Sunday, November 29, 1998 |
Journeying into the Khalsas past By Himmat Singh Gill LIKE a faint whisper in this wintry air, and little noticed by the rest of their countrymen in India and all its diaspora abroad, an epoch-making multi - media presentation, commemorating the 300th birth anniversary of the Khalsa, was staged at Siri Fort, New Delhi, on November 4 on the auspicious occasion of the Prakash Utsav or birth anniversary of Guru Nanak Dev. Jointly organised and produced by the World Punjabi Organisation, Shobha Shakti Films and Times Music, this high-tech extravaganza of light and sound, drama, video projection, and an audio cassette album set in verse and music titled Bole So Nihal, and encompassing the stirring saga of 500 years of Sikh history of sacrifice and resistance, all provided for a very aesthetic and rousing prologue to the year-long celebrations that are to follow in the coming months in India and wherever every Punjabi resides abroad. The light and sound show of Bole SoNihal was beamed that evening on BBC, CNN and canned by Punjabi World and by early next year, this show would be travelling to Punjab, Chandigarh and the rest of India and the world, highlighting wherever it goes, the universality and rationality of the Sikh faith and its unfailing promise of protection of the downtrodden and the weak in any corner of the world. Punjabs history during the course of the last 500 years has been a saga of struggle, sacrifice and eventual glory, against the Afghans, the Moghuls and the British.In this the Khalsa has played a stellar role, unparalleled in the annals of any community or race in the world. Against all odds and against every conceivable depredation and mode of destruction, the Sikhs have shown that they are second to none, when it comes to protecting their country and people. Their unflinching bravery and loyalty to the land of their birth has always in the end earned them the countrys thanks and gratefulness. The double cassette album, Bole So Nihal is devoted to the birth and history of the Khalsa up to the reign of the British, and contains 28 compositions including those of renowned saints and lyricists. The esteemed gurbani of Guru Nanak Devj Haon papi toon bakshankar, Deh Siva bar, Guru Arjan Dev Bisar gaye sabh, Toon mera pita, and compositions by contemporary lyricists like Surjit Patar Jad Shahi talwar ne, Shah Mohammad Mahabali Ranjit Singh, and Kartar Singh Sarabha Hind wasio, besides every other offering in this memorable collection set in a devotional mood, are going to skyrocket this album to an all-time new height of popularity.Guru Gobind Singhs Mittar Piyare nu, and Khalsa mero roop, sung by Sardar Bhupinder Singh and Balwinder Singh Rangila, respectively, are classic examples of poetic wizardry and the sombre moods of the time, besides some exceptionally mellow Gurbani by the two ragis. Mahendra Kapoor, Bhai Dilbagh Singh, Hans Raj Hans, Surinder Chhinda, Satnam Mullanpuri and Jayshree Shivram are some of the other well-known singers who have lent their voices to the shabads and lyrics. What is most pleasing and appropriate is that this album also includes a 64-page booklet with the complete text of the songs and shabads in the album in the Punjabi language, and a large number of colourful photographic plates and rare paintings of historic value, not normally seen in most publications today. The complete ensemble of Bole So Nihal has been written, produced and directed by Harcharan Singh and Latta Harbux Singh, a "Shiromani Nirmata" award winner of the Punjab Government. The music director is H.M. Singh. They, along with the three co-producers of this historical flashback, deserve our thanks for bringing up centrestage, a psychedelic offering of the Khalsas birth and search for spiritual and temporal excellence in this world. It is never easy to juxtapose events of one era and age, into the medium of the video in the present times. Yet, the producers have effectively succeeded in doing this too, and Om Puri, Raj Babbar and Dara Singh play Malik Bhago, Wazir Khan and Massa Rangarh of yore. Cycloramas, smoke and wind machines, fireworks and the firing of guns have all been meshed in together to recreate the battles and the turbulent times when the Khalsa, on one end of the fulcrum, was battling for its very survival, and on the other, was at the very peak of all its majesty and glory during the reign of Maharaja Ranjit Singh. The producers have done a fine job depicting every segment of the Khalsas short (in terms of other religions) history. Bole So Nihal celebrates the goodness and the glory of the Gurus and the pathbreaking sacrifices of their followers, the Panth in fighting the oppressors and the wrong-doers. |
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