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For Hemingway
the bell tolled
By Usha Bande
"The world breaks
everyone and afterward many are strong at the broken
places." A Farewell to Arms
THE man who always held that
"man is not made for defeat. A man can be destroyed,
but not defeated", should blow his brain with a
shotgun, is one of the ironies of life that defies
explanation. On July 2, 1961, when the burly, bearded and
charismatic Nobel laureate Ernest Hemingway shot himself
dead in his Ketchum home in Idaho (USA), the world was
baffled because Hemingway revered life and condemned
suicide as an act of cowardice. He prized "grace
under pressure" and "gallantry in defeat".
He often felt ashamed of his father for having committed
suicide and was proud of his grandfather who had fought
bravely in the American Civil War. What then led the
62-year-old novelist to end his life thus physical
ailment or psychological problems?
The answer to these and
many such questions were provided, almost a decade later,
by Mary Welsh Hemingway in an autobiographical book How
It Was.
Hemingway was a
courageous man always a fighter, deeply interested
in outdoor and manly activities like sports, war,
hunting, yatching, fishing, bull-fighting and going for
African Safari. His personal life, at crucial points, is
not unlike the life of his heroes. He had modelled them
on himself brave, invincible, accomplished and
competitive. For them, as for him, life was overshadowed
with pain and suffering, yet it could be colourful and
lovely; it was full of despair but it could be heroic.
Hemingway had reverence
for lifes struggle and for the dignity of man; he
held the Biblical view that the earth abideth forever.
Ernest Miller Hemingway
was born on July 21, 1899, at Oak Park, Illinois, a
middle-class suburb of Chicago. His father was a medical
practitioner, but he was fond of hunting, fishing and
other outdoor activities. His mother was a religious
woman, given to music. She was popular in the
neighbourhood for her active role in Church affairs.
Though Ernest inherited the interests of his father in
outdoor and adventurous activities, he was also
religiously inclined. A couple of titles of his novels
are derived from the Bible, while religious
symbolism and Biblical allusions abound in his works.
In school, Hemingway was
an all-rounder. He learned boxing which somehow resulted
in damaging an eye; he was a good football player; also a
member of the school orchestra and dramatic club and was
an acknowledged debater. However, he was acclaimed for
his writing skill when he edited his school magazine,
composed light verse and tried his hand at some short
stories. These compositions were juvenile but the
would-be writer in him was discernible in these early
pieces.
The temperamental
incompatibility of his parents generated conflicting
situations and young Ernest seems to have had a
tension-ridden boyhood. Twice did he run away, and soon
after graduation he dashed off to Kansas City, never
really to return home. He desperately tried to join the
army but was rejected on accounts of his damaged eye. He
had no option but to join as a cub-reporter with the Kansas
Star. It was here that he received training in
writing vigorous prose and sharpen his critical view.
In the spring of 1918,
Hemingway learnt that volunteers were required to drive
Red Cross field ambulances on the Italian front. He
grabbed the opportunity to be in the war, resigned his
job with the Kansas Star and joined active
service. He sailed for Italy in the summer of 1918. On
reaching Milan, the young Hemingway, became a witness to
a macabre scene of death and destruction when a munition
factory was blown off shattering the men and women
workers to fragments. Hemingway took part in the rescue
operations. The incident left an indelible scar on his
psyche. Later, he was sent to the Italian front with his
ambulance section.
Apart from driving the
ambulance, the volunteers had to supply canteen items to
the soldiers.Enthusiastic and daring Hemingway persuaded
the Italian officers to let him carry the Red Cross
supplies right up to the trenches. On one such occasion
while distributing chocolates to the soldiers, amid heavy
artillery fire, Hemingway noticed a wounded soldier
struggling for life. He immediately carried him on his
back and ran to the ambulance. A mortar shell pierced his
leg.Limping and bleeding, he made it to the first-aid
post to save the fellow soldier. Later, he fell
unconscious and was operated upon in a hospital in Milan.
More than two hundred shell fragments were removed from
his leg and body in a dozen operations.
As one of
Hemingways friend confided, Hemingway was
"literally shot to pieces" during World War I.
He returned to the USA, bringing with him his
shell-ridden uniform, and spent his time in reading,
writing and fishing. He got married in 1921 and left for
Paris. Friendship with Gertrude Stein and other literary
figures of the time stirred the dormant novelist in him
and he plunged into the world of creative writing.
