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Sunday
, March 24, 2002
Article

HALF NOTE
Good videos, not good music
Jawahar Wattal

TREAT this column like an insider's guide to what's in, what's out, what's on top, and what's definitely not in the music industry! The music industry, like much of the country, is also passing through a very difficult phase. The period 2000 -2001 was a very mediocre one for the Indian film music scene, the only exceptions being K3G and Kaho Na Pyaar Hai. There was a time, not so long ago, when good soundtracks of Hindi films would sell anywhere between 15 to 20 lakh albums, with bestsellers touching highs of 45 to 50 lakh . But today, the same soundtracks are considered bestsellers if they rein in as few as 7.5 to 10 lakh sales. Also, previously the good music of a film could rescue a weak plot or poor performances. That is not the case any more, with even a master showman like Subhash Ghai being unable to recreate the resounding magic of Taal with an eminently forgettable Yaadein.

Compounding the problem is the fact of the exorbitant prices at which music rights are now sold. The rights for a bestseller like K3G, for instance, were rumoured to have been sold for Rs 10 crore! At rates like, you can just imagine at what point the companies break even? The scene was not much better in the Indi pop arena.

 


The year 2000-2001 witnessed a similar downswing, with big names, that earlier had the entire nation moving to their lyrics, grooves and music, getting stuck in stylised stereotypical moulds. Not so many years ago Bolo Ta Ra Ra was all the rage, Ali More Angana pioneered the popular trend of Sufi pop, Deewane to Deewane set discos on fire everywhere and Jhanjhar captured the heart of the folk listenership. But in today's scenario, artists like Alisha Chinai, Baba Sehgal, Daler Mehndi, and Shweta Shetty, to name a few, have disappointed their faithful fans miserably.

They seem to have fallen into the trap of trying to churn out good videos at the expense of creating good music. And now seem to be concentrating on shows, rather than on recording a hit. Add to that the fact that today, we are at a stage where every Tom, Dick and Harry claims to be a music director. Hai na koi baat?

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