C O M P E N D I U M Sunday, October 31, 1999 |
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CHANDIGARH: The first day of the Chandigarh Sangeet Sammelan introduced three upcoming artistes to music lovers. The first item for the Friday evening was a flute recital by Nityanand Haldipur. Nityanand began the evening with subtle notes of raga Des on his flute. After a brief alap, his elaboration of the raga in "vilambit" and "drut laya" brought out the serene aspect of the raga. Playing the flute in "gayaki ang", his frequent use of the combination of note "ga, ni, sa" and "ma, re, pa" added to the flavour of the raga and "aandolan" given to different notes accentuated its beauty. This was followed by a recital in Peelu, a raga of emotional exuberance of "shringar rasa" often used in thumris and dadras. Nityanands flute poignantly expressed the yearnings of a tormented soul through the soft notes of "dha, ni and ga". Though a lesser known artiste, his subdued excellence spoke volumes for the great traditions of gurus like Pt Panna Lal Ghosh and Annapurna Devi under whose tutelage he has groomed his art. Adding to the aesthetics of the performance was Anuradha Pal, accompanist on the tabla. Her immaculate sense of timing and spontaneity earned instant applause from the audience. The second item for the evening was an improvisation between the percussion instrument duo Pt Suresh Talwalkar and his son Satyajit Talwalkar and the vocalists. The father and son duo presented an exquisite "tal mala" where the vocalist would repeat refrains leaving space for ornamentations like "tan and alaap" to be filled instead by rhythmic patterns on the tabla. In the given space, the duo would create intricate rhythmic patterns to come back to a "sam" from where the vocalist would pick his refrain. The item enjoyed a lot of public appeal though it was a bit loud. The third and the final item for the evening was a vocal recital by Shaunak Abhisheki. Shaunak began his rendering in raga Chandni Kedar in a deep sonorous vice. The vilambit khayal in jhoomra "Chandni raat mora jiya chahe..." expressed a lot of emphasis on the purity of "naad" in big gayaki. The rendering of tarana in ektal brought forth deft handling of "tan" in "drut laya". The artiste was accompanied on the harmonium by Parasann Rajwade and on the tabla by Pt Pawan Kumar Verma. But for the mishandling of the sound equipment that caused irritation to the artistes as well as the audience, the evening was pleasantly musical Vandana Shukla Pak singer enthralls CHANDIGARH, Oct 30 It was an evening with a difference. Young maestro Ustad Shafqat Ali Khan had the holiday Plaza crowd absorbed with his some pure folk set in typical Punjabi beat this evening. This Lahore born young folk singer, now settled in the United States, had the audience spellbound with his songs "Sun, vekhe na" and "Bijli da Chira". He rendered original folk songs. The beat of each song was vibrant to be typical of Punjabi music. Shafqat Ali Khan also sang some of his popular numbers from his other album, Ishq Diwana, besides those from "Surma". Accompanying him in the performance was young Jatinder Singh Dogra who also had some popular Punjabi folk numbers. Those in the audience had a pleasant surprise as some audio cassettes of Shafqat Ali Khan were distributed free. Other attractions of the Plaza Carnival today were demonstration of the art of painting by Mr Prem Singh and Mr R.C. Singla while Mr Rana did some sculpturing. Exhibition inspired by Kargil CHANDIGARH, Oct 30 With the media bringing the Kargil issue right into our drawing rooms, it would take a long time for the euphoria and sentimentality over this issue to die down. And so the city gets to see another exhibition inspired by this issue Kashmir Past and Present by a young city-based artist, Priya Singh. The exhibition of oil paintings is being held at Government Museum and Art gallery, Sector 10. With a total of 16 works, the exhibition fails to inspire or stimulate in any manner at all. Some of the artist's works, inspired from nature in which she has used both brush and knife, do have the quality to appeal, though the amateur strokes are easily perceptible. A product of Government College of Arts, Sector 10, Priya Singh had specialised in oil painting on canvas and oil-sheet. About her present exhibition, she says that since the subject of Kargil had touched her heart and thus she had tried to show the contrast between past and present Kashmir, between war and peace, and between God and guns. But the exhibition of her does not seem to touch the hearts of the viewers. Mr Venod Sharma, a
former Union Minister of State, inaugurated the
exhibition on October 29. The exhibition will be on view
till October 30. |
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