Sunday, November 16, 2003 |
Courage derived from nature Aparajito, The Unvanquished In his philosophical musings in The Art of The Novel, Czech novelist Milan Kundera rightly avers that a "novel examines not reality, but existence and existence is not what has occurred; existence is the realm of human possibilities, everything that man can become, everything he is capable of". Different novelists have tried to explore these possibilities in diverse languages since time immemorial. Whatever be the language, the kernel of truth shines in mesmerising details the novelist offers in presenting the complexities and contradictions of a heroic life lived in a "turbulent sea of tears". One such specimen of man’s indomitable spirit traversing the ocean of time and alternating between great leaps forward and huge buffets backward in the face of unpredictable vagaries of human life is Bhibhutibhushan Bandopadhyay’s Sahitya Akademi Award winning Aparajito, a sequel to his celebrated novel, Pather Panchali. The two novels supplied the raw material for Satyajit Ray’s famous trilogy. At the end of Pather Panchali, Harihar Roy, a Brahmin, leaves this world after a hectic struggle and is survived by his wife, Sarbajaya, and son, Apurbo Roy, in an idyllic country suburb, Nischindipur. Apu, having lost his sister, Durga, embarks on a lonely journey littered with grievous pitfalls and dazzling deceptions. It is his survival instinct tinged with pantheistic intensity that shines with unmatched glory amid the vicissitudes of human life, making him an Aparajito — the unvanquished. Apu is poor by birth and circumstances, but is endowed with rich imaginative faculties, which incite him to transgress the ordinary and hanker after the extraordinary. Living with his mother at Monashapota, he can earn his livelihood acting as an amateur priest, but he leaves this easy way out to pursue the arduous path of gaining school education, during which he becomes aware of deprivation, disadvantage and degrading disappointments. |