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Sunday, November 10, 2002
Books

To laugh or to cry…this is India!
Bhavana Pankaj

Laugh All the Way to The Vote Bank
by Pamela Philipose. Penguin. Pages 119. Rs 150

Laugh All the Way to The Vote BankI can’t say if I have laughed all the way as I read the book over a fortnight, but I certainly began with a wail and a whoop. The very first chapter that introduces the reader to the political city of Indiaprastha brims with such unrelenting bulk that it leaves you crushed under its weight. "Even the veneer of democracy, this business of being voted in by the people through elections conducted every once in a while, got subsumed by an insatiable and instinctive drive to subjugate and augment." Or gasping for breath. "If it did it would, indeed, not have been Indiaprastha, busy, ever busy, snuffling in the dingles of the present, imagining as it has always done that the future is its own to colonize." Phew!

Brevity may not be one of her virtues but the theme of Pamela Philipose’s book is the theme song of India—taking potshots at that creature in khadi we have come to despise so well as the politician. She brings to life 20 varieties that inhabit Indiaprastha, the city that has both crawled and conquered. No prizes for guessing, it is Delhi where the politician, sometimes resplendent but mostly ridiculous, plays out his different avatars. He is the boneless wonder of the reverse evolution whose spinal columns "have been known to disappear completely, all the better to wiggle, tadpole-like, in the great sewers of power."

 


He is the man in the white kurta with a whiff of horse dung. All that this criminal-politician does is "to let it be generally known...that if the local inhabitants wish to sleep at night they would be advised to vote for them. This simple straightforward appeal to the voters...is so refreshing that it cannot be resisted."

He is the proxy-politician who rules by, what else, proxy! And the first rule of remote control is how to never give up power even if he has to give it up. So whether it is a goongi gudiya who becomes a raging Empress by rubberstamping the president or a fodder-fed chief minister who rules from jail courtesy wife, this type ensure the "marionettes do not suddenly exhibit signs of independent life".

He is the "mixer-fixer, the moneybag in spotless white, the security hazard on wheels, the godman guardian and the never-say-bye leader" for "after all what is a statesman if not a politician who’s been brain-dead some ten or fifteen years".

Wilde man Oscar says what people call insincerity is simply a method by which people multiply personalities. It is this multiplicity that Laugh all the Way... explores. And it is Saurabh Singh who makes you chuckle so very often with his absolutely brilliant caricatures. His simple, lucid lines are the perfect foil to a witty but wordy text. "Throwing caution and dhoti to winds, he set about systematically displaying every one of his bruises on thigh and buttock... Since the nation’s founding fathers had not envisaged such impromptu striptease sessions in Parliament they had provided little Constitutional cover for such naked displays of injury..." Philipose describes democracy’s zero hour and its sub-zero leaders.

Her tongue-in-cheek treatment matches her subject but the style muffles what could have been a scream of a book. And if you can pardon the ponderous quality of this book, you might even welcome it. After all, a political satire, like clean democracy, is hard to come by in India. As a political columnist, Philipose has brought to this work delicious irreverence. As a political chronicler, she is incisive in her exposition of India’s democracy. She cuts everyone and everything with her scalpel. And gives them the naughty names they evoke.

So Indira Gandhi becomes the Empress, Rajiv and Sanjay Gandhi Pehela Puttar and Doosra Puttar, Dhirendra Brahmachari is the thinly veiled Deep-ender Acharya and Bap-Rebap is the master demagogue Bal Thackeray. Computer Babu is, who else but Chandrababu Naidu.

From Emergency to Ayodhya to Pokhran, from sarkari musalmaans to the trishul-waiving political family of The Poet, from the leader who courts jet lag for the nation’s sake to the one who floor-crosses for fun... she canes them all with the cynicism so typical of a journalist. And reminds you fervently of the 7th century Indian king Bhatrihari, who shames politics as a prostitute. If that be so, we all know what a politician is or has the propensity to be.

In that even the subject matter of the book isn’t terribly new. But then familiarity doesn’t always breed contempt. It is something of the umpteenth Hindi film hero punching the villain and the audience cheering wildly every time. So when someone socks our bad ole’ politician, it fills us with a vicarious pleasure. Or perhaps the pain of choicelessness…

Depressing though it is, Philipose succeeds in pulling a farce one on her readers.