The Sun Also Rises came
out in 1926 and brought him fame. The novel deals at one
level with the love affair of Jake and Brett, but at
another level, it shows the inhuman side of man shattered
by war and studies the dishonest and fake human beings
like Robert Cohn. In his next novel, A Farewell to
Arms, the author takes us back to the war to show
still another side of war experiences. Now, Frederic and
Catherine are the sufferers.
The novel graphically
describes the movement of troops, the life in an army
mess, the boredom and the tedium. Wounded Frederic is
shifted to a hospital where he meets Catherine, the
nurse. They fall in love, but are separated on account of
Frederics involvement in a military debacle. They
are re-united only to be parted permanently with
Catherines death in childbirth.
In For Whom the Bell
Tolls, the Spanish Civil War forms the backdrop while
Green Hills of Africa is an account of a hunting Safari
in East Africa, Death in the Afternoon is about
bullfighting and The Old Man and the Sea records
the adventures of an old man who catches the biggest fish
of this life.
Hemingway has chosen to
write about people in love, in war and in violent action,
for which he is often criticised. Nick Adams, for
example, the boy (and later young man) in his stories
contained in In Our Time is exposed to violence,
death and destruction. Critics feel that this over-dosage
of killings and wounding is as much harmful for the
society as for the writer. On close reading, however, one
realises that Hemingway does not relish annihilation,
rather, he is trying to stop it by showing the effect of
the events on human psyche. Nick is affected by the
psychological wound and Nick as a young man in World War
I is fed up with it all. He has made a "separate
peace" with the enemy and has decided not to fight
any more. As a scholar points out, Hemingway, is trying
"to expose the reactions of man under the pressure
of the extreme in psychological and physical
environment" (Joseph Defalco). He is not glorifying
war, wound and death.
Hemingways Nick
Adams is, like his other heroes, an honest, virile and
sensitive man. He is an outdoor male, he has guts but he
is very nervous. He is the typical "Hemingway
hero" following the "Hemingway code". He
has seen violence, disorder and misery and now he is
learning to live in this world to which he has been
introduced early in life.
Despite his
disillusionment and despair, Hemingway recognised the
invincible spirit of man. Man struggles in life, he
fails, falls in existential angst and yet, he can stand
up to be a victor. His Robert Jordan in For Whom The
Bell Tolls dies while accomplishing his arduous
mission but through him, the author shows what "man
can do and what he endures". To his biographer A.E.
Hotchner, Hemingway once said, "Ive always
preferred to believe that man is undefeated". He had
respect for the dignity, decency and heroism of common
man.
Hemingway led a
colourful life. He saw adventures and misadventures,
love, sex, action and the plunging into the abyss of
despair. He married four times and as one of his wives
recorded, living with Ernest was a "nightmare",
yet it was great. During one of his African safaris,
Hemingway encountered death twice within 24 hours. He was
reported dead and the American papers carried his
obituaries. Recovering from his injuries sustained in the
accidents, Hemingway chanced to read the newspaper and he
enjoyed his own obituaries. While in Paris in the early
twenties, he was struggling to establish himself as a
writer. With all his stories coming back, rejected by the
editors, he and his first wife were almost starving.
Hemingways biographers record how he managed to
steal a pigeon-a-day for dinner, from the Park Nationale,
Paris.On one of his journeys in Switzerland, the young
man Hemingway once jumped from the running mountain
railway train chugging its way laboriously up the hill,
to pluck flowers for a beautiful co-passenger, and jumped
back into the compartment to offer her the gift.
This lively man
developed "shell shock" or "traumatic
neurosis" towards the middle of his life. Like his
Santiago (the hero of The Old Man and the Sea) he
ventured too far off, transgressed his human limits and
got afflicted when physical and psychological troubles
made life impossible for him. He was rewarded for his
literary excellence when he received the Nobel Prize in
1954. But, the inability to write, the insomnia and
nightmares, his preoccupation with death and the phobia
of being tracked by the FBI made him highly insecure,
obsessed and paranoid. On the morning of July 2, 1961,
Mary Hemingway heard a shot and found her husband in a
pool of blood with his shotgun lying nearby. What
Hemingway in his novel The Sun Also Rises says
through Jake, "we pay for all the things we go
through", came out to be true in his case.
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