Saturday, February 22, 2003 |
|
THIS has been a busy season for the fashion fraternity in India. With shows lined back-to-back from London to Cape Town and from Kolkata to Chennai, most top designers have found little time to pause and deliberate on anything original. Even so, amidst all the repetitions in styles and silhouettes, there have been some significant pointers: casuals turning into formals, revival of colour, embroidery and detailing, new fabric options, blurring of the line between ethnic Indian and western wear.... But the most refreshing development is the new packaging and level of acceptability of khadi. Almost every designer of repute seems intent upon turning Gandhi’s humble handspun from a ‘fabric of the freedom movement’ to a modern, ultra chic fantasy representing the future of Indian fashion. As designer Rohit Bal
puts it: "Khadi is poised to be the next linen in textiles. It is
the only fabric that can boast of being spun and woven solely by human
hands. It falls well and becomes second skin after two washes. It
breathes, it has self texture. It symbolises the soul of India, but we
can also have fun with khadi." |
That khadi makes for a "cool and contemporary statement" is evident from the surface ornamentation, layering and embroidery designers like Kathiawada subject it to. Moreover, khadi is no longer just cotton. Wool and silk are similarly hand spun and woven to offer newer textures and designing options. Furthermore, designs in
khadi are not restricted to the traditional churidaar-kurtaas,
lehnga-cholis, sarees and salwaar-kameezes any longer. A
whole range of western wear and fusion options has added to the spirit
of youth. The possibilities are many and varied. But the most
significant trend emerging is that western styles would occupy
centre-stage in all experiments with khadi. And for those who want to
uphold the sanctity of Gandhi’s favourite cloth, there are always
designers like Muzaffar Ali and Poonam Bhagat to fall back on. (MF)
|