No, Mathai isnt worried that the crowd is sparse, "theyll come for the late-night screening," he says confidently. There are two screenings per day of the Bhopal gas tragedy which has become for Mathai a sort of mission. "No one who goes to Bhopal can be unaffected by the intensity of the tragedy, it just hits you," says 40-year-old Mathai who aims to "put every cent into the Union Carbide disaster cause." |
A tale well-told FIFTEEN years after the worlds worst industrial disaster, a film has finally been made on it. Ad filmmaker Mahesh Mathai has made Bhopal Express, as his debut feature film and it has certainly served to revive the issue and raise questions over how the culprits (Union Carbide) have managed to get off very lightly. It has also helped to focus on the magnitude of the Bhopal gas tragedy. Mathais story is centred on the life of a young couple and their involvement in the gas tragedy. Varma (Kay Kay) is an assistant supervisor at the Union Carbide factory that produces pesticides. A simpleton to the core, he loves his wife Tara (Nethra Raghuraman) and is good friends with Bashir (Naseeruddin Shah), a maverick who has left the company because their terms are not quite agreeable to him. It is on the night of the disaster that Bashir and Varma are having a late-night out as Tara is away on a holiday. Based on some case histories, scriptwriters Piyush and Parsoon Pandey have put together a rather convincing story of how the tragedy has affected the common man in Bhopal and his mundane existence. The only thing that worries Varma and Pandey is that they have no issue and like any simpleton Varma buys a powder (from a roadside vendor) which is supposed to provide them with the answer. But in a comic twist it does not get to the right person. The few light touches are provided by Bashir. Naseeruddin Shah, in his inimitable way, delivers the goods. But the establishing shots tend to meander and the first 20 minutes drag. May be two sub-plots would have helped. But once the action starts, the depiction of that disastrous dawn in Bhopal, action, suspense and shock work simultaneously and it is a numbing feeling one is left with as one sees the trail of bodies that litter the streets of Bhopal. The first shot of Varma trying to halt the Bhopal Express from entering the city is spectacular and the night-out provides some dramatic relief as Bashir ogles at the singer (Zeenat Aman). It is in a state of inebriation that Varma and Bashir come face to face with that terrible disaster. Folks dying like rats, coughing, suffocating and then collapsing. The flies that drop dead is a clever indication of the shape of things to come. The crowd scenes are well shot and the panic is palpable. So is the sorrow that enters the soul as the victims are put in mass graves, an anonymity all pointing to the culprits as the camera captures the discussions that take place at the headquarters of the multinational company. To those who know two languages (Hindi and English) the voice-over is a bit confusing and one tends to miss the dialogue. Cutting from the scene of the disaster to the Union Carbide management talks, Mathai gathers momentum. Cut again to the scenes of anguish and you have a rounded picture of what happened on that doomed day 15 years ago that has almost been swept under the carpet by the guilty and the corrupt. Naseeruddin Shah is convincing and tends to carry the first half of the film on his shoulders and Kay Kay provides good support but it is Netra Raghuraman who is somewhat weak in the role of the heroine. Zeenat Aman fans will be happy to see her after a long absence and she seems none the worse for the long gap. The final, twist of the heroine in a phone booth is clever but the baby gift too melodramatic. But it is a job well done and the best fallout of Bhopal Express is the issues that it will revive and the lucidity with which it projects that terrible, unforgettable disaster that virtually wiped out a part of that sleeping city. E.E.M. |