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Sunday,
March 9, 2003 |
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Books |
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Caught between tradition
and modernity
Manisha Gangahar
Clive Avenue
by T.S. Tirumurti. Penguin Books. Rs 275.
Pages 259.
THE
mere practice of renaming cities and streets, "converting
British relics into national relics", cannot by itself help us
shrug off the imperial legacy. Clive Avene is, in fact, an
attempt to emphasise the futility of this exercise especially when
the imperial or rather neo-imperial culture has influenced the very
lives of indigenous people. The residents of Clive Avenue cannot
identify with any other name for their home but the one given by the
British.
Clive Avenue,
ostensibly a cul-de-sac, is essentially about the intersection of
different cultures. Not only is there a coming together of
contrasting cultures like French and Tamil, but also a fusion of
modernism and tradition. The conflicting attitudes and ideas of the
characters fashion their lives. Sundaram’s profession as a surgeon
and his scientific study does not in any way contradict his
traditional attitudes. Whether it is belief in horoscopes, caste or
the "girl-seeing ceremony", they are a part of the
existence of these people. Modernity doesn’t change this in spite
of the desire on the part of the modern youth to "move
on". Rajan, "an America-returned gentleman", claims
to espouse modern ideas. However, he is not comfortable with the
idea of his fiancée flaunting herself at a disco but is opposed to
the conservative attitude of his mother towards his friendship with
a French girl, Dominique. The foreigner holds a balanced stance when
she advises Rajan to give up his condemnation of traditional symbols
that are a part of the any country’s legacy: "I sometimes
worry when I see guys like you trying to be psuedo-rebels. Be rebels
with substance".
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