In this respect, he is like the woman who rushed to pass on a bit of
malicious gossip with the remark: "I must do it before I come to
know that it untrue". Delay, in such cases, is disastrous!
A close look at the
gossip reveals that he is malicious, imprudent and murders reputations
with his tattling tongue. He is oblivious of the fact that even to throw
a malicious hint is to stab a reputation. Reputation is important. It
matters to an individual. Character is what we really are. Reputation is
what people think of us.
Richard Steels says,
"Fire and sword are but slow engines of destruction in comparison
with the babbler."
Another characteristic
of the gossip is that he is a perfect combination of an empty head and
an ever-wagging tongue. The Chinese have a saying that the tongue is
only three inches long, yet it can "kill" a man six feet high.
The gossip’s empty
head and sick mind show themselves in many ways. Readers may recall how
empty heads spread the ridiculous story of Ganesh idols drinking milk
offered to them by devotees.
Rumour-mongering is an
affection common to most men and women. A German thinker singled out
women as worse gossips. Personally, I disagree with him because I have
known male gossips whose tongues virtually drips with delicious,
colourful stories, especially about their female neighbours.
There is something in
human nature which makes men gloat over the downfall or disgrace of
others.
Of all quirks of human
nature, rumour-mongering is the one that has caused maximum heartbreaks
and disappointments. It has sullied untold reputations and has played
havoc with the reputation of innumerable girls.
British author
Katherine Frank’ biography of Indira Gandhi unfolds many sweet and
sour stories about her biographies may be considered works of gossip.
They may also be looked upon as histories. The difference between the
two is that history is "objective and remote" whereas gossip
is "personal and intimate". The latter also carries a stigma.
The gossip delights in
leaking the "inside story". Whenever he stumbles upon a piece
of gossip value, he visits a friend and whispers, "Have you
heard?" And out tumbles an imaginary but spicy story.
A story-teller kills
two birds with one stone: he assumes importance by showing off his
acquaintance with the intimate details of other people’s lives, and at
the same time makes others look stupid on account of their ignorance.
He has a sick but
highly fertile imagination. He tries to embroider every bit of news and
dramatise every event. Plain truth is unpalatable to him. After he
retells even a simple story it assumes a colour and magnitude that is
beyond one’s imagination.
Sheridan puts it:
"So strong, so swift, the monster there’s no gagging, cut scandal’s
head of still the tongue is wagging."
The gossip is a
messenger of defamation. On its back rides slander. It blows away the
soundness of reason and judgement. As it rolls on its way, it gathers
more momentum and malice.
It seldom goes waste as some vicious
tongue repeats it. It is a pipe blown by surmises and conjuctures which
becomes a general clamour! Nip it on the lip.
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