Cyclic trends of fabrics
Fashion
By Nikhil
Bhagat
IT is not just designs and trends
that go through a cyclic change in the fashion world.
Fabrics too go through this process. A particular weave
or texture could be hot today, but in a matter of weeks,
could lose its allure.
In fact, there are times when nothing much
happens in the overall styling or look of a garment, only
that the fabric could keep changing. The salwar kameez
you saw last year at a designer store would still
look the same, but for the fact that it is not silk any
more, but cotton.
That itself can make a
world of a difference to the wearer. The feel of the
garment, its fall, the silhouette, even the attitude of
the wearer would depend on the fabric. What was
considered casuals for instance, could become formal wear
without a change in the critical design elements.
But then, fabric choices
are never arbitrary. It is also subject to the rigmarole
of fashion trends. Polyester once the hottest of
all hi-fashion fabrics has suddenly become low
class, the kind of material only the poor and
unsophisticated would care to be seen in.
Today, designers are
going all out to make a celebration of cotton-rayon,
viscose-rayon, cotton-polyesters and polyester-viscose,
all for one reason. They have suddenly discovered that
these blends go down extremely well with the physique of
an average Indian woman. And this is true not only of the
middle-class. The creme de la creme of society
also go beyond their usual silks and chamois satins to
try out the fabric blends which remain wrinkle-free and
are known for their durability, and easy-to-maintain
quality.
Knits and stretchable
fabrics are also gaining in popularity, though designers
are divided in their opinion about the durability factor.
Designer Arjun Khan-na, for instance, chooses to work
with sheer and flowing material like silk and chiffon
with stretches and knits for non-formals. In formals, he
recommends organdie. "My range of organdie salwar-kameez
with fine resham work are selling a lot these
days even through the material is not the easiest to
maintain and, surely, not as durable as rayon and
polyester blends", he points out.
Another top designer,
Chan-dni Kapoor, says that she prefers eco-friendly
material (of 80 per cent natural fibre), whereas Azim
Khan insists that for formal outfits, blends work best,
provided they are of the imported variety. "I have
nothing against the made-in-India tag", he explains.
"But personally, I dont find Indian fabrics
really satisfying. I am experimenting with a new blend,
that of chamois and chiffon for formal and ethnic wear. I
believe in giving my customers the best."
"Jacket king"
Shahab Durazi feels that crepe, wool, silk and rayon are
ideal for Indian climatic conditions, just as blends that
are sheer and soft. Man-made fibres like rayon, linen and
viscose go well with western wear and natural fibres like
silk, khadi and wool suit ethnic outfits.
"I do not think
durability has much to do with the popularity of
fabrics", he explains. "Hi-fashion garments
have low repeat value and are not meant for daily wear,
regardless of their price. What matters is whether the
fabric best complements the design you have in
mind."
Ashwin Warde points out
that he couldnt bother to check whether polyester
is in or out if it suits his
design. "Polyester is available in various
grades", he points out. "Good quality polyester
is doing very well."
Khanna adds: "There
is a certain snob value attached to fabrics. For the
so-called high society, silk and chamois are more in
style. You would find them mostly in Delhi and Bangalore.
They are still wary of common fabrics. Of course, there
are cultural reasons for this as well."
But then, there are few
fabrics, like cotton, that cut across people of all
classes, rich and not-so-rich. It is hard to maintain,
and yet is seen to lend a touch of class, especially to
sarees, salwar-kameezes and such ethnic wear. The
only restriction about cotton is that it does not find
much favour as evening wear. As Khanna puts it: "I
can create the most exquisite cotton outfit that would
look as grand as silk, but nobody will wear it for an
evening party. Silk is considered appropriate for special
occasions."
Ultimately, it all boils
down to a question of convenience to the wearer. A silk
outfit, which has to be dry-cleaned at the drop of curry
oil, does not make any sense to a working woman. But the
same outfit would adorn the wardrobe of another woman
with ease. (MF)
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