Tuesday, April 15, 2003, Chandigarh, India

 

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Creativity flows at school function
Our Correspondent

Ludhiana, April 14
The junior humanities forum of Kundan Vidya Mandir School, Civil Lines, organised an inter-house fancy dress competition on Saturday. The function was presided over by the Principal, Ms Neena Khanna. The house mistresses, students and parents joined together to make the show a grand success.

Some of the items that received accolades from the audience were ‘Iraq on a peace mission’ by Sristhi Trikha, ‘Bande Mar Doctor’ by Saajan Sharma, ‘Mannequin’ by Sukriti Gupta, ‘War and Peace’ by Simi Sudha, ‘Jazzy B’ by Sushant Shangari and ‘ Scare Crow’ by Mehak Wadhera.

The characters of Praful Kumar and Hansa in TV serial ‘Khichdi’ were enacted by Aakriti Kakkar and Sakshi. ‘Classical Dancer’ by Jasnoor Basra, ‘Dacoit Chhappar Singh’ by Ajay Singh,’ Jack o Lantern’ by Samikshya Loshali, ‘Cricket Commentator’ by Gautam Maheshwar and ‘Aaj Ka Neta’ by Rohan Mehra were also presented.

Winners of the contest are:

Saajan Sharma (VII-B) ‘Bande Mar Doctor’ (I); Ajay Singh (VIII-D) ‘Dacoit Chhappar Singh’ (II). Rohan Mehra (VII-B) ‘Aaj Ka Neta’ (III); and Simi Sudha (VII-B) ‘War and Peace’ (consolation prize). 

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A prolific ghazal writer

Ghazal has made firm roots in this city where Sahir Ludhianvi started composing his poems and ghazals in the early forties. His contemporaries Krishan Adeeb and Ajaib Chitarkar kept aloft the banner of ghazal in the ensuing period. Gurbhajan Gill is well-known for his poems but his contribution to Punjabi ghazal is no less. Lately his entire collection of 120 ghazals, “Mann de buhe barian”, has been published with a foreword by Dr Jagtar and preface by Sardar Panchhi. On the blurb appear Surjit Patar’s comments on his ghazals.

Gurbhajan Gill is nostalgic about the glorious period of Punjab when there was poise in the minds of the people and all communities lived in perfect harmony. Nature played its part in striking a balance between the flora and fauna on the one hand and the human beings on the other. There was no apparent conflict between the outer and the inner worlds. But now:

I wish I could go back to my village

The milky grains of the maize-cobs beckon me

I crave for a splashy bath in the rain

While mumbling senseless nothings.

The dominant theme of his ghazals is the quest for beauty in all its manifestations. The children, birds, flowers and stars are for him the metaphors that highlight the symphony of the universe. He is no dreamer nor does he ever indulge in hazy musings. He is after palpable designs that provide life a solid base. For him the familiar sights and sounds convert life into a memorable experience. The wind laden with the aroma of wet earth, after a spell of dryness, transports him to “the faery lands forlorn”.

The turbulent years that this land of five rivers witnessed not so long ago weigh heavy on his mind. He has yet to come to terms with the changed circumstances. He is still haunted by the ghost of murderous assaults on the unwary persons. Life then had become a nightmare that robbed the peace of mind of the common man. The glory of the past had vanished, leaving behind long stretch of devastation. Distrust and suspicion had taken the place of faith and confidence:

Our wings were curtailed in such a manner

We could never fly back to our homes

The whole city is now asleep under a blanket

Clasping to the heart both dreads and fright.

Gurbhajan Gill is a prolific writer and has published half a dozen collections of poems and ghazals during the past two decades. He is steeped in Punjabi folklore and uses folk motifs in his poetic creations. At the same time he is conscious of the fast-changing patterns of human existence. He wants to restore the splendid image of the land of his birth so that he can hold his head high. With the passage of time, he has steered clear of certain misconceptions and identified the disruptive forces. He pleads for peace and tranquillity but not at the cost of self-respect:

No more

shall we serve as fodder

for the cruel jaws of time.

N.S. Tasneem

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