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The Rupa Book of Love
Stories Ruskin
Bond wonders at the fact that the
hero and heroine of every love story seem destined to die in one another’s
arms, but he justifies tragic endings by saying that had these not ended
on a high note, these love stories—of Laila Majnu, Romeo and Juliet or
the lovers of operas like Carmen or Tosca—might well have ended in
boredom, disenchantment and drudgery. As Oscar Wilde said:
"Marriage is a romance in which the hero dies in the first
chapter." Ruskin Bond being Ruskin Bond, he can’t bear to see
his readers unhappy and so he says: "I have gone out of my way to
track down a number of cheerful love stories in order to counterbalance
those that end sadly or in despair." Even though he feels that
tragic love stories do have the appeal of leaving "the lovers
forever young", the comfort zones of the reader are his foremost
concern and so he has even located a short story by Guy de Maupassant,
who is considered a writer of morbid themes that "gives us a
picture of true love lasting into old age." Bond discovered that
women comparatively wrote fewer short stories than men. That is probably
because "they seem to prefer the medium of the novel for this
purpose." Thus, male writers dominate the anthology with few
contributions from women writers. Bond has chosen love stories
extending over broad spectrums of time and settings. Starting with the
translation of a charming little story, From the Sanskrit, the
compilation includes In
Charles Reade’s The Box Tunnel, he takes us on a train journey
during the early days of travel. A swashbuckling soldier bets that he
will kiss the lady sitting across when the train enters a long tunnel.
Interesting situations with a twist at the end of the tale ensue. In The
Love of The Prince of Gothenburg by Anthony Hope, author of popular
historical romances, a proud princess discovers that she cannot order
love to happen. The story Mary Ansal by Martin Armstrong is of
love lost but still sweetly remembered. A Girl Called Marie by
Peter Tizack is a tender story of love lost and found again, leaving the
reader with a touch of wistfulness and regret, as does The Duenna
by Belloc Lowndes, which has a touch of the supernatural. Bond has
included stories with "a touch of magic" in the forms of The
Gift of the Magi and The Poison Maid by Richard Garnett, set
in ancient times. Bond takes us on a journey that reveals vignettes of
different times and lands and leads us from one romantic situation to
another. Without being morbid, despairing or depressive, he celebrates
the youth and passion of love. Sometimes, he looks at love tenderly,
sometimes passionately and sometimes nostalgically, but love prevails in
every story. It persists and survives, which is what adds that special
dimension to this book—the absence of grief. There may be a sigh here
or a tear there, but not the heart-wrenching pain of love, thanks to Mr
Bond. |