Punjabi
antenna
We need
classy shows
Randeep Wadehra
A scene from Mukesh Gautam’s Sajda telecast recently on Zee Punjabi |
Ideally
there should be an
optimal mix of news-based and entertainment programmes that
would be of interest to viewers belonging to different walks of
life and age groups. Unfortunately, the Punjabi TV programming
is lopsided. True, some channels telecast news and talk as well
as road shows but almost all of them revel in popular music. One
of the indispensable ingredients is religious music for which
slots are reserved in the mornings and evenings. One thought no
new channel would venture into this territory but this was
wrong. Divya, a brand new channel wholly dedicated to mystic
music, came up in February.
So, one can now
nurture one’s soul by listening to shabads, kirtans,
bhajans, bhents and similar compositions 24X7. Such is the
channel’s dedication to pious renderings that only VCDs and
DVDs with spiritual content are allowed to air promos. Well,
obviously the saturation point has still not been reached as far
as this genre is concerned. Occasionally one might come across
something different on the small screen but it is impossible to
recall anything worthwhile barring Mukesh Gautam’s Sajda
telecast ages ago on Zee Punjabi.Then, a few years back, on the
same channel’s Parat Dar Parat show one had viewed an
interesting documentary on gurdwaras in Pakistan.
Song and dance
shows predominate the ETC telecast. Only a few of these are
worth hearing/viewing. Viewers and reviewers can keep whingeing
till the cows come home but the head honchos of various Punjabi
channels wouldn’t budge from the hackneyed formula of music
and more music. One feels sad and desperate when one looks at
the rich Punjabi heritage and literature waiting to be tapped
for quality mass entertainment. How many historical movies/TV
shows on the sacrifice of Hakeekat Rai or the rise and fall of
the likes of Banda Bahadar and Maharaja Ranjit Singh have been
produced so far?
Is it really
too much to expect docudramas and serials based on the lives and
works of such poets of universal appeal as Bhai Vir Singh, Shiv
Batalvi, Dhani Ram Chatrik, Amrita Pritam, Mohan Singh, Balwant
Bawa, Preetam Singh Safeer, Avtar Singh Azad, Prabhjot Kaur
etc.? It should also be mentioned here that in the sphere of
drama, novel and short story, the path blazed by the likes of
I.C. Nanda, Nanak Singh and Gurbax Singh has not been forsaken
but trodden by such talented writers as Balwant Gargi, Sheela
Bhatia, Gurdial Singh Khosla, Harcharan Singh, Sant Singh Sekhon,
Kartar Singh Duggal, Kulwant Singh, Navtej and a host of others.
There is a
regular spate of literary output of merit from old and new
litterateurs even today. Even in the sphere of Hindi literature,
Punjabi writers like Yashpal, Upinder Nath Ashk, Pt. Sudarshan,
Mohan Rakesh, Dev Raj Dinesh, Charanjit, Chandergupt Vidyalankar,
Rajiv Pannikar etc have made notable contributions. Perhaps
their works could be translated and adapted for Punjabi
productions.
Clearly, there is no dearth of
source material for television productions. If only the
channels/production houses would digress from the cheap and easy
path leading to quick bucks and mass boredom. Will Punjabi
television ever witness the kind of renaissance that would
catapult it into the category of genuine, quality entertainers?
|