archana, a city resident. But she does add that it's just the first day and the festival still has its charm. Though one passing youngster didn't hide his disappointment, "Bekaar hai yaar Rose festival." A blunt truth this is, with no new activities, the mundane look of the festival hampers its fervor. "The festival has reached its stagnation. It needs to build a novel character and live participation of city people. The place can be a good platform for educational and cultural activities. It needs to be taken from grass root to global level," says Bibi Harjinder Kaur, chairman, Punjab Kala Bhawan. Well, it isn't any Herculean task, to reinvent our interest in the Rose festival, as it's a passion that we have all shared. It's a place where Chandigarh is at its best, and all we need is to add a little tadka to its flavour, aren't we good at that? |
Of brawn and brain
One thing Maureen Wadia so much wanted to do on the auditions of Gladrags, Megamodel and Manhunt, 2009 was to jostle up contestants and scream at them, "Wake up to reality." But then, there is always a difference between what you wish to do and what you can do. So, all Maureen could do was regret this fact, "Wish I could do it but if not me then life will make them face reality." And that is what in fact bothers her, "I know life will be much harsher a teacher than me. I hope they learn lessons of life before it is too late," wishes Maureen who was in city on Friday to shortlist contenders for the event. Amen! We too made this earnest wish as one by one, young boys gave auditions. She tossed some common questions and what she got as answers only disheartened her. "Brawn without brains is of no use and that is how the scenario is through out the country. Just two days back, at the auditions in some other city, a boy with Greek god looks explained global warming as rise in temperature of human body." Next, she specifies where the problem lies, "All that majority of youngsters want is to be famous today but without putting in any hard work. Also they don't want to become a model but actors. The contest for them is a mere launch pad." We got it better when she asked a contender, "One historical figure you wish you were", to which the boy replied "Akbar because the film made on him was a huge hit." No surprises, if at the auditions of a modeling contest, we saw quite a many young guys enacting some scenes from Bollywood flicks. She next serves us with an example to prove her point, "A 30-year-old boy has been giving auditions from the past six years and isn't ready to accept that he does not fit in the picture. Please be practical, move on with life and concentrate on your career and take care of your families," she advises. In view of abysmal levels of common sense, all she can suggest is, "Choose very carefully. Reasonably good looks and some brains are an enough criteria for selection. I know perfection doesn't exist and in not even vouching for it." Is it too much she is asking for? ashima@tribunemail.com |
Slum boys on red carpet They have never boarded a plane, lived in a pucca house or attended a proper school. But little Rubina Ali and Azharuddin Ismail will still journey into a star-studded world as they attend the glitzy Oscars ceremony on Feburary 22. The lives of these Mumbai slum children have taken a fairytale spin just like the story of Slumdog Millionaire, the film by director Danny Boyle that they famously star in and which has bagged 10 nominations at the 81st Academy Awards.On Thursday, they will fly off to walk the red carpet and rub shoulders with the who’s who of Hollywood at the Oscars.“I think we will win all the awards. We will win 10 out of 10,” Azharuddin, 10, who essayed the role of a young Salim, the protagonist’s brother, said. Rubina, 9, who played young Latika, added: “I don’t know anything now. I will see what happens there.”Just a few days back, their dream to attend one of the most glamorous events of the world was jeopardised by their poverty stricken life. Their parents were not keen on sending them to the Oscars and instead wanted the plane fare to be utilised for other necessities. However, after a change of plan, Rubina will be escorted by her uncle and Azharuddin will be accompanied by his mother to the event. Rubina and Azharuddin now want to become actors even though they continue to live in their makeshift homes in a slum in the Bandra neighbourhood. Thanks to the director, they are also going to a proper school and might move into better houses soon. For these two, a life out of the slum will be a long journey encompassing hardships, but with this opportunity they will get to enjoy the best of the world. Another kid, Mozhim Shakim Sheikh Qureshi, who played a cripple in the movie, however, was not as lucky as his friends. The 13-year-old got injured while jumping off a train. His left arm is badly damaged and will take at least a month for him to recover.—IANS |
|
Slumdog to Pinki, India’s the flavour From a Mumbai tea boy’s journey to fame and fortune in Slumdog Millionaire to a UP girl’s story of overcoming the social stigma of a cleft-lip in Smile Pinki, stories from India are the flavour of the Oscars this year. While the debate continues whether Slumdog Millionaire should be considered an Indian film or not, expectations are high over A R Rahman winning an Oscar. The musician has earned three nominations under the Best Original Score and Best Original Song for Jai Ho and O Saya. Indian sound technician Resul Pookutty, who has already bagged a BAFTA, is also in the race to bring home an award in the Sound Mixing category, where he is nominated along with Ian Tapp and Richard Pryke for Slumdog Millionaire. Short documentary Smile Pinki is a 40-minute documentary on the life of a Pinki, an eight-year-old girl from the rural part of Mirzapur. She can not smile due to her cleft-lip and is teased as othkatti (the one with a cut lip) but a simple surgery with the help of social workers changes her life. The Final Inch, which is nominated in the same category, documents the struggle of polio field workers as they travel from village to village to administer polio drops under the polio eradication programme of India. — PTI |
Oscar nominee Anne Hathaway will open the 81st Academy Awards with her performance, which will reportedly be a regular song-and-dance show.The 26-year-old star, according to insiders was seen practising on the tracks of various numbers at the Kodak Theatre in Hollywood, where the Oscars will be held on February 22, the ‘Contactmusic’ reported. Hollywood insiders also claim that Hathaway will also perform with Oscars host Hugh Jackman to start Sunday’s show. The Racheal Getting Married star will reportedly be one of many performers among Beyonce Knowles and High School Musical couple Zac Efron and Vanessa Hudgens who will apparently join Jackman onstage. — PTI |
Bollywood actor Anil Kapoor, who shot to international fame with his role as a mean game-show host in Oscar front-runner Slumdog Millionaire, says he had never heard about the film’s director Danny Boyle before his son ‘ordered’ him to do the movie after reading the script.“I didn’t know who he was. My son educated me about him. Suddenly he became my agent. He said, ‘you have to do this film’. He read the script first and said it was great. Then he made me call (Boyle) up,” Kapoor said. Kapoor, who has been globetrotting to attend the award ceremonies, is also looking forward to the Oscars where the film has earned ten nominations. The actor dismissed the contention that the film was made to appease the audiences in the West. — PTI |
|
HOME PAGE | |
Punjab | Haryana | Jammu & Kashmir |
Himachal Pradesh | Regional Briefs |
Nation | Opinions | | Business | Sports | World | Letters | Chandigarh | Ludhiana | Delhi | | Calendar | Weather | Archive | Subscribe | Suggestion | E-mail | |