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Kumool has attempted a ‘semio-anthropological
critique’ that leans heavily on the interpretation of textual
signs and symbols in its endeavour to deconstruct the narrative
in order to dig out layers of sociological patterns. Being a
trained sociologist, she does not touch the literary strategies
of the author, which would have been very important for a
literary critic. Her aim rather is purely professional; hence
she treats the text as a corpus of sociological data to be
interpreted in terms of ‘social structure and religion,’ ‘the
women’s world,’ ‘economic discourse,’ ‘historical and
political discourse’ and the ‘search for cultural identity
of the individual.’
The main focus of
the novel Zindaginama is on the mosaic of life in a
village on the right bank of the Chenab river in the district of
Gujrat, but the village Shah’s haveli becomes the most
important nodal point from where semantic vibrations are sent
out in all directions. Even in haveli, baithak
becomes the centre of action and reflection since almost all
main actors of the narrative congregate here to gossip about
men, events and ideas that occupy their minds. The Shah is a
Hindu Khatri but he tactfully maintains the balance among all
communities of the village—Muslims, Sikhs, Hindus and various
groups of menials and tribals. Most of the households in the
village are under Shah’s debt. But he skilfully operates as a
moneylender without hurting the pride of his clients. At times
he even shows generosity and thus helps out the poor people in
distress.
The condition of
women in the early decades of the twentieth century is
highlighted with its diverse ramifications in a male dominated
patriarchal society where ‘purdah’ is observed as a matter
of social institution. Women’s anthropological and existential
situation manifested through structures of her gendered identity
along with her longings, desires and passions are minutely
commented upon. The economic life of the people in villages
during those days was mainly based on agriculture, animal
husbandry and simple crafts. Soldiering was another important
vocation for Punjab farmers at that time and during the wars
there were special recruitment drives verging on conscription.
The political
turmoil in the country in the wake of events associated with the
‘Kamagatamaru’ episode is discussed by the people chatting
away in the baithak. These are one or two families in the
village who have links with the activists of the ghadar
movement. Though most of the people are supporters of the Firangi
government, the dissenters and rebels are also tolerated and
protected or at least helped to escape the government agencies
during raids. Of course there are communal tensions at times but
they remain confined to the towns. Anthropologically the village
community being an organised whole with mutual dependent
functional relations, so the contentions issues could not be
stretched too far without disturbing the existing structure.
The present study
has an edge on most other sociological studies since it does not
stop at the interpretation of empirical data provided by the
text rather it moves on to the existential aspect of man as a
"being." Kumool maintains, "The world created by
the author, partly empirical and partly in the ‘imaginaire,’
is seen essentially as a recapturing of the nostalgia of lost
consciousness, by means of which the author attempts to
reconcile with the self while trying to solve the existential
crisis of who am I?" The appendix of this study gives a lot
of information about the district of Gujrat (Pakistan)
pertaining to castes, communities, tribes, fairs, melas,
incidents of violence, state of refugees, land allotment data
and so on. Perhaps this is the first sociological analysis of
its kind that moves from fiction to fact while trying to present
the panorama of a social formation that existed about a century
ago.
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