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But the next second I think ...
how unfair of me! He wasn’t eavesdropping, merely looking. He
had taken a step back to look at his home, rather like me step
back to admire a painting. Framed by two mountain peaks, his
cottage glowed with light. Only one spot lay in shadow, and
there he stood, his back stooped, his walking stick swinging
from his hand, his torch unlit... it wasn’t he but I who was
suspicious I, watching him like a thief.
Sometimes I
think what we call our lives, our past our history, brings us
peace — no matter how painful it may have been to live. No
matter how forbidding its terrain may have been, it is familiar
country. All our experiences are strung on an exceedingly fine
thread. A thread that binds our entire treasury. Sunder it and
you shall find no order, no consequence. All turns to dust. Like
a photograph album where one frame may well follow another, but
the empty spaces between them can never be filled. The ‘I’
which was supposed to have filled them is long dead. They are
the negatives of our present tense .... ghosts made of white
light whom we can take out of the closed cupboards of memory and
see at will. We don’t even have to take them out — one image
draws forth the next in the chain, though the relation between
them is long dead.
Like that
evening when I saw him standing outside his cottage... I
remembered another scene. A silent, peaceful landscape. Two
peaks in the backdrop, a coffin being lowered, his wife lying in
it. She is descending into the earth, and he stoopes to look
into the dark maw of the open grave. His daughter stands behind
him, her handkerchief covering her eyes. Is she weeping I can’t
tell. I can see neither her eyes nor her face. From where I
stand, I can see, only her upraised hand, and the corner of the
kerchief before her face.
Suddenly I hear
her laughter... from behind shining, white teeth, warbling like
the wash of a mountain stream... the laughter of the one being
buried. She had always laughed that way, like children hiding
behind a corner in a game of peekaboo do when the pursuer spies
them but moves on. I stepped forward and put my hand on his
shoulder — come, I said, now she is hidden for ever.
When I first
came here, I was routinely amazed. He used only one room, but
the lights would be on all over the house. Once, while dictating
to me, he stopped in mid-sentence. He’s trying to recall
something, I thought. I waited, my pen poised. Suddenly he
lifted his walking stick and pulled at the rope hanging by the
wall. It was a bell-pull, leading to the bell in Murlidhar’s
quarters. You couldn’t hear it in the room, so when Mrulidhar
arrived, it was as though he had been physically reeled in by
the bell-pull.
He would never
come in, but stand at the threshold and peep in like a pupper
whose head moved, but the rest of the body was shrouded in
darkness. "You haven’t switched on the light in the room
at the back?" he asked. He stared at him in silence.
"Had you forgotten" No — he shook his head.
"The bulb has blown out. I’ll change it tomorrow."
He said no
more. If he didn’t like something, he would lapse into
silence. After a long spell, he turned to me and asked:
"Where was I?" And instead of reading out his
incomplete sentence from my notebook, I laughed: "You were
right here, where the lights are all on. Why do you get upset if
the other rooms are dark?"
A strange
hopelessness spread over his countenance. House, home, rooms...
He was someplace far away and he did not want to return to me,
to the here and now. This was not merely the distance that age
brings along. It was a distance of a different nature, and I
always had to cross it to get to him. He liked it that way. He
did not want anyone to be with him all the time. They could be
around him, not with him. He applied this rule to everyone —
his daughter, his guest, his manservant, he made no distinction.
Perhaps that
was why this seemed to be a great, rambling cottage, though it
was really quite small... like a mountain fortress. Neither seen
clearly by the enemy, nor discovered easily by a friend. There
were pines on either side and the green roof of the cottage
merged with the foliage. You could not see the cottage from the
road on the hillside — just Murlidhar’s quarters on the
grassy slope. A footpath climbed up the hill, and up above was
the shed in the alley which had probably been a sentry-post
before it was built up into a little room.
I lived here.
It was enough for my needs. A room, a kitchen, a washroom and an
alley. It was the alley which had attracted me to this
tumbledown home. Sitting there, I could see both the valley
below and the forest above me. At night, there were the gleaming
lights of the town below and overhead, the stars. It was
difficult to tell precisely where lamplight flowed and merged
with a real star.
I would sit
there until I saw a third light. One that was neither above nor
below, but climbing towards me up the side of the hill.
Murlidhar’s lantern. He would come up from his quarters,
climbing the slope in long strides. Kali barked at his heels,
and his son Bansidhar brought up the rear. The two would halt
before they reached my alley, but Murlidhar would advance one
more step and stop on hte wooden stairs. He would say nothing,
but hold up the flickering eye of his lantern. And I would know
that the moment which I had been postponing for so long had come
to claim me.
"Shall we
go?" I would ask.
"Ji",
he would nod. I suspected he was smiling under the cover of
darkness.
"Is
everything all right?" I would ask.
"Ji",
all is in order. We’re waiting for you."
As though he
had just set up the stage for me, and it only remained for me to
step out of the wings.
I put my
spectacles and fountain pen in my bag and wrapped my muffler
about my neck. I took the bottle of brandy out of the sideboard
and took a long pull, straight from the neck, to gather the
courage to face him. Then I slipped on my tennis shoes and
walked out.
We would go
down the footpath in a pathetic little procession — Murlidhar
swinging his lantern ahead, then I, followed by Kali, Bansidhar
at the rear and trailing us all, the half moon which kept step
with us and would stop with us when we halted at the door,
perhaps to see what we would do next.Murlidhar would not open
the door, but stand with his ear to it, as if he awaited an
unknown signal from within. He looked quite the hillman in his
seventiered turban, with its serpent tail trailing down, his
hand over his mouth as though he were not merely listening but
whispering something as well. Some secret communication that
only Kali could smell out, for she would circle him, barking
madly.
The door opened
so suddenly that Murlidhar almost fell in. He stood there on the
threshold, looking at us. At Murlidhar at the foot of the
stairs, his face turned away, at Kali, wagging her tail, at
Bansidhar, who was trying to merge further into the darkness,
and at me, who stood before him without hope of cover and whose
breath smelled of brandy.
He shut the door firmly.
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