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HOLLYWOOD HUES The
location is New York touted as the world’s busiest city, the players
two youngsters whose lives come together by sheer chance. But when they
kiss they exchange luck. Well, it is only this silly premise that Just
My Luck is based upon. He is Jake (Chris Pine), a bumbling,
blundering musician, a cross between Jerry Lewis and Peter Sellers but
much worse than either of them. And the slapstick that begins with him
stays on through most of the film much to the detriment of what might
have passed for humour. She is Ashley Albright (Lindsay Lohan), a
successful accounts executive at a public relations firm and whatever
she touches turns to gold. It is a good mix of talent and luck. But this
changes dramatically after her run-in with the aspiring musician who
wants a break for his McFly band. It is record Mogul Damon Phillips who
could give him that much-needed break. That these two should meet, part
and meet again is what the film is all about. But what a jolly good
waste of time. Between shreds of music (far from catchy), weak humour
and some totally forgettable incidents the film plods along thanks to a
poor script. Even director Donald Petrie, whose Miss Congeniality
(starring Sandra Bullock) is not as bad as this, is all at sea in this
film. "When one door closes, two others open," one of Ashley’s
colleagues tells her but it is of little comfort to the young woman who
virtually becomes a pathetic disaster and doesn’t seem to care about
it. Well, the triteness of the subject is further drowned in needles
slapstick. Has Hollywood run out of scriptwriters to stoop so low ? Just
My Luck never really takes off but is later bogged down in the
realms of inanity. Samaire Armstrong and Bree Tuner, as Ashley’s pals,
provide the only sparks of life (they have good lines, too) in this
otherwise listless film. Lindsay Lohan may be considered a promising
young actress but here the corny situation doesn’t give her much
scope. As for Chris Pine, he is as anonymous as one of New York’s
fatted cops. The climax is of course at the Grand Central station (how
they love to glorify these institutions) but is more of a damp squib but
in all fairness one must say it is in keeping or quite consistent with
the rest of the film. So, this is a clear no-no. It’s just our luck
as critics that we had to suffer though this piffle.
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