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Treating each role with
shraddha
THE characters she plays don’t flow out of an assembly line. They are built in flesh and blood. Shraddha Nigam seems set for more substantial roles. When she appeared in the role of a mentally challenged girl people were amazed. The young lady attributes her success in Choodiyaan to her hard work. The story revolved around Rushali (Shraddha) who experiences a childhood trauma and blames herself for her mother’s death. Time freezes and she stops growing. Years later, on the shores of womanhood, she’s still a child as far as her mental abilities go. "It was a very powerful role and took a lot out of me," says Shraddha, in a way explaining why she did not pick up any acting assignment for almost a year since she signed the critically acclaimed Choodiyaan. After a year-long hiatus, she signed to do a-la Rajni kind of serial, Krishna Arjun on Star Plus. But more significantly, Shraddha has done a film that could put her in line for the National Award. Yathharth
has a very unusual and heart-rending theme. In case you are looking for
entertainment here, perish the thought. It is the evocative acting of
the protagonists that powers it with pathos and irony. |
They are on the verge of starvation and invariably have to sleep hungry every night. Except when a dead body arrives. That’s when the father and daughter get money, good food, new clothes and sweetmeats, if an old person dies. Death wish It is thus not surprising that Budhai — as the dom is called — and daughter Bijuria have something to rejoice about when someone dies in the village. In fact, the naive young girl starts dancing ecstatically at the news of a death. A dead body translates into food and clothes. Jeete (Milind Gunaji), a truck driver stops by for a drag at the chillum whenever he is passing the village. He is smitten by Bijuria and when Budhai proaches the subject, he agrees to marry her. When he is out on business ferrying material in his truck, he leaves Bijuria at her father’s place. One day, a hungry Bijuria is sitting motionless with tears flowing down her eyes. Suddenly she hears chanting of prayers and a dead body coming to the crematorium. As if on a cue, she gets up and starts dancing. God has granted her wish. She won’t have to sleep hungry tonight. Little does she realise that the body is that of her husband Jeete, who has been killed in an accident! With a theme like that the film doesn’t even pretend to be entertaining. It is dark and morbid. But director Rajesh Seth deals with a difficult subject with conviction. And he has a lot to thank Yadav and Nigam for. These are not easy roles. They test an actor and demand versatility and faith in one’s calibre. But they must be coming easy to both. Especially for Nigam, who played a similar role in Choodiyaan. The hard work she put into that role seems to be paying off now. "It was a very powerful role. Yathharth’s director Rajesh Seth saw me in Choodiyaan and instantly decided I was the girl he was looking for to play Bijuria," says Shraddha. For Raghuveer Yadav such roles have become a part of his oeuvre. Whether playing the husband of a gang-rape victim in Bawandar or a ‘cricketer’ in Lagaan or even a soldier in King Asoka’s army in Asoka, Yadav is on the wishlist of every serious filmmaker. Right from his theatre days in Delhi, where he did plays with Shah Rukh Khan and Manoj Bajpai, Yadav has had a penchant for roles with substance. And he can deliver pathos and comedy with equal flair. In fact, he is still remembered and closely associated with the 1984 — his first — comedy serial on TV, Mungheri Lal Ke Haseen Sapne. Not surprisingly, Yadav considers Lagaan his best performance. He still rues the fact that it got ignored at the Oscars. We were all shattered that our dream was not realised. We knew we had a winner on our hands, but then we lost in the finals," says Yadav. Though he may not have a
commercial winner on hand in Yathharth. Yadav knows that his role
packs a punch and like every year in the last four years he could be
once again in line for a National Award for playing the keeper of a
crematorium. NF |