AUDIO SCAN
Spirituality &
nostalgia
Boot Polishan
(Sony BMG Music
Entertainment)
SO
what is it about Gurdas Maan that makes most of his songs not
only gain immense popularity but also win critical acclaim? Two
factors have facilitated this phenomenon. One, he pens lyrics
which are highly nostalgic and smell of the earthy feelings of
rural Punjab. Two, he combines them with a streak of
spirituality due to which even a romantic song sounds like ibada
( worship). Add to that a bit of social message and the
recipe for a success story is ready.
All these are in
play in this album. For instance, anybody who has pined for a
cycle will connect instantly with his song of that name. It
automatically takes you back to the time when he had his
trousers getting soiled on being caught in the chain. Such
emotions strike a chord with his listeners.
Then there are
other songs like the title number which give a message of
leading an honest life even if that involved polishing shoes. In
Maape he reminds the listeners of the kind of love that
they get from their parents. The same is true of Chhalli,
which gives a strong exhortation against social evils like
female infanticide.
Paying a tribute
to the late film director Manoj Punj, he elevates Dilaan de
jaani to almost spiritual planes. Tere mere pyaar de
tare gawah ne is seeped in romanticism. These and Sakhiye
saheliye are typical Jaidev Kumar creations—slow-paced to
the extent of entering one’s heart unobtrusively. He switches
over to patriotism in the closing number which is a tribute to
Bhagat Singh. The lyrics, singing as well as music are all
endowed with the quality of evoking nationalistic feelings in
any heart.
Breaking barriers
(Times Music)
You have always
associated Ustad Amjad Ali Khan and his sarod with the
delineation of classical strains. He breaks the barriers this
time by rendering all-time favourite Christmas carols and hymns.
Needless to say that his magical sarod "speaks"!
The Ustad says
that he had wanted to perform these for a long time. "The
prospect of performing these appeared in 1995 at the Church of
Northern India in New Delhi. The atmosphere was memorable. When
I played Silent Night that evening, the lights went off for a
while and candles were lit up. Ever since, it has been a project
I wanted to record," he reminisces. He has made this dream
a reality 12 years later. He has improvised immaculately, while
remaining true to the tunes which have mesmerised the world all
this while. There are Joy to the World, Silent Night, O Come
All Ye Faithful, Jingle Bells, The Lord’s My Shepherd, O Lord
and Master of Us All, We Three Kings and We Wish you a
Merry Christmas. — ASC
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