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Sunday
, April 21, 2002
Books

SHORT TAKES
Gems from Tagore’s treasure trove
Jaswant Singh

My Boyhood Days; Four Chapters Selected Poems (Vol I to V );
by Rabindranath Tagore Rupa and Company, New Delhi Rs 50 each.

My Boyhood DaysRUPA and Company, which has already published some works of Tagore in English in their series "Rabindra Rachnavali", have now come out with these new volumes. "My Boyhood Days", written in 1940, just a year before the poet’s demise, constitutes memories of his early life. He looks back at his childhood from the ripe old age of 80, recalls his reactions to the world as he found it in his childhood, and at the same time gives a glimpse of life in 19th century Bengal. The prevailing social order, the family set up, the pattern of life in Calcutta (now Kolkata) in these days, all float before your eyes, portrayed by the sensitive pen of the Poet. You share the fancies and fantasies woven by child Rabindranath, as he grows up.

In his boyhood, he finds schooling a futile exercise, and describes the teaching process as the "mills of learning that keep grinding from morning till night". School time is monotonous and the classroom is cramping and dead. The tutors charged with his education soon abandon the thankless task.

When he was 17, it was decided that he should be sent to England and before that he should spend some time with "Mejdada" (second elder brother Sytendranath, who was a judge in Ahmedabad, to learn some English manners. Living in the judge’s quarters in a former palace of Muslim kings, he conjures up pictures of old Ahmedabad in the Mughal period and imagines himself face-to-face with history.The experience of Ahmedabad later found expression in his story, "Hungry Stones."

 


In England, he could not spend more than three months in London University, but he did a good deal of reading—not the prescribed courses but literature that gave him an understanding of human nature. He did not become a barrister as the family had desired, but he found East and West meet in friendship in his person.

Four Chapters written in 1934, revolves around the freedom struggle and the revolutionary movements in Bengal which were then considered symbolic of courage, sacrifice and patriotic heroism.

Ila draws Atin into a revolutionary group to which she belongs, and soon they discover their love for each other, and also the flaws in the revolutionary thought. Ila starts questioning the value of violence to achieve their goal and raises issues of morality against violence. Their love is confronted by the pledges they have taken at the time of joining the revolutionary group. Ultimately they perish under the weight of an ideology they cannot discard, nor accept fully.

Tagore claims it to be a love story and not a political novel. He describes some passionate moments between the two lovers who are unable to stand the pressure of what they have willingly accepted as their path. However, the theme is relevant even today as it asserts that good of men cannot be achieved by ruining others.

The poems included in the five volumes have been rendered into English by the poet himself. The collection represents the vision of Tagore which is symbolic of delicate feelings on one hand, and on the other lends a celestial quality to common occurrences. Some of the poems are tales in verse, while some others reflect the moods of the poet. Everyday situations such as dark clouds floating in the sky, a river flowing serenely, a singing mendicant, all attain a rare quality from the treatment they receive from Tagore. The theme of love occurs in most of the poems but some are strikingly different and reflect the poet’s unending quest.

Each volume begins with a verse from "Gitanjali", the work of the poet that got him the Nobel Prize for Literature. At the end of each volume are small but memorable quotes from the poet which will delight the reader. Some of these are:

I touch God in my song as the hill touches the far-away sea with its waterfall.

*

When God waits for his temple to be built of love men bring stones.

*

The world speaks to me in pictures, my soul answers in music.

*

I am able to love my God

because he gives me freedom to deny him.

*

The world has kissed my soul with its pain,

asking for its return in songs.

*

When death comes and whispers to me

‘Thy days are ended’

let me say to him, ‘I have lived in love

and not in mere time’

He will ask, ‘Will thy songs remain?’

I shall say, ‘I know not, but this I know that of ten when I sang I found my eternity.’