Sherlock Holmes, who predictably finds a place in the book, with
his astute tactics comes out with flying colours by solving the
mystery that shrouds the death of an old man settled in the
English countryside after returning from Australia, but whose
own son is a prime suspect in the murder case. Doyle’s
unequivocal style of writing is reflected in the masterfully
crafted plot and lucid narration.
Doyle’s
contemporary Baroness Orczy’s Who Stole the Black Diamonds?
is a compelling portrayal of deceit and trickery set in majestic
environs. The story interestingly, or queerly, does not
incorporate a detective, though it has a logical end to it as
the mystery that dogs the disappearance of diamonds is finally
unravelled.
Mr Bovey’s
Unexpected Will by L.T.
Meade and Robert Eustace is another gripping tale, which is a
pleasure to read because of the continuity of plot and brevity
of thought. The flow is somewhat consistent and similar to most
of Doyle’s stories. Of the five stories, it has perhaps the
most well-knit plot.
However, there is
a degree of ambiguity attached to Arnold Bennett’s A
Bracelet at Bruges. Lack of coherence and sketchy layout mar
the plot. The accent is stronger on the indulgences of the
characters than the plot.
R. Austin Freeman
in The Blue Sequin carves out the ‘murder’ of a
pretty artist’s model in the most dramatic of fashions and
keeps the reader as well as those around the detective on
tenterhooks. But it does not have any extraordinary conclusion.
The book might
lose out on being a collection of stories from the yesteryear
and may find it hard to grab the attention of the most voracious
of readers for want of something fresh. However, the stories are
from the all-time best and the book could be a good pick. As
Cyril Connolly has justly said in Enemies of Promise:
"Literature is the art of writing something that will be
read twice; journalism what will be read once."
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