Thursday, September 26, 2002,
Chandigarh, India
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DUTA comes full circle on workload
norms New Delhi, September 25 The decision to intensify action came on the heels of the inability expressed by the DU Workload Committee, instituted to decide upon workload norms for teachers, to reach a consensus at its meeting yesterday. The committee members were unable to see eye to eye on the issue of work hours as an “irrational” suggestion to amend the norms to 16 hours was put forth by some members. The current norm for teaching hours is 15 hours, which in the opinion of the UGC, needs to be increased. DUTA is of the firm opinion that it was at the behest of the Vice-Chancellor that the position of suggesting an increase in work hours was taken by certain members of the panel. The suspicion of foul play arose when certain committee members ‘chose to switch sides’ after having agreed that the norms should remain as they were in the previous meeting. The elected representatives on the panel firmly opposed the proposal due to the “lack of academic rationale backing the suggestion.” DUTA was further enraged at the lack of concern shown by the panel for the ongoing teachers’ hunger strike, which was reflected in the decision to adjourn the meeting for a whole week. |
NCERT workshop on girls’ education
ends New Delhi, September 25 The workshop, which concluded here today, drew attention to the strategies that are required to ensure universal elementary education among girls. Among the generic strategies traced are the formation of a state policy on girls’ and women’s education, provision of at least 50 per cent for women teachers and improving the infrastructure and other facilities. The need for a gender sensitive competency-based curriculum was also reiterated. The participants at the workshop also laid emphasis on capacity-building programmes at all levels and inculcating life skills, gender perspectives and child rights into the classroom. |
A rich fare for eyes and ears at Qutab
Festival New Delhi, September 25 The Qutab festival is a permanent feature on Delhi Tourism’s annual calendar of cultural events and is based on the analogy of the famous Khajuraho and Konark festivals. The two-day festival usually has performances by renowned artistes, a visual treat of dances, an evening of qawwalis, folk dances, music recitals and a lot more. All these, merged with the autumn evening, make it a festival of a kind. For the 10th Qutab Festival, the stage is put up against the majestic backdrop of an illuminated Qutab Minar, bringing into focus the surrounding monuments. It is aesthetically designed creating an impressive ambience for the performances. A popular festival in the Capital, the event this time will be a mix of classical and contemporary dance forms. The first day of the festival will have performances by Padmashri Shovana Narayan and group (Kathak) and Mr Ivan Martin Barroso (Spanish Flamenco). The ‘Colours of Qutab’, in the evocative atmosphere of the festival with the sound of footwork in both dance forms, will be a beautiful synthesis of aesthetics, talent and grace. There is another hour-long performance on the same day by Mr Navtej Singh Johar called, ‘Kama Koti’, inspired by ‘Kumara Sambhavam’ of Kalidas. The contemporary dancers in this music and dance performance will perform with live musical accompaniment comprising Natuvangam, Mridangam, Veena, Nadaswaram etc. The day would conclude with Sufi Kalam from Wadaali Brothers who have won world-wide acclaim and several awards like the Sangeet Natak Academy award and Tulsi award. Their style marks excellent rendition of lyrics penned by Sufi poets like Shah Hussain, Baba Farid and Bulle Shah in the traditional method of the region. On the concluding day of the festival, Padmashri Kiran Segal would be performing Taalaangiya, the dance that has been conceived as a mass of energy coming to life gradually through the medium of mind, body, melody and rhythm. This dance style, Odissi, is one of the eight classical dance forms of India and belongs to Orissa. Sarod players Amaan Ali Bangash and Ayaan Ali Bangash, sons and disciples of Sarod maestro Ustad Amjad Ali Khan, would be performing in accordance with the family tradition of keeping the Senia Bangash Gharana alive. Lastly, the Saabri Brothers, one of the best Qawwals in the country, would be performing Qawwali Muqabala with Salma Tabassum. The Saabri Brothers have sung Qawwalis in various languages and also in many Hindi films. An exclusive food plaza is also set up at the festival premises. The cuisine include the choicest. The new coffee house culture would mingle with art, which would be a diligent mixing of art and ingredients. The food plaza would promote the typical cuisine of Delhi and North India in particular and from other parts of the country in general. There would be food stalls from ITDC, Zila Kebabpur, Barista etc. An exhibition on ‘Lost Monuments of Delhi’ would be set up by Ms Sadi Syed, which would focus on the long lost heritage. The exhibition would be a journey through the lost monuments brooding silently amidst the bustle of a modern city. |
Punjabi poet’s love ballads on
Net New Delhi, September 25 His book was recently published in the United States and has been recording good sales. A graduate from Government College, Ludhiana, Gurdeep is also the founder of the Panjab University Young Writers Association. “Diving into Heart” comprises of love songs. |
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