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Upadhayay deals with his well-etched, multidimensional
characters in a compassionate and sympathetic manner. Taking a
non-judgmental view, Upadhayay is able to project the turmoil
within the family as well as in the city of Kathmandu.
Modernisation, a static government and a changing population,
brought daily riots to the city. "Rumours have it that a
contest of one-upmanship between King Birendra and the Indian
Prime minister, Rajiv Gandhi had led India to close most of its
borders to Nepal. Supposedly, each felt that the other hadn’t
shown him enough respect at political meetings. But, most
likely, Ramachandra thought, India was unhappy with King
Birendra’s purchase of military hardware from China, not to
mention the way Nepal now required Indian workers to obtain
permits."
In addition to
capturing the political environment of Kathmandu at the time,
Upadhayay also successfully captures the atmosphere that
prevails in the school where Ramachandra works. "… And
then a few years ago he’d found his present job, at the
financially trapped Kantipur School, housed in a crumbling
building in an alley where stray dogs quarreled and garbage
accumulated. His monthly check of Rs 990 was only slightly
better than what he had made when he had rushed from one school
to the next. But, it was permanent." Upadhyay’s sketches
of the dominating Bandana Miss, the headmistress of the school
and Shailendra Sir, who is under a cloud for paying undue
attention to his student, Namita, gossip in the staff room and
classroom — all add to the general atmosphere of a sordid
existence.
The strength of
the book lies in the fact that in comparing the emotional
strengths of men and women, the balance distinctly tilts towards
women. Ramachandra pursues Malti for romantic and sexual
satisfaction but is besotted with his wife, Goma, whose
acceptance of the situation is so total that she gets Malti and
her baby to move in with them and forces them to live as a
couple under her roof, but on her terms. In spite of this, her
concern for her family, which now includes Malti and her baby,
does not waver, and indeed, Malti develops a healthy respect and
affection for ‘Goma bhauji’. Ramachandra, horrified
at first at Goma’s proposal, accepts the situation but loses
control over his family. Finally, both women take control of
their lives and Ramachandra, the financial supporter of both,
turns out to be the person in need, emotionally.
Upadhyay has, in
fact, dealt fairly with all the characters in his book. The
characters of Sanu, Ramachandra’s daughter, who resents her
rich grandparents’ treatment of her father, Mr And Mrs Pandey,
Goma’s parents, who "would never stop their criticism of
him (Ramachandra), even if he built a grand four-storey house
and taught at Tribhuvan University", Ramachandra’s son,
Rakesh, the irrepressible schoolboy who cannot understand the
reason for adult disputes and even Sharma, Ramachandra’s
co-tenant, who gets beaten up for molesting a young girl, are
all convincingly etched.
Towering above
them all, of course, is Goma, who emerges as a woman of great
stature in spite of her simplicity and domesticity and who tells
Ramachandra, "I’ve never idealised you. I just knew what
I wanted."
Upadhyay has
depicted real people in real settings, their compromises, their
limitations and mixed intentions, their foibles and their
nobility in unexpected situations. The book sets a comfortable
pace, taking the reader through a gentle yet invigorating
reading experience.
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